Posted in: The Reel World by Brent Lorentson on August 20th, 2016
In 1959 when Ben-Hur came out, it was a massive undertaking that nearly closed the gates for MGM after nearly bankrupting the studio. It was a huge risk in producing such a large scale epic that fortunately paid off and became one of the studio’s cornerstone successes. The story of Judah Ben-Hur and his fall from being a prince, to becoming a slave, to eventually becoming a hero to the people in the arena is such a familiar story it’s hard to not feel you’ve seen this before without even entering the theater. In some parts I look at Gladiator and see somewhat the same film, only being set in a separate time and place. But really the story of betrayal at the highest levels, and seeing great figures fall only to pull themselves up again is a theme Hollywood seems to relish, and it seems to attract many viewers in the process.
Posted in: Disc Reviews by Brent Lorentson on August 12th, 2016
What if you were given the chance to step back in time; would you take this opportunity to change the world, even if it meant having to kill someone for the “greater good”? This is the question that kicks off the story that is 11.22.63, from the novel written by Stephen King. Sure, merely mention Stephen King and many automatically people think of the man as the master of contemporary horror. Yet some of his prolific works that have made their way to the big screen and have gone on to be classic pieces of cinema are less about horror and more about friendship and the deepest bonds we can share with another
Posted in: The Reel World by Brent Lorentson on August 8th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters,but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film?
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
Posted in: Disc Reviews by Brent Lorentson on August 1st, 2016
Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad. John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him. Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid. Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.
Posted in: Disc Reviews by Brent Lorentson on July 29th, 2016
It seems there have been a lot of horror films involving dinner parties that have gone wrong. You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore. Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you. When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films. It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.
Posted in: Disc Reviews by Brent Lorentson on July 27th, 2016
If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough. It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off. The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.
Posted in: Disc Reviews by Brent Lorentson on July 15th, 2016
Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next. If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it. The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy. As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.
Posted in: Disc Reviews by Brent Lorentson on July 12th, 2016
For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival. With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others. This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school
Posted in: Disc Reviews by Brent Lorentson on July 5th, 2016
We’ve all heard and seen the story before; a family loses a loved one and consumed with grief they meddle with unknown forces to see their loved ones again. The Monkey’s Paw is one of my favorite stories that cover the topic. I’m sure everyone at some point had to read this short story in school. Having read the story and seen the numerous films that have covered the topic, you’d think by now people would have learned to not mess with forces they don’t understand. The Other Side of the Door is the new paranormal horror film to cover the subject, and it seems people still just haven’t learned. Is the film worth taking a look to see what lies beyond the door, or is this one better left alone?
