Posts by Brent Lorentson

Well, it’s that time of year when the studios make that extra push for awards season, and with Angelina Jolie at the helm directing her second film, Unbroken is the kind of film where after one viewing of the trailer you just know this is Oscar bait.  I love this time of year, and I love seeing the best of what the studios have to offer, but sometimes these films with high hopes just don’t deliver as expected.  Unbroken takes us on a journey through the life of Olympian Louis Zamperini (Jack O’ Connell) from his early years as a troubled child on through his torturous years as a prisoner of Japan during World War 2.

It’s the holidays as you all are well aware of by now, and if not, well, you may have some last minute shopping to do.  But for the rest of us, finding time between eggnog parties and decorating, to stay in the holiday spirit I try and squeeze in as many holiday films as I can.  Unfortunately for my girlfriend, to me a holiday film is Lethal Weapon, Gremlins and Die Hard.  But on the bright side, here at Upcomingdiscs we are given titles that we normally wouldn’t give a look to, and in the case of The Nine Lives of Christmas, this little Hallmark film turned out to be a sweet little gem. 

“Are you telling me that the fate of thirty million inhabitants is in the hands of these criminals?”

Now that we are in the middle of phase two of Marvel’s movie universe, a new batch of characters have been given a movie of their own to help set the stage for what is to come in the ever-expanding Marvel cinematic universe.  The Guardians of the Galaxy announcement for many left fans scratching their heads; after all, just how would a talking raccoon, a lumbering tree and various other space aliens fit in with the established Avengers team comic and film fans have grown to love already?

When it comes to the modern epic, director Ridley Scott is the go-to guy to pull off the sprawling and mega-budget storylines.  From Gladiator to Kingdom of Heaven, Scott has constantly proven himself behind the camera in executing tales with lavish sets and battles involving hundreds to even thousands of extras.  With the release of Exodus: Gods and Kings, a retelling of the Bible story where Moses frees the slaves of Egypt, Ridley Scott would seem the perfect choice for this film.  Unfortunately this is a Bible story that is sure to anger religious scholars and put some general audiences to sleep.

With the exception of killer clowns, I think the creepiest villains you can find in a horror film are possessed kids.  After all, they’re kids, so the knee-jerk reaction of letting them be overtaken by evil or letting them die is a bad thing in many circles.  Personally, if I’m being chased by some murderous kid who claims to have the devil in him, well, I’m not taking any chances, and they are going to end up on the unfriendly end of a handgun.  Thankfully I don’t believe the evil will be rising any time soon to kick off the ultimate war between good and evil.

It’s great to see the love that comic books and their characters are getting from the public; only a couple decades ago people didn’t look so kindly on the medium.  Growing up it wasn’t the wisest decision to broadcast to your classmates about your enthusiasm over the new Punisher or Batman comic.  I got lucky and never really had to deal with bullies, but I had friends who had their fair share of torment over liking the kind of music, movies or comics that they did.  The comic book store was a safe haven away from it all, and it was between the pages that all of us comic book geeks would escape and live vicariously through the animated panels before reality came barreling in. 

As adults we somewhat have a better understanding of how our dreams work and understand that those fears of the dark when we were children were somewhat silly in retrospect.  But when we were kids, the nighttime was a mysterious time that held so many possibilities, where the magic in the world around us was something that was very real for us all.  In the new Spanish language animated feature Nocturna, the first-time filmmakers (Adria Garcia & Victor Madonado) seem to have tapped into that childlike wonder and have crafted a film that I simply adore.

I’m not the biggest fan of Japanese animation. I don’t think it’s awful or anything, but animation is one of those things where I’m just picky about what I like.  Though I can say I am a big fan of Hayao Miyazaki (Spirited Away and Princess Mononoke) and most of his work.  I think this is worth mentioning, because though I may not be as well-versed in this genre, I’d like to feel I still go into it with an open mind, and I’m always excited to find a title that excites me that I never saw coming.  And that it precisely what Patema Inverted did.

Personally I’m not a fan of the Fast and Furious franchise, despite the fact that I tend to enjoy films from the genre.  For me, I’ll take the old school films like Vanishing Point, Two-Lane Blacktop, and the original Gone in 60 Seconds over these big budget productions any day.  All I can figure is that these films that I do enjoy are working with budgets that force the directors to be creative and understand most of their elaborate stunts only get one take and are not polished with CGI, but instead whatever the camera captures that is what we see on the big screen. The stunts are simply incredible, and the cars in my humblest opinion were simply cooler back then.

This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen.  There have been countless adaptions of Leonard’s work on the big screen as well as television.  Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned.  I was a teenager when I first discovered Elmore Leonard