Posted in: The Reel World by Brent Lorentson on October 1st, 2016
It really doesn’t seem so long ago that all the major news networks were showing footage of the destroyed oil rig in the Gulf of Mexico that was pumping out gallons upon gallons of oil into the ocean. The BP oil rig disaster was all we could talk about in April of 2010, and all of us at home were left wondering if they’d ever plug up that hole and stop the leakage of oil that would go on to destroy hundreds of miles of beach coast property as well as cause long-lasting effects on the fishing industry. Everyone was looking for someone to blame, and plenty of it went to BP. While this made for engaging news for a while, it never seemed like a story that Hollywood would want to invest in and make a film about.
Posted in: The Reel World by Brent Lorentson on September 23rd, 2016
Great, just what we need, another remake of a film that is not only a classic, but the film which it was inspired by is also a highly-praised classic. I’ll admit I’ve grown tired of Hollywood going to the well and remaking films that simply don’t need to be messed with. It’s one thing to see Seven Samurai (1954) translated for American audiences to go from a black & white martial arts spectacle to seeing a colorized star-studded western, The Magnificent Seven (1960). When I first heard about the remake, I had hopes that the film would be modernized yet again, but unfortunately the studios decided to keep the setting in the Wild West, and even when Denzel Washington was hired on to head the film with Antoine Fuqua (Training Day & The Equalizer) in the director’s chair, I still wasn’t convinced.
Posted in: Disc Reviews by Brent Lorentson on September 22nd, 2016
Growing up I was obsessed with the Teenage Mutant Ninja Turtles animated series; it was the Saturday morning cartoon I just couldn’t get enough of. When I couldn’t watch the cartoon, I’d be playing with the toys and eventually the video game back in the original Nintendo console days. So when the movies came out, my parents had no choice but to take me to see them. Back in those days we had the turtles in rubber suits; as a kid the experience was fun but still just not as good as the cartoon. As I got older, well, those original films seem to hold up less and less, and when the news came that an updated version of the film would be coming out I got a little excited, that is till I saw the trailer for the 2014 film.
Posted in: The Reel World by Brent Lorentson on September 16th, 2016
It’s been just about four years since Savages (2012) hit the big screen. For me Savages was Oliver Stone simply having a blast, shooting an over-the-top action film fueled by sex, drugs, and violence. Now it seems Stone has stepped back into the paranoid, government conspiracy form that he seems to be best known for with Snowden. Whether you view him as a traitor to the United States or a self-sacrificing lamb to expose the government and its illegal wiretapping, it’s a choice that is up to you going into this film. Personally, while I feel his intentions were good, still he did betray his government and committed treason. What I had hoped with this film is that Oliver Stone would capture both sides of the coin, but as the title would suggest, Edward Snowden (Joesph Gordon-Levitt) is front and center on this ride, and that’s not my only problem here.
Posted in: Disc Reviews by Brent Lorentson on September 14th, 2016
When a movie that so clearly lifts its inspiration from the films of Roman Polanski and Alfred Hitchcock, I would have expected to simply embrace this film for the nail-biting thriller it is attempting to be. Instead I found myself sitting back wondering why I just couldn’t get into this film. Is it because the storyline seems uninspired? Whatever it is when it comes to The Ones Below, it may hit all the right notes when it comes to what to expect with a thriller, but that’s the problem; it plays everything by the book and doesn’t dare to take unexpected twists.
Posted in: Disc Reviews by Brent Lorentson on September 1st, 2016
I wouldn’t go so far as to say that I have a fear of clowns, but more of the people beneath the paint. I’m not sure if anyone has recently seen in the news, but there are reports of people dressing up as clowns behind an apartment complex in South Carolina attempting to lure children into the woods. First off I immediately think this is a prank, but also there is the side of me that is curious as to there being something more sinister at play; after all, it seems like a good start to a horror film. Going back through my childhood, I can’t think of any one moment that caused me to despise clowns, but I do remember a trip to Circus World that left me convinced all the clowns there were bad.
Posted in: No Huddle Reviews by Brent Lorentson on August 31st, 2016
It seems there is no end in sight for comic book properties being bought and turned into movies or television series. Lucifer is one of the newest additions getting the television treatment, and personally this was a title I was looking forward to. With Tom Kapinos (Californication and Dawson’s Creek) at the helm, this seemed like it would be a good fit, though one thing did nag at me. When you have a show called Lucifer, and it is about the devil taking a vacation on Earth, is standard television really the proper outlet for broadcast? As a fan of Californication, I was excited to see what Kapinos would do with the material, and for the most part the show doesn’t disappoint.
Posted in: Disc Reviews by Brent Lorentson on August 31st, 2016
Writer/Director Shane Black (Lethal Weapon, Iron Man 3) has a way of writing flawed characters who manage to leave more lasting impressions than the films they populate. But where he shines is when he can thrust these flawed individuals into the confines of a detective story. Most people grew their fondness for Black and his quick-witted dialog when he first penned Lethal Weapon, but for me it goes back to The Monster Squad and The Last Boy Scout, where I found myself becoming a fan even in my early years of film watching. So is the fanboy in me excited to see what Black brings to the table this time around? You betcha. In a summer popcorn season filled with comic book movies, sequels, and other films targeting the teenage demographic, it’s nice to have an action film that harkens back to the good old days (the 80’s and early 90’s) for a fun comedy/action romp that has a foul-mouthed edge.
Posted in: Disc Reviews by Brent Lorentson on August 24th, 2016
For years (at this point we can say decades), fans have been holding out hope for a new installment in the Evil Dead franchise. Over the years there have been rumors of a fourth film, even talks of doing a crossover involving Ash (Bruce Campbell) taking on various horror icons. In the end these talks seemed to be nothing more than pipe dreams, but then in 2013 something special happened. A remake/sequel occurred for the series that actually was pretty awesome and gory while also being a financial success…but it was the stinger at the end of the credits that got people excited, the brief appearance of the man with the chainsaw hand himself.
Posted in: No Huddle Reviews by Brent Lorentson on August 24th, 2016
I think for the most part we can all agree that the 90’s were not so kind to horror fans. Sure, you can find a few gems sprinkled throughout the decade, but as a whole the theater was not where you’d find the good stuff. In the 90’s you’d end up having to go to your local video store to check out the straight-to-video titles and the independent films that had just been released. Unless you lived in LA or New York, there were so many titles you’d be missing out on, but the video store brought films like Carnosaur (1993) to your attention. This was pretty much how I first stumbled upon Bad Moon, while cruising the titles in the horror section and this cool box art called out to me.
