"The problem is you don't know my pain or emptiness. But now you're going to know how it feels to be me."

Mitch Brockden (Cooper) is an ambitious up and comer in the Chicago prosecutor's office. He has a reputation for being aggressive, and he doesn't lose cases. He's respected and liked by his colleagues. That's the man we first meet. But after a night of some power drinking with his buds, we are introduced to another Mitch Brockden. This Mitch is selfish and a coward. When he ends up hitting a man while driving drunk, his instincts tell him to call an ambulance from a pay phone so it can't be traced to his cell and drive away. You see, Mitch has a lot to lose. He's up for getting a DA job. He has a wife and a brand new baby. He's afraid the DUI accident will derail that life. Unfortunately for Mitch, it's his decision to run away that causes the most damage.

The Muppets debuted in 1955, and the late great Jim Henson’s creations have been delighting audiences (and fellow entertainers) of all ages ever since. They’ve made their mark on the small screen — most notably with The Muppet Show (1976-81) — and at the movies, starring in eight feature films across four different decades. However, 2011’s The Muppets was their first big-screen outing in a dozen years, and the movie spent most of its time wondering if the Muppets’ old-fashioned, irreverent charm still had a place in a more jaded pop culture landscape. The answer was a warm, if not quite resounding, yes. With that out of the way, Muppets Most Wanted is a return to the sort of zany showbiz farce that made them movie stars.

“Doggone it…it looks like they’ve ordered a sequel!”

“So long as my enemies are alive, I will not die.”

During his lifetime, Genghis Khan reigned over one of the biggest empires the world has ever seen. There are literally dozens of action-packed epics that could be made about his various battles as head of the Mongol Empire, which included portions of China, Russia, the Middle East and Eastern Europe. But Kingdom of Conquerors curiously focuses on the one adversary Khan couldn’t vanquish: death.

Remember the first film that kept you awake at night?  The film that had you keeping the light on, when every strange noise you heard was that of some monster you were all but certain was lurking in the darkness waiting for your eyes to finally close?  For me it was that thrill that got me excited about horror films, where every Saturday I’d watch Creature Feature, and in the evening I’d channel-surf till I found some horror film to keep me up into the late hours of the night.  Texas Chainsaw Massacre, The Exorcist, The Beyond and many others were the films that I would grow up and hold up on a pedestal as the modern classics of horror.  As I watch the new wave of horror coming out, sure, there are plenty of titles that are really fun, but the films that leave a mark, the ones we’ll be talking about 10 to 20 years from now, where are they?

Here Comes the Devil is one of those films.

"Beautiful. Powerful. Dangerous. Cold. Ice has a magic that can't be controlled."

Like the very best that Disney has offered over the decades, Frozen has its roots in a very old classic fairy tale. Walt himself was interested in doing the Hans Christian Andersen story The Ice Queen immediately following Snow White And The Seven Dwarves. The film was given a production number along with some brief notes. Nothing else remains of the idea, and no one knows exactly what Walt intended or why the story was put on hold. The same thing had happened to another Andersen classic, The Little Mermaid, which took 40 years to finally go from Walt's original investigations to the Disney classic film it is today.

Growing up, several of my favorite films were created by Tom Holland; in my eyes this guy is a legend.  He’s responsible for writing and directing Child’s Play and Fright Night, two 80’s classics that most know about, but he also penned Psycho 2, which I know I’m in the minority but I actually like more than Hitchcock’s. But Holland also wrote this other film Cloak and Dagger with Henry Thomas and Dabney Coleman that was released in 1984, and this was just one of several movies I would watch over and over again to the point I’m sure it drove my parents bonkers.  What’s with the trip down memory lane?  Well, I just want to establish how much I do respect Holland and the work he’s done, because some of his films are responsible for the film geek that I am today.  And it’s because of this when I had the opportunity to review Tom Holland’s web series Twisted Tales, I jumped on it.

The web series has a basic enough concept.  Each episode is a short film that is introduced by Tom Holland; all nine episodes are directed by him, but he only gets credit for writing seven of them.  The episodes originally aired on Fear Net which is also responsible for bringing the project to life.  In concept this is great idea, but in the execution of some of these they not only fall short but are simply bad.  Budget lends a hand to what hurts the overall look of the project, but as I moved through the episodes I couldn’t help but feel that most of these shorts were simply based on ideas thrown out or just never fully developed.

A concussion is a brain injury that causes trauma, confusion, loss of concentration, and impairment of judgment balance and coordination. The new film Concussion starts with a woman getting hit in the head with baseball thrown by her stepson. Abby (Robin Weigert) is married to divorce lawyer Kate (Julie Fain Lawrence). They seem happy but bored in their relationship. Kate obviously probably was in a relationship with a man before but gave up on it. The two kids seem distant and grouchy toward Abby. Both seem to be well off and have their own money. Abby has been taking a break from renovating apartments, but she decides to go back to it. She spends lots of time with other women over 40. They all seem vaguely dissatisfied, but Abby seems even more edgy than that. Her partner, Justin (Jonathan Tchaikovsky), is used to her bossiness and she decides to confide in him. Abby is bridling at how boring her relationship has become. She decides to go to a hooker. She does it again. Each encounter is different with varying degrees of unsatisfying and satisfying. The implication is that the concussion has shaken her brain up and changed the way she thinks. She learns that Justin is dating “the girl” who sets things up. Justin lets her know that she might be able to play the other side of the fence. Get $800 instead of paying $800. There are young women with lots of daddy's cash who are looking for someone more mature. Justin says, “What's the difference?” So Abby starts seeing young women, under very controlling and particular situations. She gets to meet “the girl”, who is a rather neurotic and pretty college law student. Abby asks to see all kinds of women, not just young ones. “The girl” thinks that is fine, and it would be nice if she would work more than one day a week.

The clients are all different. At one point Justin says number five wants to see her again. Abby says no. Then we see why. Number five likes to choke her and hurt her. One of the clients who turns up happens to be an acquaintance of hers who is married to a Goldman Sachs stockbroker. It was assumed she was happily married, and she is, but she's excited by a lesbian fling. Sam (Maggie Siff) becomes a regular client. Abby enjoys feeling desirable. Most 42-year-old women would probably like the idea of lots of sex with different people, but clearly Abby's life has been thrown out of its safe trajectory. It is obvious that something has to give. It is not likely she can remain a housewife and a hooker forever.

Need for Speed is based on a video game. It caters to people who love the experience of speed. There is a huge audience for this sort of thing. To their credit, the writer and director makes every effort to create an actual story and real characters in this presentation. It is easy to compare it to Fast and Furious, but why bother. That gives these sorts of films too much credit. Fast and Furious and Need for Speed are designed to give people a thrill. If anything Need for Speed takes things more seriously than the Fast and Furious series. It also focuses more on beautiful and very expensive cars. Some of the cars featured include Koenigseggs, Lamborghinis, Ferraris, Porsches, McLarens, and Jaguars, but Ford Mustangs and Torinos get some of the most lavish praise. It could be a commercial for these cars. In fact, the film could be a commercial for the video game and the car culture, in general. One of the plot points is that the millions of invested in these cars is motivation to overlook past hostilities. The other reason for making this film is to give a star vehicle to Aaron Paul (Breaking Bad).

Tobey Mitchell (Aaron Paul) has a high-performance car shop in Mount Kisco. There are some fun street racing scenes right at the start. It should be stated that, at every point in this film, there is zero concern for the safety of innocent bystanders. The driving is always reckless and insane. He connects with his old girlfriend Anita (Dakota Johnson) who was stolen away by an old friend. That ex-friend Dino Brewster (Dominic Cooper) is now a big shot in the racing world. Tobey is behind on the mortgage on the shop. Dino offers him $500,000 to fix up a $3,000,000 car. Tobey has no choice but to set their differences aside. All his coworkers and best buddies are totally against it including Anita's brother Pete (Harrison Gilbertson). Pete is also a bit of a psychic and seer, predicting that Tobey will win a great race that ends at a lighthouse.  I'm not going to go on about the plot too much, because it's predictable and done just to make sure no one just thinks it's a cheap video game ripoff. Aaron Paul does give full commitment to his role and is actually very good. I don't think he's leading man material, but he is able to convey all levels of intensity. This movie would be better off with a Steve McQueen type, but those are nearly non-existent (although I think Tom Hardy has potential, but he's not in this movie).

OK, in case you didn’t know this about me, I’m a sucker for South Korean action cinema.  Sure, the 90’s were ruled by Hong Kong, but for about a decade South Korea has been killing it by putting out some of the most visually stunning action films in years.  For a quick crash course in how simply bad-ass and epic their cinema is, I highly recommend checking out The Chaser and A Bittersweet Life.  With Commitment we get a new entry in the spy genre that hasn’t been explored stateside.

Myung-hoon (Choi Seung-Hyun, a Korean pop star also known as T.O.P) and his sister are stuck in a North Korean labor camp after their father is killed in South Korea working as a spy.  Myung-hoon is offered a chance to protect his sister and stay alive, only it requires him to go into training as a spy and travel into South Korea and await word for his mission.

Until recently DirecTV's Audience Network was a home for critically acclaimed shows that somehow lost their feet on another network. It started with Friday Night Lights and more recently with Damages. So DirecTV was no stranger to original series production. Now for the very first time the satellite carrier and network have developed their own television series. Rogue would be the first show on the network not to have played somewhere else first. The effort is a collaboration with eOne and Greenhouse Entertainment. From the first 10 episodes of the first season, you can bet it's a pretty wild ride and a relatively strong start.

Grace Travis (Newton) is an undercover cop for the San Jose Police Department, on loan from the Oakland Police Department. She is deep undercover and has managed to get quite close to kingpin Jimmy Laszlo (Csokas).When her son is killed in an apparent random drive-by shooting she is devastated and pulled from her cover and put on leave. That is until she discovers there might be a link between Laszlo's organization and her son's killing. Someone within Jimmy's crew is trying to take him out, and a bullet comparison ties his traitor with her son's death. Without permission she goes back under. When her cover is blown she ends up striking a deal with Jimmy to find the person that both of them want. It's a tricky accommodation that will send ripples through her family and work colleagues.