Posted in: No Huddle Reviews by Gino Sassani on April 24th, 2013
"This series presents information based, in part, in theory and conjecture. The producers’ purpose is to suggest some possible explanations, but not necessarily the only ones to the mysteries we will examine."
Everybody loves a mystery. I'm not talking about a murder mystery found in a book or movie. I'm talking about the mysteries of life. We're surrounded by them. Do aliens exist? Have they visited us now or in our ancient past? Can plants communicate? Are some sharks immortal? Is there life after death? How about before birth? Is there really a Fountain of Youth? Do our pets have ESP? There are as many questions as there are stars in the sky. If you're rather fond of these questions, and who isn't? (Oops, that was another question.) In Search Of... is just the vintage television show for you. Thanks to the folks at Visual Entertainment you just got your chance. So ask away.
Posted in: No Huddle Reviews by Gino Sassani on April 24th, 2013
Posted in: Blog Posts, Random Fun by William O'Donnell on April 24th, 2013
Steve Kostanski, a special effects artist working out of Toronto who has been a part on such productions as Silent Hill: Revelation and the upcoming Pacific Rim, began making the film Manborg as a personal project. It was mostly shot in a garage with his friends and a budget of roughly $1000. Now, much to his surprise, the film has become something of a cult sensation as it screens in theatres all over the world as well as receiving a loaded DVD release in almost every region. I spoke to the Director about the explosion of Manborg fandom worldwide:
Posted in: No Huddle Reviews by J C on April 23rd, 2013
“Nobody grows up wanting to be a knuckleball pitcher. It’s born of desperation; it’s born of necessity.”
By the start of the 2011 season, there were only two active knuckleballers in Major League Baseball. One was a failed power-hitting 1B/3B, while the other had been cut by his team at the start of the previous year’s spring training. Knuckleball! — an engaging documentary dedicated to the kookiest pitch in baseball history — illustrates how that desperation extends beyond the few brave souls who have attempted to make a living in the big leagues by throwing very softly.
Posted in: Disc Reviews by Brent Lorentson on April 22nd, 2013
Donnie Yen continues to deliver one great martial arts film after the other, easily making him the most entertaining martial arts star for quite some time. Sure, there are those who cling to the idea of Bruce Lee being “the best” or perhaps mentioning Jackie Chan or Jet Li for more modern viewers. But for me it’s Yen, and I have no problem saying he may be the best martial arts star of all time. His work with Ip Man, Seven Swords, and Flash Point are staples in a career that has been going since 1984. With Dragon you can check off another hit for Yen; though it may not be as action-packed as some of his previous releases, what we get instead is a fun detective story that asks the question, can a man that has committed atrocious crimes be capable of change?
Dragon opens up in a small village in 1917 China. The village is quaint; everyone has their place in keeping the village alive and running. For money the village makes paper; it’s not enough to exactly have everyone living the high life, but that isn’t what you’d expect in this village that probably hasn’t changed much in the past hundred years. But everything changes when two thieves come into the village and attempt to rob it. Liu Jin-xi (Yen) reluctantly stops the robbery, and in the process a “fight” breaks out which results in the death of the two thieves. Was it simply luck on Jin-xi’s part, or is his simpleminded act of heroism a ruse, and beneath it all could he possibly be a trained killer? This is left to Xu Bai-jiu (Takeshi Kaneshiro Red Cliff and House of Flying Daggers), an investigator sent to the village to decide if it was all an act of self defense.
Posted in: Disc Reviews by J C on April 22nd, 2013
“I want to talk to you about the war for the soul of Los Angeles.”
This could easily describe the current rivalry between the surging L.A. Clippers and the geriatric Los Angeles Lakers, but Gangster Squad has slightly weightier matters on its mind. The stylish 1940s and 50s cops-and-crooks saga wants to tell a story about corruption and violent men unable — or unwilling — to turn off their capacity for hurting others. Instead, the film winds up being a somewhat shallow 21st century gloss on The Untouchables. And there’s absolutely nothing wrong with that.
Posted in: No Huddle Reviews by Archive Authors on April 22nd, 2013
You need to imagine you are back in 1969. Many of you will have no idea what a different world it was back then. So many things did not exist, like computers and the internet and cable television. So much is available now that people could only fantasize about then. Now any unsupervised 10-year-old can see just about anything they want. It's hard to imagine how big a difference that is. Hiding Playboy magazines under the mattress was about as bad as it got back then. There was a huge unfulfilled demand for adult entertainment when adults couldn't find much that excited or titillated them. But there was a change coming slowly without calling too much attention to itself. Radley Metzger saw an opportunity to create a kind of art film that would let him break new ground.
The film The Lickerish Quartet was one of a number of films Metzger created as a film distributor and director. The films look quaint now. They were filmed beautifully with excellent production values. For instance, The Lickerish Quartet makes superb use of an actual castle (Balsorano in Italy's Abruzzi Mountains) by the gorgeous seaside and countryside. It attempts to use Pirandello's Six Characters in Search of an Author as an inspiration for its existential musings. Metzger's forays are pretentious, but they did break ground in upscale eroticism. Both Andy Warhol and NY Times film critic Vincent Canby gave it high praise.
Posted in: Disc Reviews by J C on April 22nd, 2013
“Whose move is it?”
To be honest, I’m not much of a chess player. I know how all the pieces move and I enjoy the mental challenge, but I never really committed to becoming proficient at the game. (Now, if we’re talking Connect Four, you don’t want to run into me in a dark alley.) Pawn establishes its intriguing chess motif early on, before almost completely abandoning it in favor of becoming more of a generically twisty thriller.
Posted in: The Reel World by Brent Lorentson on April 19th, 2013
Ever wonder what would happen if you took all the best or most memorable parts in a sci-fi film and cut them all together? What you get is the hodgepodge mess that is Oblivion, which unless I’m mistaken or blinked a bit too long and missed it, doesn’t have an original bone in its already weak story. Though they say if you’re going to steal, then steal from the best; the problem is that when you play it off as your own, please be able to give us a refreshing twist on a classic scene, not just make it cool. Sure people will say the same about Tarantino, but he owns up to it and puts a spin on it that is undeniably his own. In the case for Joseph Kosinski (the writer and director) I look at Oblivion and feel he gave the entire sci-fi genre the finger and took all the cool great moments to play with at will.
(If you’ve never seen The Matrix, Moon, Blade Runner, Independence Day, 2001 Space Odyssey or numerous others, well, then perhaps you may be in the dark as to what I’m talking about.)
Posted in: Disc Reviews by J C on April 18th, 2013
“I want to visit a country of dreams, imagination and magic.”
Instead of “dreams, imagination and magic”, the Africa presented in this confounding, family-friendly offering from Spanish filmmaker Jordi Llompart is a place of trippy visuals, head-scratching dialogue and horrid CGI. Magic Journey to Africa — billed as a “giant screen spectacle” — is now available for home consumption, where the film’s dazzling 3D presentation is its only saving grace.
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