A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the  listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.

The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.

Most of you know Ricky Schroder. He was the child actor from Silver Spoons in the 1980''s. In the 1990's grew up fast and took on NYPD Blue. All along the way he has redefined his image. Now he's a family man. The entire Schroder clan has recently put together the Hallmark film Our Wild Hearts. The film stars Ricky, two sons, and his daughter Cambria in her first staring role. He co-wrote the film with wife Andrea and directed the movie. I recently had the opportunity to chat with him about his family and the latest film. Bang it here to listen in on my chat with Ricky Schroder

I got the chance recently to chat with Calvin Reeder. Reeder's a relative newcomer to the filmmaking game, and he certainly has developed his own storytelling style. The Rambler is his second feature-length film. Bang it here to listen to my chat with Calvin Reeder

Unfortunately, I must apologize for a series of beeps that interfere with the quality of the audio.

In 1988 a movie by the name of Die Hard became a worldwide commercial success and helped launch the career of one of Hollywood’s most prominent action stars. The legend of the film transcends time and space as it is still to this day a beloved film, and its name has become synonymous with what an action film is. In 2013, another film looks to capture that same type of glory, a film I believe has the potential to become this generation’s Die Hard, and not because both film’s main character’s first name is John. White House Down is an explosively entertaining experience brought to life from the director that brought us Independence Day, 10,000 B.C., and 2012.

We’re almost 150 years removed from the death of Abraham Lincoln, yet interest in the first major assassination in American history appears to be at an all-time high. Daniel Day Lewis just won a well-deserved Oscar for his astounding portrayal of our 16th president, and this month has already seen the home video release of the fascinating Killing Lincoln. Pictures From the Fringe enters the fray with the paradoxically-titled Saving Lincoln, a unique, well-meaning presentation of his presidency and a sketchy portrait of the not-so-well-known relationship between Lincoln and personal bodyguard Ward Hill Lamon.

"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."

If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements

Burned, Recruited, Coerced, Betrayed, and Framed; in the past five seasons of Burn Notice, Michael Westen has been all of these things. The constant fluctuation in his ever-changing status is enough to drive a person mad, but through it all Michael has managed to stay level-headed and remain confident that he would find a way out. That confidence in his abilities is no doubt sustained by the support of his eternally loyal love, Fiona Glenanne. Fiona is Michael’s anchor; she keeps him centered, and as evident in last season when Fiona was framed for a bombing by Anson, Michael will go to any extreme to keep her safe;

"The body is the proof. It will tell you everything you need to know if you just have the patience to look."

Body Of Proof was a mid-season entry by the network two years ago; it debuted at the end of March and ran for only nine episodes that year. It was renewed, so it had the opportunity to develop into something better than what it was. After a full season last year, it was decided to retool the show considerably for the third year. It was all an obvious sign that the show with so much potential was having trouble drawing in enough viewers to keep it alive. The end has finally come, and those last episodes are now available on DVD.

Every generation since “X” has lionized its slackers and frat boys with films (perhaps earlier if you look to Animal House as the beginning). Workaholics dances between this honouring of the stoner/slacker lifestyle and satirizing it. This show's third season is just like the previous two. Three best friends, Adam, Anders and Blake, spend their work days with pranks, pot and parties on their minds, and each episode showcases their adventures therein.