Posted in: The Reel World by Brent Lorentson on December 23rd, 2016
With talks going on about setting up colonies on Mars, long distance space travel is quickly moving away from the pages of science fiction to the next step in space exploration. Passengers is a film that taps into the possibilities of what this could mean for us as a species but also takes a look at the great risk that we would be facing. At a glance it would seem like a surefire Hollywood blockbuster to end the year, but I wouldn’t go so far as to say that is a sure thing. Despite the great effects and set designs, two bankable stars, and a more than capable director, Morten Tyldum (The Imitation Game and Headhunters), what you still need is a story that will not only fill those seats but keep people wanting to come back for more.
Posted in: Disc Reviews by Brent Lorentson on December 21st, 2016
Coming out of Norway we have In Order of Disappearance, a film I knew nothing about aside from the cover art. To be , it pretty much reminded me of any of the numerous revenge films we’ve seen Liam Neeson in. Stellan Skarsgard instead stars in this revenge romp that I feel got lost in translation with me. It’s not that I couldn’t understand the base of the film being a revenge tale; this is very much clear as day, but it is the film’s sense of humor that borders on being dry and black, to other points I feel it’s just a Norwegian thing. Usually one of the first things I do with a foreign film is I make sure everything is set to the original language track and use the subtitles to follow along (never been a fan of dubbing).
Posted in: No Huddle Reviews by Brent Lorentson on December 21st, 2016
It’s hard to believe it, but Duck Dynasty has made it to ten seasons, and it seems to be still going strong. When seeing the trailers for the first season, I found it hard to believe this was even going to be a show, much less garner the attention that it has over the years. I’ll admit it I surprised myself by how much I actually enjoyed the show, even if it was being a bit liberal by crediting itself as reality television. Even if most of the show seems pre-scripted, it’s continued to be entertaining, which is rather impressive for me, considering I feel I don’t even fit the show’s demographic. For those who have been viewers from day one, you’ve gotten to watch the Robertson family not only grow older but expand as well.
Posted in: The Reel World by Brent Lorentson on December 15th, 2016
In 2009 Tom Ford, the famed fashion designer, came into the Hollywood scene with his stunning first-time writing/directing effort, A Single Man. It was a somber film that garnered numerous accolades and left many of us wondering what he would be doing next. It’s been seven years, but we finally get the follow-up film we’ve been waiting for. Nocturnal Animals is clearly a film that cries out for award attention with its December release and a cast that for better or worse could make a dramatic reading of a telephone book an engaging experience. When the trailer dropped for the film, I was sold on its stunning visuals and its ambiguity that had me hooked and curious about what Ford would have in store for us.
Posted in: Disc Reviews by Brent Lorentson on December 15th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters, but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film?
Posted in: Disc Reviews by Brent Lorentson on December 15th, 2016
In 1959 when Ben-Hur came out, it was a massive undertaking that nearly closed the gates for MGM after nearly bankrupting the studio. It was a huge risk in producing such a large-scale epic that fortunately paid off and became one of the studio’s cornerstone successes. The story of Judah Ben-Hur and his fall from being a prince, to becoming a slave, to eventually becoming a hero to the people in the arena is such a familiar story that it’s hard to not feel you’ve seen this before without even entering the theater. In some parts I look at Gladiator and see somewhat the same film, only being set in a separate time and place. But really, the story of betrayal at the highest levels, and seeing great figures fall only to pull themselves up again is a theme Hollywood seems to relish, and it seems to attract many viewers in the process
Posted in: Disc Reviews by Brent Lorentson on December 14th, 2016
relatively out of the spotlight as she has worked on making her cable network channel, OWN, a success. While I wouldn’t ever say I was a fan of Oprah’s work on the screen, I could appreciate what she did in The Color Purple and Beloved. This being said, I have to admit I was a bit reluctant to take a title that at first glance seemed to be a show that would be heavy-handed with its subject matter centered around the church. Despite my concerns, I’m glad I picked up this title, because despite how it handles some very familiar topics, it’s presented in a manner that not only feels fresh but is truly an engrossing show that manages to suck the viewer in and kept me wanting to see what would happen next.
Posted in: Disc Reviews by Brent Lorentson on November 29th, 2016
Fresh out of the vaults comes another cult classic. Vestron Video has decided to unleash Return of the Living Dead 3 for horror fans to snatch up this holiday season. Considering the titles that Vestron has already released, for some this might be a title that will leave fans scratching their heads about there being an urge to re-master this film, much less crank out a Blu-ray with so many features. Well, the simple answer is that the person in charge of acquiring and releasing these titles knows that there are fanboys like me out there who will shell out the money for a product that’s given this kind of attention. Return of the Living Dead is a cult classic and is mostly responsible for casual moviegoers making the connection with zombies and brain eating
Posted in: Disc Reviews by Brent Lorentson on November 24th, 2016
There is a way this film could have been great if not a little amusing. Imagine if James Bond was being stalked by Q; what would Bond do? Sure, I’ll admit it’s a silly notion, but it’s all I could think about as I watched this film about a millionaire and his family being stalked by a disgruntled I.T. worker. In general, it’s a story we see a couple of times a year, the seemingly charming figure that comes into a person’s life that turns out to be crazy and throws everyone’s life into chaos. Films like Cape Fear and One Hour Photo are just a couple of examples of films that tackled the stalker sub-genre; even last year’s overlooked gem The Gift showed you can still be terrifying with a little creativity.
Posted in: Disc Reviews by Brent Lorentson on November 23rd, 2016
It’s been a while since Nicolas Cage has been in a big studio-released film. It doesn’t mean he’s doing bad movies; it just means he’s not doing any tent-pole releases that flood the multiplex. Seeing Nicolas Cage in a film like Army of One is simply a snapshot of how modern cinema has to evolve for better or for worse. Really, I don’t mean to come off as though this is a bad film or inferior to any other films past or present, but ten years ago this is a film that would have had a much wider release and would easily have gotten more attention. After all, who could resist Nicolas Cage in a film helmed by the director of Borat?
