Posted in: No Huddle Reviews by Archive Authors on March 9th, 2016
Life was financed by Canada and Australia with a Dutch director, but the subject matter was strictly American. I’m burying the lead because I want to give the film’s subject a proper buildup. Life is about one of the most famous people who ever lived. He was a person who was loved all over the world and whose face is the preeminent icon of youth and rebellion. One could argue there are others who could vie for the crown, but for different reasons I would insist that James Dean is the man. James Dean is unique for many reasons, but the main one is that he died at 24 at the cusp of a very big wave of fame. His talent and charisma was obvious, and he nailed it three out of three times on the big screen, East of Eden, Rebel Without a Cause, and Giant. He was the next Brando but became the only James Dean. There are many screen legends, but no one burned brighter and faster with a light that shines to this very day. He died September 30, 1955 from a car crash.
Life is the story of a photographer who spent a few days with Dean just before he became insanely famous. Denis Stock (Robert Pattinson from the Twilight movies) took some of the first candid and most iconic photographs of Dean before he was swallowed by the studio system. Dean ( Dane Dehaan, who James Franco has tweeted is stalking him since he’s made James Dean, Allan Ginsberg, and Green Goblin movies after Franco did) is an elusive and skittish character in this film. Its obvious Dean knows he’s special but is not really suited to being famous. He has come from small town in Indiana and life on a farm with a very supportive religious family.
Posted in: No Huddle Reviews by Archive Authors on March 7th, 2016
Eric Jonrosh has written many weighty tomes full of lust and passion and desire and wanton abandon. Perhaps the greatest of these heavy and important contributions to literature is The Spoils of Babylon. He directed a 22-hour film himself that he hoped would reveal the real heart and soul and dark insides of the book. No one was ready for such an intense and unbridled examination of the human experience, so Jonrosh allowed the footage to be bastardized and submitted to television as a miniseries. Jonrosh himself introduces the multi-episode presentation, which now clocks in at two hours and 18 minutes. Jonrosh drinks freely of wine at his favorite restaurant as he is filmed and erratically rambles about the origins of his work and his copious experiences creating masterpieces.
I will now tell you that everything I have just told you is utter nonsense, or more accurately, an attempt to decipher the utter nonsense that is The Spoils of Babylon. It is calculated nonsense with a purpose. It is meant to explore the kind of programs that populated television in the 60’s and 70’s. It is a joint production of Will Ferrell’s Funny or Die website and the Independent Film Channel. Ferrell plays the corpulent and constantly intoxicated Jonrosh.
Posted in: No Huddle Reviews by Archive Authors on February 26th, 2016
Back in October I wrote about The Facts of Life: Season 7 in which I dealt with the general history and overall dynamics of the show. I suggest you go back and check that out so I don’t cover the same ground twice. The big addition that year was George Clooney. Not many series have as long and healthy a run as The Facts of Life, but as they age changes are forced on them. One of those changes that occurred in the opening episodes of Season 8 is Charlotte Rae’s (Mrs. Edna Garrett) decision to leave the show. The transition is handled gracefully with Edna’s marriage to a doctor who is leaving to help those in the third world by serving in the Peace Corps. This brings her sister, Beverly Ann Stickle (Cloris Leachman) to try and take up the mantle of house mother to the girls. I’m sure everyone knows the girls, named Blair, Jo, Tootie, and Mindy. The main purpose of releasing these programs from the 1980’s on DVD is to relive earlier times in our own lives as much as to see the programs themselves. Maybe mothers want to share life lessons with their daughters from a much simpler and, at this point, almost alien time. The show was part broad comedy and part melodrama, focusing on the teenage girls and their coming of age. The comedy on the show was, frankly, full of hamminess and cheesiness. With so much ham and cheese, you weren’t hungry after one episode, so imagine bingeing on a season of shows. The life lessons learned were basic but well-intentioned and good-natured. On one level, things have changed enormously since the 1980’s, but core values and human decency are still important. It’s hard to find that kind of innocence today in television programming, but it was almost required in those days.
Most of the episodes tend to run together with a predictable sameness with some rising to the top and some sinking to the bottom. One particularly difficult one to watch was an episode with Fabian and Bobby Rydel playing themselves, but then flashing back into the sixties when they were popular. I mentioned ham and cheese, but I forgot to mention corn. This was a lowlight of corniness with the girls playing 60’s teenagers and Leachman as a jaded beatnik. One of the highlights was an episode when the young orphan who was always hanging out with them, Andy Moffett (Mackensie Astin), was going to a heavy metal concert by a group called The Walking Dead. They were ahead of their time on that one.
Posted in: The Reel World by Archive Authors on February 19th, 2016
A Pew Research Poll in 2012 said that 84 percent of the world’s population believes in God. A Harris poll in 2013 said that 74 percent of Americans believed in God. I’m making some simple statements up front, because the subject is extremely complicated and confusing the more you dip into the well to try to understand. There are 2.3 billion Christians and 1.7 billion Muslims out of the over 7 billion people on the planet. There are 15 million Jews. Christianity, Islam, and Judaism have overlapping tenets of faith, but you would never know it if you look at the history of the world. Religion has become a big disappointment to many. Still, most people in the world would agree that Jesus was a great man who believed in peace and love. Most Christians also believe that Jesus was both God and man. In fact, the surface simplicity of Jesus’s message is somewhat misleading. Many scholars debate to this day what he was really saying. New hidden gospels have been found in the last 75 years, like the Gospel of Thomas, that suggest new mysterious meanings that might show that Jesus was far more inclusive of all mankind that we might have ever thought before. As I said, this subject is extremely complex and divisive, but as a believer, I think God wants us to love each other. This seems like a ridiculously simple statement, yet the people on this planet cannot seem to embrace what seems so logical. This seems to be driving some people away from religion.
Risen is the story of Clavius (Joseph Feinnes), a Roman tribune, who reports directly to Pontius Pilate (Peter Firth). Clavius’s duties are many. He suppresses insurrections and keeps the peace by any means necessary. Today’s task is to placate Caiaphas (Stephen Greif), the appointed Jewish high priest who has manipulated the people to call for Jesus’s death. Clavius is to ensure that Jesus is dead when taken from the cross and properly sealed in the tomb. Caiaphas wants to suppress rumors that Jesus will rise from the dead and insists that the tomb be guarded. Pilate is even more determined that this should go well, because he is soon to be under scrutiny from Rome.
Posted in: Disc Reviews by Archive Authors on February 16th, 2016
The Martian, which is about an astronaut stranded on Mars, is one of the biggest hit movies of the summer. By the end of the movie, the entire world is united in their hope that the astronaut will be saved. The Martian is not a true story. The 33 is. It is the true story of 33 miners trapped underground for 69 days in a Chilean gold mine in 2010. The world really does come together in their hopes and prayers for the trapped miners. Even though it is a true story, it also functions as a good old-fashioned disaster flick in the tradition of The Poseidon Adventure or The Towering Inferno. It also showcases Latino actors primarily, but some other big-name actors round out the cast as well. The two biggest are probably Academy Award-winning French actress, Juliette Binoche (The English Patient) and Irish actor Gabriel Byrne (The Usual Suspects). Antonio Banderas, Rodrigo Santoro, Lou Diamond Phillips, Jacob Vargas, Bob Gunton, and Oscar Nunez are just a few of the familiar faces known for playing Latin characters (Latino, Hispanic, and Latin are all technically politically correct according to various sources) who anchor this movie. One of the most familiar faces is Cote de Pablo, who was born in Chile but is best known for playing Israeli Mossad officer Ziva Davis in the monumentally successful TV show, NCIS. Kate del Castillo is a hugely popular Mexican actress who also had success in the United States on the Showtime series, Weeds. I could go on, but the point is that this is a product meant to appeal heavily to the Latin American population while still having a broad worldwide recognition factor. It succeeds mostly, but it has a greater responsibility than that. It also has to honor the story of the 33 men who were trapped in that mine.
The film includes footage from Anderson Cooper, Brian Williams, and other international journalists who covered the worldwide, potentially tragic event. It also has the active participation of Don Francisco, the host of Sabado Gigante, which just ended a 53-year run on the air. Don Francisco is a television personality in 185 countries (but is actually Mario Luis Kreutzberger Blumenfeld, the son of Jewish German immigrants who escaped to Chile fleeing the Nazi occupation). Clearly this is a film with international appeal. It is a well-known story the world over when we all held our breath wondering whether the miners would be saved. In case you don’t remember how the story concluded, I won’t spoil it for you here. The film definitely milks the suspense at every opportunity.
Posted in: The Reel World by Archive Authors on February 13th, 2016
Deadpool may be one the most singular and unique characters in the history of comic book lore. His character has a very rabid fan base among the elite of Marvel comic nerddom, and they have been watching very carefully to see that he has been treated properly by the Hollywood people. He hasn’t been in the past, but more about that later. He may not be the biggest name in the Marvel universe, but he might be the most extreme. Just in case you live in a cave or under a rock, the Marvel universe is inexorably taking over the actual universe with films like The Avengers, Iron Man, Thor, Captain America, Ant-Man, Spider-Man, X-Men, Guardians of the Galaxy, The Hulk, Wolverine, Daredevil, and on and on. To get back to what happened to Deadpool in the past, we go to the movie X-Men Origins: Wolverine. This also gets into the 20th Century Fox vs. Disney battle over the rights of Marvel characters (which is actually only a small part of the picture, since Columbia owned Spider-Man for a long time ,but let’s not go down that rabbit hole). Lots of hard-core comic book fans were incensed at how far 20th Century Fox was straying from the origins and substance of the source material with the X-Men movies, but especially in the case of Deadpool, who is sacred to many. I shouldn’t say sacred, but what can you do, since the character of Wade Wilson (A.K.A. Deadpool) is very profane and NSFW.
Let’s discuss Ryan Reynolds for a moment. Reynolds has been a Deadpool fanboy for years and is specifically mentioned in the comics in a description of Wade Wilson as a cross between Reynolds and a Shar Pei. It should be noted the main characteristics of the Deadpool comics is that it has strong content in both sex and violence that is relentlessly full of silly fun and that Wilson is fully aware that he is in a comic book and talks to the reader in a self-aware manner. So Reynolds played Wilson in the X-Men Origins: Wolverine movie, and Fox did not show proper concern for the concerns of the core fans, and hysteria ruled. Reynolds then took it upon himself to try to get a proper Deadpool movie made (again, I shouldn’t say proper). I think this time they got it right (and when I say right, I mean wrong in all the best possible ways).
Posted in: Disc Reviews by Archive Authors on February 8th, 2016
“Witches live among us. Their magic passed from an ancient race, diluted, half-forgotten but dangerously powerful. After centuries of conflict, a truce was forged. Witches would be allowed to live and govern themselves if they followed one strict rule: that magic never be used against humans. But a truce is a fragile thing…”
Vin Diesel has made the Fast and Furious franchise into a massive global behemoth, but Diesel is not a global behemoth on his own. He has had successes and failures. He is someone who seems to be an unlikely star. He tried to make Riddick (Pitch Black, The Chronicles of Riddick, Riddick) into a multi-film franchise and accomplished it through sheer force of will, but his stardom largely rests on Fast and Furious. Diesel bristles at being typecast, so he has always tried to find new vehicles that will demonstrate his range. XXX was a big success, but Diesel did not appear in the sequel. XXX: The Return Of Xander Cage is on the schedule for 2017. He walked away from Fast and Furious for a few installments because he was so intent on diversity but eventually relented and came back. The Last Witch Hunter is his latest attempt to start a new franchise. The film was attacked by some critics when it was released, but it is a pretty decent attempt to create a new legend out of a cauldron of Dungeons and Dragons ideas. That was the inspiration, and a group of script writers did a decent job, and the director Breck Eisner (son of Michael) also does a good job. The cast includes Sir Michael Caine, Elijah Wood, and Rose Leslie (wildling Ygritte from Game of Thrones). It also includes excellent actors such as Isaach De Bankole as a male witch who runs a restaurant that sells pastries that includes ingredients such as hallucinogenic bugs. All the elements are in place to make a great movie experience. The problem is that there is a weak link. It’s Diesel.
Posted in: The Reel World by Archive Authors on February 7th, 2016
Hail, Caesar is a typical example of a Coen brothers movie, which means it is completely atypical. The Coen brothers are revered for not only being different from everyone else but also making films that are different from each other. It would easy to say there is a Coen brothers style, but you would be reaching, because the two men are committed to exploring things differently each and every time they make a movie (or produce a television show like Fargo). The most characteristic identifying factor is quirkiness and individuality. They are among the few filmmakers working in Hollywood who do whatever the freaking heck they want. What I mean by that is that the movies they make would not be allowed if proposed or pitched by anyone else. They almost take delight in coming up with properties that are daring you to dislike them. At the same time, they make movies that are ridiculously entertaining and smart. Their films are also big Hollywood productions which are usually filled with big stars begging for any part they can get. But I must stress one thing. They don’t care if you like what they do. They could give a flying fig (probably).
Hail, Caesar is about depicting a fictional version of old Hollywood sometime in the 1950’s in a studio that is something like Metro Goldwyn Mayer but called Capital Studios. Eddie Mannix (Josh Brolin) is the studio head busy running things and constantly talking to his boss in New York. He does just about anything and everything from keeping the movie stars out of trouble to changing plot points in troubled productions. He is also being courted by a corporate headhunter trying to fill a top slot at Lockheed. The film is packed with a crazy collection of characters including George Clooney, Channing Tatum, and Scarlett Johansson as three movie stars playing movie stars. My guess is they are playing Victor Mature types, Gene Kelly types, and Esther Williams types. Then there is this other fella that’s kind of, sort of playing a Roy Rogers type (Alden Ehrenreich, who steals every scene he’s in).
Posted in: Disc Reviews by Archive Authors on February 1st, 2016
Steven Spielberg. Tom Hanks. The Coen Brothers. 1957. The Cold War. Mark Rylance. There are a lot of elements to the stew that is Bridge of Spies. Let's start with the most important ingredient. Steven Spielberg has been a household name for decades now as the most reliable producer/director of movie entertainment we may have ever seen. His name is so synonymous with big-screen entertainment that he needs no introduction from me. But he has been trying to get away from pure entertainment for a long while now, often with great success. In more than one interview, Spielberg has said he wants to get away from the really big movies he's famous for and do mostly historical dramas. Not that many of them haven't been really successful, but the two big ones are Schindler's List and Saving Private Ryan. Both those had undeniable impact, enormous emotional heft, and were hugely successful. Lincoln from 2012 was maybe Spielberg's most satisfying attempt at recreating history. Now we have Bridge Of Spies.
The Cold War drama has a different feel. It is full of details of the time period and subtle shadings of emotions with an overriding sense of lightness to what could have been a heavy-handed look at a very black-and-white era.
Posted in: The Reel World by Archive Authors on February 1st, 2016
There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas. Part of the problem was that another tanker had already split in half a few hundred miles away, and all resources had already been diverted in that direction. The second tanker was an afterthought that was tackled by a relatively inexperienced crew. To repeat the true-life situation, T2 tankers SS Mercer and SS Pendleton were split in half off the New England coast. The Pendleton had lost radio communication was only identified by an alert citizen from the shore.
The Finest Hours is a Walt Disney film, and I think Walt would be proud. The film takes place on February 18th, 1952, and all of the American values that were part of this country at the time are on display. It is a very old-fashioned film in both look and approach. The only difference is that modern-day technologies are fully utilized to show an amazing true-life display of courage that would have been impossible to do in 1952.
