Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
"There are dark spirits, old and full of hate...The world is in great danger."
A trilogy is a hard animal to pull off. Even when you have a popular franchise, it is extremely difficult. All of the pieces have to work just right, or you could have a disaster on your hands. It is even harder when you've already beaten the odds once and delivered a trilogy that is both loved and a huge box office success. You run into an almost insurmountable mountain of expectations. Your pieces must somehow fit together so that they can be viewed as one whole product.
Posted in: No Huddle Reviews by Brent Lorentson on April 8th, 2014
On the heels of the reality TV Pentecostal preacher dying from a snakebite, Holy Ghost People delves into the dark side of religion and how those who believe can be corrupted and taken advantage of. It’s not that the film is looking to exploit or demonize a religion or anyone’s beliefs, but instead it explores the people who have no problem using another’s beliefs and weaknesses to manipulate them. Though the film takes place deep in the backwoods of the Appalachian mountains, it could just as easily be about a chapel just up the street; after all, faith and corruption are everywhere so long as there is someone eager to believe.
Posted in: No Huddle Reviews by Brent Lorentson on April 8th, 2014
Ever watch one of those reality shows and wonder what would happen if someone got killed, or what if one of the cast members turned out to be a psycho ax murderer? Well, I’m not ashamed to say the thought has crossed my mind from time to time in hopes that it would make the season of Survivor mean a whole new thing with the stakes raised, and instead of a vote off you were literally cut out of the show. Well, HazMat tackles this very notion of a reality show breaking from the script (come on, we all know by now reality shows are scripted) after the show’s participant gets the thirst for blood.
Posted in: Disc Reviews by Gino Sassani on April 8th, 2014
You know exactly what's going on here. It's Rocky Balboa vs. Jake La Motta, and they're not exactly in their prime. For reasons of property rights, of course, this really isn't Rocky or La Motta, but you and I know it is. The film takes great pains to remind us of each of these iconic characters. Sly's character tries to take a shot at some hanging meat after drinking a glass of raw eggs. De Niro's character is found telling boxing jokes in his own club, just as the real-life La Motta did after his fighting days were over. Both of these actors played iconic fighters in their day.
Posted in: No Huddle Reviews by J C on April 7th, 2014
The majority of murders committed on television are presented from the perspective of the people trying to solve them. It's a smart, gratifying strategy because it allows us viewers to play detective from the safety of our couches one hour at a time. Far fewer shows are interested in doing the more difficult/less glamorous work of dramatizing the way a death can shatter a family, along with an entire community. Broadchurch is one of the most outstanding cop dramas I've seen in a long time because it's willing to do that difficult work while also delivering the goods as a satisfying whodunnit.
Posted in: Disc Reviews by Brent Lorentson on April 4th, 2014
The H.G. Wells invasion story has been told numerous times from a radio show when it allegedly caused a panic when Orson Wells made his infamous broadcast to the more recent imaging brought to the screen by Steven Spielberg. It’s the alien invasion story that has captured our imagination and will continue doing so for decades to come. In the new 3D animated release of War of the Worlds: Goliath, the tale of science fiction is simply the jumping-off point to a new and bigger story about the war that was waged between man and those from outer space.
Posted in: The Reel World by Gino Sassani on April 4th, 2014
"It's called compartmentalization. No one spills the secrets because no one knows them all."
I was lucky enough to grow up during Marvel's wonderful rebirth of the 1960's and 1970's. Of all of the comics they produced during that time, I was always least impressed with Captain America. I don't think I ever read an issue of any of his mags with the notable exception of The Avengers. So how can it be possible that after dozens of Marvel films, and I'm including the Fox and other-studio-produced stuff, that Captain America: The Winter Soldier can end up being my favorite?
Posted in: Disc Reviews by J C on April 3rd, 2014
“I’m Norma Rae. You know me.”
Chances are you’ve at least heard of Norma Rae, even if you haven’t actually seen the Oscar-winning film that bears her name. You might know it as the granddaddymomma of underdog stories centered on feisty female crusaders; Norma Rae begat Silkwood, Erin Brockovich, North Country and others. Or you might know it as the movie that made Sally Field a serious movie star, although it’d be another five years until she really believed that people liked her.
Posted in: Disc Reviews by Brent Lorentson on April 2nd, 2014
“…I’m packing an ounce of killer shrooms, and there be monsters in need of pummelin’.”
When I first think of how to explain Knights of Badassdom, what comes to mind is that it’s Evil Dead 2 meets LARPing. The only experience I’ve had with LARPing came in the form of watching Role Models and having to review the documentary Skull World. What director Joe Lynch (Wrong Turn 2 and actor in Holliston) has done is create a world that invites both fans of role-playing and horror and thrusts them together to create a blood-and-gore-soaked romp filled with laughs
Posted in: Disc Reviews by J C on April 2nd, 2014
“Sometimes a day can be an eternity.”
It’s hard to tell a convincing love story, period. It’s even harder to tell a convincing love story when we’re supposed to believe the two characters fall for each other within the space of a single day. The good news is At Middleton somewhat manages to pull this off in a little over an hour. The bad news is the film is actually 1 hour and 40 minutes long.
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