British badass Craig Fairbrass looks more like the henchman in an action movie than the hero. (To be fair, Fairbrass looks like the lead henchman who always gives the hero a little more trouble than you’d expect, but he looks like a henchman nonetheless.) The actor has worked steadily in England and Hollywood, including a role in Cliffhanger where he played one of John Lithgow’s (you guessed it) henchmen. With The Outsider, Fairbrass earns a story credit and the right to play the hero in this junky, bruising, low-budget cross between Taken and The Limey.

Fairbrass plays Lex Walker (strong name), an English mercenary who receives word that his estranged daughter Samantha has been found dead in Los Angeles. When he arrives to identify the body, he discovers the dead girl in the morgue is not Samantha. The good news is his daughter isn’t actually dead, but the bad news is she’s still missing. Lex goes on a brutish warpath through Los Angeles in search of Samantha. Along the way he enlists the help of her boyfriend Ricky (Johnny Messner) and Margo (Shannon Elizabeth), an opportunistic acquaintance of Samantha’s. Lex’s investigation puts him on a collision course with Schuuster (James Caan), Samantha’s shady former employer, and Det. Klein (Jason Patric), who is trying to solve the mystery behind Samantha’s non-murder.

It started 300 million years ago... OK, it really started in August of 2008 when the British television series Primeval arrived on the scene. It was a combination Stargate and Jurassic Park. Professor Nick Carter (Henshall) became obsessed with a natural phenomenon he coined anomalies. These sparkling electro-magnetic disturbances were doorways to eras of the past, and later discovered, the future. His wife had disappeared into one several years earlier, and he ended up heading a government team called A.R.C. (Anomaly Research Center) to deal with the beasts that get through to our side. They needed to be returned in one piece. It turns out that killing even a prehistoric bug could generate time ripples that might change the present. Carter found out the hard way, and for five seasons Primeval dealt with the likes of errant dinosaurs and conspiracies from the future. The show ended in June of 2011... or did it?

Enter Primeval: New World. This one-season wonder picked up where the British series ended. This time it was set in Canada. The new Nick Carter was Alex Cross, played by Niall Matter. Cross is a rich industrialist. Like Carter, he had lost his wife years ago. His loss was much more permanent. A dinosaur ate her in front of him. A strange man in an ARC uniform just barely saved his life at the cost of his own. He keeps the body of his mysterious stranger in a cryogenic freeze. He dedicates his efforts and company resources to learning everything he can about the anomalies. He ends up using technology from the future to build the tech we already saw in the original series. Cross puts together a team to begin doing pretty much what Carter's team did in the original. They would track down the anomalies and attempt to deal with the various prehistoric nasties that made their way through them to our time.

If Brent's name looks familiar to you, that's because he's been a major contributor here at Upcomingdiscs for going on 2 years. If you don't know Brent's name, you aren't coming here often enough. Brent's been a great find and we're looking forward to the next 200 reviews. Take the time to check out what he's had to say.

We're all lucky to have him on board.

When you are first getting into a relationship those first few weeks can be pretty awkward at times as the two of you get to know one another.  The decision to go on a road trip early on in a relationship is simply one of those gambles that can go either way, but if the trip goes well, then of course the future of this budding romance is all the more promising.  In Fear follows a couple that bravely decides to take a road trip together so they can see a concert; unfortunately for them, it’s the road trip from hell.

Tom (Iain De Caestecker) and Lucy (Alice Englert) are the young budding couple that have decided to take the scenic route to the concert after experiencing an off-screen confrontation inside a small town pub.  Since the altercation is never seen and only hinted at by our leads, it doesn’t take long be submersed in the suspense that follows.  Once the two decide on staying overnight at a hotel, it’s not long before they get turned around and lost along the backwoods roads.

Joel and Ethan Coen have been churning out hits for decades.  From Raising Arizona to Fargo and No Country For Old Men as well as many cult hits in between, the Coen brothers have a unique voice that has led to their long success in the Hollywood system.  With their new release, the Coens delve into the Greenwich Village Folk scene in the winter of 1961.  It’s a time that most audiences (myself included) may not be very knowledgeable about. The Coens take on this niche genre of music and present an engaging tale about a struggling musician and his journey to find success in an industry that at the time had a deaf ear to Folk.

Llewyn Davis (Oscar Isaac) is a guitar playing folksinger, his act recently going solo after his partner dies.  When we first meet Llewyn he’s playing at The Gaslight, a club filled with musical acts on the rise.  After his set Llewyn is told by the club’s owner that there is friend waiting for him outside; as it would turn out the so-called “friend” has a grudge to settle with Llewyn.

Gone With The Wind is the most popular film of all time still to this day if you talk about adjusted dollars. The Birth of a Nation was the most popular film of all time for a considerable time prior to that. Both films could be said to have a benign view of slavery and white supremacy, although it would be easy to use much stronger language than that. In most circles, both films have been considerably discredited due to this myopic view. Both films almost completely ignore or disregard the incredible cruelty of using human beings as a commodity for commerce. Even that doesn't begin to address the evil. Slavery continues to subjugate and demean up to 30,000,000 people worldwide to this very day, but it was sanctioned by law in much of the United States until after the Civil War. The horror, indignity and monstrous unfairness of it all cannot be overstated. Those involved in the abolitionist movement prior to the Civil War were driven by a fanatical and fervent desire to expose the abominable hypocrisy that was prevalent. A small core of free men and women of all races risked their lives to fight the abomination.

12 Years a Slave was a book that was written as a true account of the blind evil of the time. It is now a movie by young director Steve McQueen (that's his real name; he is obviously not the dead actor). In Saratoga Springs, a young highly regarded musician has a beautiful family and home. His name is Solomon Northup, and he has a good life. He is intelligent, friendly and eager to make the most of his talents. He is persuaded to assist two entrepreneurs with a venture and travel to Washington, D.C. After much success and celebration he wakes up to find himself in chains, and so begins the 12 years. He is transported on a slave ship and changes hands among owners over those 12 years. He is, after all, property. He is now part of a “peculiar institution”.

Instead of featuring episodes from this season in consecutive order this DVD set takes episodes of a similar theme from each of its three seasons and bundles them together. As the title ever so subtly suggests, these episodes all feature animals. Along with sharing a theme, these episodes all follow the same formula that Bubble Guppies has had all along.

The pre-school level teaching of basic numbers, letters etc. and pop-styled songs are all here. This series hits the right level of repetitiveness for toddlers to enjoy it, and probably learn a little from it. The real value of this DVD comes in its run time, which clocks in at 138. This is more than double the length of some other Nickelodeon releases, and since these things are essentially short term babysitters the longer time the better.

Paul Walker built his career on playing tarnished golden boys (Varsity Blues, The Skulls) before breaking out with the Fast & Furious franchise. He wasn’t as decorated as fellow recently-departed colleagues like Philip Seymour Hoffman, Peter O’Toole, James Gandolfini and Harold Ramis, but Walker was unequivocally a Hollywood success. Hours is one of the last films the actor completed before his November death in a single-car accident. The film quickly loses its way after a promising start, but Walker is easily the best thing in it. His work here is a bittersweet glimpse at the sort of roles he might’ve taken on as he progressed through his 40’s.

Hours has a potentially-gripping premise. Walker stars as Nolan Hayes, who arrives at a hospital with his pregnant wife Abigail (Genesis Rodriguez) during a stormy morning. Abigail has gone into labor five weeks early, and we watch a weary Nolan as he sits and waits to hear the fate of his wife and unborn child. Some of Walker’s very best work in this movie comes immediately after Nolan receives tragic news and goes into a state of shock/denial. Eventually, the storm outside knocks the power out in the hospital and forces Nolan to go to extraordinary lengths to keep a loved one alive. This is a good place to mention the film takes place in New Orleans. In 2005. Late August.

Long before Clint Eastwood was making our day as Dirty Harry or even roaming the badlands without a name for Sergio Leone, he was working the cattle drive on Rawhide. Rawhide was created to take advantage of the huge Western film and television wave that Hollywood had been riding for nearly a decade. With huge ratings for Gunsmoke and Bonanza among others, Rawhide was a bit of an unlikely success. Here the show explored the West on an endless cattle drive to get a few thousand steer to market. Along the way the crew would find themselves involved in someone else’s troubles or meet trouble head on themselves. The cattle drive theme would rely on the changing landscape to distinguish the show from other more sedentary westerns. More like Wagon Train, the constant movement always gave a sense of action even when there wasn’t much. Of course, there was a large number of changing support players along on the drive. Every operation needs cooks, ropers, and red shirts.

A very young Clint Eastwood played Rowdy Yates. Unlike any cowboy you ever saw, Rowdy had slicked up hair and looked more like a biker than a cowhand. He was the greenhorn in the bunch, usually finding each experience a learning opportunity. He had an almost naïve charm that made him popular. Eric Fleming was Gil, the trail boss. The third main character was Pete Nolan, played by Sheb Wooley. Sheb formed a good relationship with Eastwood that would be rewarded years later when Eastwood created a role for him in The Outlaw Josey Wales. I didn’t really watch the show even in its limited syndication run, so knew most of it by reputation only. Of course, I knew the Frankie Laine theme that has been used for everything from selling cars to western spoofs. The tune was also a moderate radio and record hit in the day.

This is the third stab at making an animated series about these radical reptiles. This particular DVD set is the lfirst half of the show’s second season. We are privy to a wide array of toys…er, I mean, characters whose stories are firmly established at this point.

This is the first series presented as a 3D computer animation. The graphics are nicely rendered, but are sometimes hard to see since the movements, especially during fight scenes, are incredibly frantic. I certainly hope the fact that I find the pacing too fast isn’t a sign of old age arriving. The animators have clearly gone through a lot of trouble choreographing a fight that can sometimes have at least a couple dozen characters interacting (a very difficult thing to manage) and I’d appreciate it more if the speed didn’t make me feel like I need to feed the DVD Ritalin.