Posted in: Disc Reviews by Brent Lorentson on June 7th, 2018
“I have a feeling we’re not in Kansas anymore.”
The infamous line from the classic The Wizard of Oz is what kicks off this film, and this is simply as close as it gets to ever achieving the greatness of the original film. Over the years we have had several remakes and sequels to the story we love that takes us on a journey through the magical world of Oz, so when a steam-punk version of the material came along, it was something I got a little excited for. Unfortunately the version of the film we get this time around seems to be full of fun ideas but nothing that actually delivers to the screen.
Posted in: Disc Reviews by Brent Lorentson on May 29th, 2018
The film is based on a series of books that I had never read, and from what I understand the film takes many liberties with the storyline and characters. As his sophomore effort behind the camera, there were high expectations for what Garland would do, and the result I believe is one of the most divisive films I’ve seen in a while. This is the kind of film that gets me excited for the future of cinema, not just because I loved the film, but I love the conversation it can provoke with other filmgoers.
Posted in: Disc Reviews by Brent Lorentson on May 24th, 2018
“I find giants…I hunt giants…I kill giants”
This is one of those films that for some reason didn’t find an audience during a theatrical run, but I can guarantee there are viewers who are going to connect with this film and embrace it for years to come. I say this because only a few years ago there was a film that was similar in tone, A Monster Calls, and to be honest, that film devastated me as we went along with the main character as he and his imaginary monster helped him cope with his mother who is dying from cancer. I Kill Giants is at face value the same film, only told through the eyes of a young girl, though despite the films being so similar, it doesn’t lessen the film’s overall impact in the least.
Posted in: No Huddle Reviews by Brent Lorentson on May 24th, 2018
I’m going to pretty much start this off by saying The Manor is pretty much the horror equivalent of The Room. When I write this I’m not sure if the comparison is a compliment or not, whether the film was intended to be this bad or not. It’s possible to do a film that is so bad it’s good, this goes way back to the Ed Wood era with some B-movie classics and later on in years we got Troma films. Though despite many of these films later becoming fodder for Mystery Science Theater, there was still a level of quality or charm to them that made them watchable (usually in the late night hours when viewers are too drunk or stoned to care about what they were watching). This brings me back to The Manor where I’m left questioning their intentions. Is this a film made to garner the same success that we’ve seen from The Room or is this film just bad?
Posted in: Disc Reviews by Brent Lorentson on May 17th, 2018
I think it’s a fair assumption to say the DTV market for film is pretty much the best it has ever been in regards to securing talent to star in the films. When you look at a film like Bent and its cast of Karl Urban (Dredd), Sofia Vergara (Modern Family) and the great Andy Garcia (The Godfather 3, and my personal favorite Things to do in Denver When You’re Dead), it’s difficult to not get excited over its potential. To sweeten the pot, the film’s director, Bobby Moresco, has produced two films that have best picture Oscar nominations, so one has to wonder, what went wrong? I’m not saying the film is bad, but instead you’d just expect this film to be in another tier and not simply settling with a soft release in the new release section at Wal-Mart.
Posted in: No Huddle Reviews by Brent Lorentson on May 7th, 2018
I can’t be the only one who is a little relieved that Hollywood has finally decided to stop churning out found-footage films. This is not me saying I have anything against the genre; when it is well done, the end result is something I will happily consume and enjoy re-watching. The first Paranormal Activity and The Blair Witch Project are the films that shine, because they gave us a familiar story but presented it to the audience in a way we haven’t seen before. There have been several successful found-footage films, but only a few that I feel will stand the test of time (at least in film history amongst geeks), and Followers is surprisingly a film I’d rank high on that list.
Posted in: The Reel World by Brent Lorentson on April 22nd, 2018
I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time. Sure I know many will disagree with me, and that’s fine. Since I first saw their film back in 2002 when I got the DVD I was always excited to see what would come next from the Broken Lizard comedy troop. There was Club Dread which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen. The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends and when I hear that someone has managed to go all these years without experiencing the film it’s something I feel the need to remedy immediately.
Posted in: Disc Reviews by Brent Lorentson on April 13th, 2018
Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout. Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now. I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.
Posted in: Disc Reviews by Brent Lorentson on April 10th, 2018
When you are about to sit down for a comedy with Ed Helms and Owen Wilson, you pretty much know what you’re getting yourself into. Sometimes you just want to watch a movie for a few good laughs; then when it’s over, you return to your day-to-day routine. When it comes to Father Figures, the problem is that the film from the get-go is trying to get you to believe that Helms and Wilson could possibly be fraternal twins. Yeah, we’ve seen this before with the film Twins, only this time around we have a film about brothers attempting to overcome their differences as they work together to find their real father.
Posted in: Disc Reviews by Brent Lorentson on April 6th, 2018
Ever since Jon Bernthal left The Walking Dead, he has managed to create quite the impressive resume over the years. From having some standout performances in Fury, Baby Driver and recently taking on the role of Frank Castle in The Punisher, he is easily making a name for himself. Now we get to see him take on the role of Sam in the new small town indie thriller, Sweet Virginia. In a film that is filled with well-crafted characters matched with some terrific performances by the cast, it’s a shame the film didn’t reach Blu-ray with more of a buzz around it. From the film’s violent opening, the film percolates with menace and unease to the final climax.
