2k Games has been a leader video games for years. Many of you have been waiting for it and now it's here. We have a copy of  XCOM: Enemy Unknown for the PS3 to give away to one lucky winner. Michael Durr's about to drop his review on us soon. Control Earth's defenses against an alien invasion with this exciting new game from 2K Games.

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Our friends over at Lifetime have given us a copy of What Color Is Love and The Fantasia Barrino Story: Life Is Not A Fairytale to giveaway. This is a wonderful you pick-em contest. What Color Is Love tells the story of a sports reporter who falls for an athlete. The romance leads to a dramatic court battle over their mixed-race son. In the second film a single teenage mom has to overcome great obstacles to become a singing sensation.

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Stand-up special or biography? As it turns out it was a little of both. Before this DVD I did not know who Paul Rodriguez was; now I am proud to say I’m a bit of a fan. His stand-up, Just for the Record, gave an informative insight into his rise from migrant worker to professional comedian. He exudes an air confidence from beginning to end, but more than that, he breathes soul into his act with stories that make you feel something within yourself and that is something I have not felt from a comedy special in a very long time.

Rodriguez has been a fixture on the comedy circuit for years, getting his start at “The Comedy Store” in West Hollywood, where such notables as Richard Pryor and Robin Williams performed regular sets. Rodriguez first gained notice on the ABC television series, A.K.A. Pablo. Despite the show’s cancellation after only seven episodes, Rodriguez continued to work regularly with guest star roles on Golden Girls, as well as a yearly long stint as the host of The Newlywed Game.

Quick, what cartoon was generally considered to be the first primetime cartoon of its kind, running from 1960 to 1966 with over a hundred and sixty episodes? Give up? Well that show would be the Flintstones, a stone age comedy that imitated the Honeymooners with quick wit and wholesome family jokes. Today, we have a review that brings together a couple of primetime specials that aired during the late seventies. Let's explore the first volume of Flintstones Prime Time Specials Volume 1 from the Warner Archive.

The Flintstones Meet Rockula and Frankenstone: This special aired on October 30th, 1979. Fred and Wilma dress up as a chicken and rabbit while Barney and Betty dress up as a flower and a bumble bee. They find themselves going to the set of the game show: "Make a Deal or Don't" hosted by the one and only: Monty Marble. The first contestant is Barney who is given $1,000 but is also given the option of taking the curtain. Despite "chicken" taunts by Fred, Barney listens to his wife and takes the money. Fred's egging one of his best friends earns him the right to be the next contestant.

Most people know I'm a sucker for cartoons and I am willing to give any new toon a try. Often in this day and age I might be let down as a lot of newer cartoons do not always hold up against many of the well defined classics of my childhood. However, I rarely get jaded and I am always eager for the next new show to come chomping down the block. The title for us today to review is Regular Show and 16 of the best episodes that a single disc can buy. Let's take a look.

As mentioned above, this is a best of disc. These episodes come from the second and third season and are presented in Dolby Digital Stereo and 1.78:1 Anamorphic Widescreen. None of the episodes are repeats from the first compilation disc entitled Regular Show: Slack Pack. Somebody really needs to get on the horn and start making season sets for this, but more on that later.

There are many kinds of horror films. Today's trend appears to go the route of graphic blood and guts. It's what we call torture Porn. You know the kind I'm talking about. The Saw and Hostel franchises best illustrate that kind of sub genre. The more classic horror films often feature a monster or creature of some kind. The best of these portray the monster not as evil, but terribly misused or misunderstood. These films have been with us since James Whale and Boris Karloff delivered Frankenstein to our collective consciousness. Then there's the good vs. evil fight that was best brought out in The Exorcist. But perhaps the most frightening films of all come from none of these extremes of violence or supernatural forces. The most frightening circumstances come from those things which are most realistic. The kind of situations and events that we know could actually happen to us. Open Water was a very effective film in that respect. There's an almost instinctual fear of sharks, helped along no doubt by a certain Mr. Spielberg. Most of us can relate to being in the ocean with a killing machine that's as real as the very air we breathe. Enter the misleadingly titled 247°F.

The film starts pretty much according to the standard formula. Four young adults are heading to an isolated cabin on a lake for a before-season getaway. There's the standard drug and alcohol breakout and the expected pairing off for a romp in the bed. There's the mysterious caretaker, and before long our pre-programmed minds are expecting someone or something to deliver the traditional slice-and-dice routine. But that's where 247°F deviates from the norm.

“I think we all knew it was good. But it was only when we started getting hits, which is sort of a rare thing in my life, that you start thinking, 'Maybe we’re gonna sell something here.'”

Peter Gabriel was one of the founding members of late ‘60s prog rock pioneers Genesis and released four untitled/self-titled solo albums in the late 1970s and early ‘80s, which spawned hits like “Solsbury Hill” and “Shock the Monkey.” But it wasn’t until 1986 that the British rocker enjoyed the greatest success of his career.

I had a chance to talk with Christina Ulloa from the recent direct to video film 247°F. We'll be posting the review tomorrow. While you're waiting for that, hear what the actress has to say about the project.

Bang it here to hear my chat with Christina Ulloa

"I have a surprise for you."

"Boo." Don't be scared, unless you happen to be a delivery guy from UPS or Fed Ex. It's just me. I'm Baby, and I'm the German Shepherd/Chow that runs security here at Upcomingdiscs. It's been a while since Gino let me in the theater to review a movie. Something about speaker wires not being chew toys. Anyway...I don't want to talk about that right now. What I do want to talk about is a movie called Vampire Dog, and this doggie is more of a pain in the neck than a choker collar, and that spells G A G.

“When creating art, there’s a fine line between greatness and nonsense.” You know who said that?  I did as soon as the end credits for Cloud Atlas started rolling. The sci-fi adventure/historical drama/mega-budget drag show has modest aspirations: all it’s trying to do is tell an epic, centuries-spanning story about the human condition. Needless to say, Cloud Atlas is easily one of the most ambitious and audacious films released in the last few years. No wonder it took three directors to wrestle this thing into theaters.

Tom Tykwer (Run Lola Run) joined forces with the Wachowski Bros. siblings (The Matrix trilogy) to adapt David Mitchell’s 2004 novel of the same name, which seems utterly unfilmable on paper.