Posted in: Disc Reviews by Brent Lorentson on November 27th, 2020
It was over twenty years ago when The Haunting came out. I remember actually looking forward to this movie, mostly because of its director Jan De Bont, who was responsible for the 90’s summer blockbusters Speed (1994) and Twister (1996). For the record, I choose to pretend that Speed 2: Cruise Control never happened, because let’s face it, that was simply one of the worst films I’ve ever seen. To De Bont’s credit, he’s also the cinematographer of some pretty great films as well; Die Hard, Flatliners (the good one), and Basic Instinct, to name a few. Now another thing that had me excited was where CGI was at the time. The Frighteners had come out in 1996, The special effects in that film were great and they hold up to this day, so really, with a bigger budget, a solid director and cast, this film should have just been amazing. The result ended up being a film that shows what happens when you rely too heavily on CGI for scares rather than crafting good old-fashioned suspense with atmosphere and story.
Posted in: No Huddle Reviews by Brent Lorentson on November 11th, 2020
It’s not uncommon for actors to want to take that leap from being in front of the camera to taking on the mantle of being director. There are some big names who have made that transition successfully. Ben Affleck, Mel Gibson, George Clooney, Peter Berg, and Clint Eastwood are some of the bigger names that I can name off the top of my head. For The Vanished, Peter Facinelli is adding his name to that list. So how does he fare in this low-budget psychological thriller? While I wouldn’t put him in the same league as those previously mentioned, Facinelli does show some promise, but the film’s greatest weakness is its script, which Facinelli also is credited for writing. This is one of those instances where I just wonder if someone else took a pass at the script how much the film could have improved, because this was a frustrating film to sit through.
Posted in: Disc Reviews by Brent Lorentson on October 8th, 2020
I always get a little worried when I’m handed a low-budget western. Despite it being one of my favorite genres, I’m just quickly turned off by a film when it visually doesn’t look authentic. I like my westerns dirty and rugged, so when I see characters in costumes that look too clean as though they were just pulled from the rack, it’s a giant pet peeve. What had me intrigued with the film was the involvement of Joe R. Lansdale, who happens to be one of my favorite writers, and he somewhat specializes in the “weird” western genre. Bubba Ho-Tep or The Hap and Leonard series are what most would be familiar with from Lansdale. He may not have the name strength that Stephen King carries, but I’ve come to expect a good time from Lansdale. Granted The Pale Door only has Joe R. Lansdale attached as a producer, though his son was involved at some point with the writing of the script, so is that enough to make this film worth a watch, or is it a disappointment?
Posted in: No Huddle Reviews by Brent Lorentson on October 7th, 2020
While I enjoyed the first couple seasons of Rick and Morty, I wasn’t all that sure about the show’s staying power with Adult Swim. I’d talk about the show with some friends, but for the most part this seems to be a show that finds its fan base more in their late teens. It’s fair to say it’s been more than a few years since I was a teenager, so perhaps it shouldn’t be much of a surprise that I was a little hesitant with this season (feel free to check out my review of Season 1). When Season 3 came out, the show blew up in a big way, gaining numerous fans and even managed to make “Pickle Rick” a part of everyday pop culture and make Szechuan sauce at McDonalds a thing. The show for those who may be unfamiliar is something of a blend between Back to the Future and more than a sprinkle of Futurama. If that sounds like a fun ride, well, then this may be the animated series for you.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2020
Hollywood is no stranger to films about citizens being falsely accused in a foreign land for crimes they didn’t commit or having the charges overly exaggerated. Midnight Express is perhaps the best of the bunch, and in the 90’s there was Brokedown Palace and Return to Paradise. I’m somewhat of a fan of these films, but the problem is that they become a bit formulaic, and really, they are already an offshoot of the “wrongly convicted” prison dramas, so it’s no surprise that we really haven’t seen a film like Most Wanted in a while despite it being based on a true story. Thankfully Most Wanted brings a new take to the table as it shows us how far some dirty cops are willing to go in an attempt to get a high-profile bust.
Posted in: No Huddle Reviews by Brent Lorentson on September 25th, 2020
You have to go back to the early 40’s for when Archie, Jughead, Betty and Veronica first appeared in comic book form. Over the years, their characters have changed with the times, though the town of Riverdale always seemed to maintain an innocent charm where nothing bad ever seemed to happen. Well, that is until recently, where the comics took a shift and thrust our characters into various scenarios, one even including Riverdale being overrun by zombies. These changes occurred when Roberto Aguirre-Sacasa took over the brand, and now he has brought the town of Riverdale and its inhabitants to the small screen for the CW network. Though this iteration differs from the early days of the Archie comic universe, all the familiar characters are here, and they are showing us the shady underbelly of Riverdale that I’m so glad we are getting a glimpse at, one episode at a time.
Posted in: Disc Reviews by Brent Lorentson on September 24th, 2020
Ever since The Walking Dead first aired. it seems the zombie genre was not only revived but milked for all it was worth, and still studios continued to bleed the genre dry to the point even most diehard horror fans are sick of the sub-genre. I’m a sucker for zombie films, and even I have tired of them, but I’ll always hold out hope for some writer or filmmaker to come along and inject some creativity into the genre. It’s possible; I mean, look how long the vampire stories have been around, or even ghost stories, and yet there still are new takes on the subject matter that get us excited about them again. That’s where Blood Quantum gave me some hope. Zombies on a Native American reservation. I was hopeful for some indigenous lore being injected into this, giving us a fresh perspective…but alas, we get a watered-down, unoriginal, snooze-fest with a little bit of gore to keep viewers somewhat interested.
Posted in: Disc Reviews by Brent Lorentson on September 9th, 2020
“Hey, You Guys!”
It was the summer of 1985 when my mom took me to see The Goonies, I remember standing in front of the movie theater and staring at the poster on display with a little nervousness and wonder. I was only five, and I simply had no concept about what I was about to watch. I remember this day fondly, because this was the day I fell in love with cinema, though it would take me a few more years to wrap my head around these emotions. I had seen movies before this, but the experience of seeing The Goonies simply floored my imagination, and it inspired me to want to know more about pirates, lost treasure, and all the possible adventures one could have. As I’ve gotten older, despite how many movies I’ve seen, this is one that will always remain as one of my all-time favorite films. For those 30 or older who still haven’t seen The Goonies, well, I feel bad for you; you’ve missed out on a cinematic treasure that stands among the other classic films of the 80’s like Back to the Future, ET, Gremlins, and Ghostbusters (sure, there are others I’m not listing, but I think you get the point). When Super 8 came along, then a little later Netflix put out Stranger Things, it started a small revival of the children-in-peril genre that flourished in the 80’s. Despite how good some of these nostalgic revivals have been, they still can’t capture the magic of The Goonies.
Posted in: Disc Reviews by Brent Lorentson on September 3rd, 2020
“Beetlejuice…Beetlejuice…Beetlejuice…”
Before Michael Keaton put on the cowl to become the dark knight of Gotham City, he and director Tim Burton came together to create a film that helped launch a career and a trademark “gothic” style that would catapult Burton’s career. Sure, Tim Burton has made a name for himself doing CGI-bloated films lately, and though they’ve made money at the box office, they don’t quite have the same magic that his films had in the 80’s and 90’s, though I’ll make an exception with Big Fish (2003). It’s impossible for me not bring a little bias to the table when discussing Beetlejuice. I loved the film as a kid and rewatched my VHS copy of it a ridiculous amount of times, and as I watched it again, I still continue to have giddy joy at seeing this film. If for some reason this film has managed to escape you over the years, or perhaps it’s been a while since you’ve dusted off this classic, allow me a moment to reminisce.
Posted in: Disc Reviews by Brent Lorentson on August 21st, 2020
t’s a bold move when a film wants to compare itself to an 80’s classic like The Goonies. If anything, it more closely resembles the 2007 film Disturbia, and that film borrowed heavily from Alfred Hitchcock’s Rear Window. Had this film stuck closer to the Hitchcock formula, I feel The Wretched could have easily been a stronger film, but the biggest problem the film has is that it tried to be too clever for its own good, and as a result it comes off a bit sloppy and contrived. That doesn’t mean that this is a bad film; in fact it’s a fun late-night romp, but what’s frustrating is seeing how it could have been so much more. While I know there was some buzz for this film earlier in the year, I’m kind of wondering if this buzz was generated by those who had actually seen the film or those who had only seen trailers? The film opens up with a young girl arriving at a house to babysit. It doesn’t take long for her to see that something is wrong at the home, and of course something is definitely going on in the basement. This is our first introduction to the skin-walking, body-modifying witch.
