It's been a while since a CSI episode has crossed our paths. For nearly 20 years the franchise would be one of the top-rated dramas on television. It all started with the original CSI: Crime Scene Investigation. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one.

Ah, good old 1990's, such important years in our history. The Soviet Union was in a state of social and political upheaval, David Robinson had just taken the professional basketball world by storm, and I was hatching plans for my first double-digits birthday. Oh yeah, and Beverly Hills, 90210 hit the airwaves for its inaugural season. Obviously, at the time I was a bit young to have been interested in this teen soap opera, so watching the DVD set has not be full of reminiscence for me. Instead, it's been like discovering for the first time what 1990 could have been like, had I been a beautiful, spoiled-rich teen living in Beverly Hills. My three biggest regrets about missing out on 90210? I could have looked back now and laughed about the bad hair, bad clothes and bad music that I thought were so cool back in the day. Actually, I did laugh at that stuff, but surely not as heartily as I would have, had I been an old-school 90210 fan.

"Well, you think about it, Ethan, it was inevitable. No more cold war. No more secrets you keep from yourself. Answer to no one but yourself. Then, you wake up one morning and find out the President is running the country without your permission. The son of a bitch, how dare he. Then you realize, it's over. You are an obsolete piece of hardware, not worth upgrading, you got a lousy marriage, and 62 grand a year."

The more things change, the more they tend to remain the same. In 1996 Paramount was nearing the end of a run of feature films that started with a 1960's Desilu Studios television series called Star Trek. That same year the studio was beginning a run of feature films based on a 1960's Desilu Studios television series that at one time shared an actor with Star Trek, Leonard Nimoy. That series was Mission Impossible. The show starred Peter Graves as the leader of a cold war covert government group called the IMF or Impossible Mission Force.

"In the 19th century, persons suffering from mental illness were thought to be alienated from their own true natures. Experts who studied them were therefore known as alienists."

The Alienist was drama airing on TNT for two seasons and is the latest in the recent trend of period-piece dramas to populate the television series market. Like many of these kinds of shows, The Alienist relies as much on atmosphere as it does on the actual story being told. The series is intended to attack the senses and obviously elicit some kind of a reaction. Filmed in Budapest, the show takes us back to New York City in the 1890's and truly builds a rather deep and dark environment that you will likely remember far longer than any other element of the show. The series also utilizes a tremendous amount of computer-generated images for set extensions and sometimes complete environments. It's an ambitious undertaking and might well have been the crowning achievement of the series.

It started in 2013 with Justice League: The Flashpoint Paradox. DC decided to follow the Marvel MCU model and release a series of DC property films in a 16-film phase that ended last year with Justice League Dark: Apokolips War. After 16 films with a couple of branch-offs, that phase/story has come to a close, and a new phase begins with Justice Society: World War II. The stories were pretty much based on the New 52 reboot of the DC comics universe. There have been some exceptional films in the series and a couple of duds. The animation styles varied and conformed to the type of story being told. With the release of Justice Society: World War II we enter a new phase, and so far the theme or source of the new films hasn't been revealed. We know the next two films will be based on the Batman: The Long Halloween comic. After that it appears the DC folks' lips are sealed. While that two-part adventure looks quite enticing, the new series of films opens with a very average entry.

Just when you thought the Saw franchise had finally claimed its final victim in Jigsaw, Lionsgate has decided to keep the gruesome franchise going with Spiral.  I know it seemed like the character of Jigsaw had finally been milked (or bled) for all its worth, what more can they do with this franchise?  Honestly when I first heard about this film I groaned, I love horror and I love gore but even I was feeling the franchise had gotten a bit stale.  As it turns out there does seem to be more story to be juiced from this franchise and I’ll say it right now, this film was the game changer the franchise needed and it helps pave the way for plenty of pain, revenge and justice down the road.  This is a film that was long overdue to the franchise and I’ll go so far as to say it’s perhaps my favorite film of the series since the release of the first film.

“Creeks lead to rivers. Rivers lead to towns.”

With a little more character development, Those Who Wish Me Dead would have been a really intriguing story. The film had a winning recipe: A script written by the man who gave us Hell Or High Water/Sicario (Taylor Sheridan), a cast that include talent like Angelina Jolie, Jon Bernthal, Nicholas Hoult, and Aidan Gillen, as well as a rifle-toting pregnant woman on horseback. What more could you ask for? If only adequate time had been spent flushing the characters out and answering some of the question that were posed during the film’s runtime. As it stands, the film never gets past the initial intrigue phase because despite all the things the film did have, it’s what the film was missing that defines it.

After filming Cold Pursuit in 2019, Liam Neeson announced he was done with his flirtation with action films. They had opened a new genre to the actor starting with Taken and created a nice boost to his career as an unlikely action star. He said he had some reservations about the genre. It didn't help that he revealed at the same time that he once roamed the streets looking for a black man to kill over the rape of a friend. It looked like it wasn't just action films that were over for the actor. I honestly expected there to be more trouble than there was, given the current climate. Somehow he kind of got a pass after apologizing for the remark. But he wasn't being offered the kind of high drama roles he was expected. So in less than a year he was back as an action figure, and that appears to be something he won't really be quitting in a long time. I get it. I was about to attend my fourth Elton John farewell concert since the first one back in the early 70's. There's something about getting the bug deep in your bones that makes it hard to let go.

The Italian film industry has been setting trends since Edison first released his wonderful moving picture cameras. Names like Dario Argento, Lucio Fulci, and Lamberto Bava delivered what would be known as Spaghetti Nightmares. These are the films that gave birth to the American splatter craze that began in the 1970's. Then there was Sergio Leone and his Spaghetti Westerns that propelled Clint Eastwood to instant stardom with his Man With No Name films. Most film fans know these filmmakers and the history that spawned. What is less known is that decades before these trends Italian filmmakers were created, a genre often called sword and sandal films that featured a lot of ancient buff guys with swords saving cities, and of course beautiful damsels in distress. While many were low-budget affairs, they soon evolved into epic spectacles while still on somewhat limited funds. Among these films the Greek semi-god Hercules would become one of the more famous and successful. Hey, Greek mythology is in public domain, so you can develop a franchise that has high name recognition without having to pay royalties. Writers were a dime a dozen and could be paid with a six-pack and a TV dinner. In Europe at the time there were no unions to make sure everyone shared in the wealth.

I’m happy to report that I found something enjoyable about all four of these films. Granted each one did have some tidbits that I could do without, but all in all each film helped me to expand my horizons. I was also grateful to have variety with each film actually being of a different genre; there was action, there was suspense, some tenderheartedness, and even a little education. I couldn’t ask for more than that.