Brent Lorentson

The romantic comedy, the genre most guys avoid like the plague unless trying to score some points with the girlfriend.  It’s the genre I seem to only like a handful of titles from, though the ones I do like seem to be my fallback films after a breakup.  Beautiful Girls and High Fidelity seem to be the go-to films for me. With a triple feature of Rom-Com action heading my way I dug deep into my manly soul and told myself I can do this.  If I can survive watching bad Tyler Perry knockoff films, then this lighthearted triple feature should be no trouble at all. 
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There is a thin line between paying homage and ripping off another film.  In the case of The Girl From The Naked Eye you may as well call it outright theft.  If you’ve ever seen Sin City and you’re a fan, be ready to have your eyes roll and at times be offended at how blatantly these film makers rip off Frank Miller’s masterpiece The Hard Goodbye.  Sure, there is nothing wrong with a little inspiration from a piece of work, but come on, you’re going to tell me it took three writers to get together and rip off Miller and come up with this?
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We’ve all heard the phrase “don’t judge a book by its cover”; well ,in this case it should be extended to not judging it by its title either.  I read the title for Some Guy Who Kills People and thought it was a clever ominous title, but the movie that followed didn’t live up to the title but instead pulled a bit hard at the heartstrings.  I came into this one expecting horror and instead got pleasantly surprised by this sweet horror (very loosely fits in this case) comedy about a relationship between a father and daughter.
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Films have been around for decades that have followed the life of crime and the pitfalls that come with it.  And with the success of the AMC series Breaking Bad, it seems meth is the new drug of choice for Hollywood to exploit for the big screen.  There have been plenty of great films and shows to come out of the exploitation of the drug trade; my personal favorites are Blow and Traffic.  But what always made this subgenre of film engaging is that it seemed to always balance the pros and the cons of living the life of crime, and in the end the audience would be given the message that crime doesn’t pay.
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When you look through the list of accolades that writer, director, and producer David E. Talbert has received, you can’t help but be a little impressed with the playwright who is working his way to the big screen.  Once you win an award that labels you best playwright, there is a certain standard that you should be held to with the works that follow, and if I were to simply judge his talent based upon how A Fool and His Money turned out, well, best playwright wouldn’t be a label I’d be throwing around.
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When the History channel isn’t busy churning out reality shows, they manage to indulge the history enthusiasts with a fresh new documentary to tide us over.  Granted I’m an obsessed fan of Swamp People and Brad Meltzer’s: Decoded, but what gets me most excited is when they bring out a new documentary.  (I’m a history geek in case you haven’t figured it out.) So when I got the chance to check out Titanic at 100: Mystery Solved, I happily put this in my DVD player.
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One look at the DVD case for Life Without Principle and you would get the impression that this would be your average run-of-the-mill Hong Kong action film.  This couldn’t be any more misleading.  I understand the companies need to make money, and the easiest way to do this is to make up some cover art with guns, fire, and a masked many with money flung in the air seems the way to go, but in the process it does this film and the audience a disservice.  So please, if you are expecting an action-packed bullet-ridden spectacle I apologize
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When half your film takes place in one tight location, you are really taking a gamble with your audience.  Chances are you’ll either have a suspense-filled set piece, or you’ll lose your audience as they stare at their watches waiting for the credits to roll.  To the director’s credit, with 96 Minutes, she was able to pull off an immersive tension-building ride through the inner city that kept me wondering how it would all come to an end.
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Hannibal Buress brings his unique voice to this hour-long special and delivers.  I have to be honest, I had never heard of this guy when I got the DVD to review, and now I find myself hoping to catch a live performance if he ever brings his tour down south.  Once a writer for SNL and doing some work with 30 Rock, this young up-and-comer is sure to make a name for himself and hopefully become a name regarded with the best of the comedy elite.
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There is something about the disaster film that I can’t resist, and that something is seeing things get destroyed.  I think we all have this in us, where the little Hulk inside us all just wants to smash or see things get smashed.  Thankfully we live in an age where CGI and other special effects can allow us to see all kinds of havoc unleashed from the safety of our living room.   With Metal Tornado in my hands to review I knew what to expect, so I turned off my brain and let the mayhem ensue.
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What will a parent do to save the life of their dying son?  This is the question that Scott Kane (Drew Fuller) is confronted with in the low-budget action film The Kane Files.  In a desperate race against time, Kane needs to get together the money to pay for his son’s heart transplant, and along the way there are plenty of bullets and plot twists to keep the viewer entertained, but the film lacks any real substance to warrant ever mentioning again.  Though not the most unique plot device for a film, the idea of parents doing whatever it takes to save their children is rich with potential that it frustrates me is never touched upon.
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It’s never a good sign when you look up a title of a DVD in your hands and IMDB has no trace of it.  With a little more searching and I found the film but under the title My Dog’s Christmas Miracle, which is only a title that serves the purpose at trying to make a cash grab at suckers with a soft spot for holiday films and talking mutts.  This is one of those films that is somewhat of a rarity, it goes in the so-bad-it’s-good pile. 
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