Posted in: No Huddle Reviews by Brent Lorentson on December 24th, 2014
It’s the holidays as you all are well aware of by now, and if not, well, you may have some last minute shopping to do. But for the rest of us, finding time between eggnog parties and decorating, to stay in the holiday spirit I try and squeeze in as many holiday films as I can. Unfortunately for my girlfriend, to me a holiday film is Lethal Weapon, Gremlins and Die Hard. But on the bright side, here at Upcomingdiscs we are given titles that we normally wouldn’t give a look to, and in the case of The Nine Lives of Christmas, this little Hallmark film turned out to be a sweet little gem.
No, seriously, guys, don’t roll your eyes; I know the words Hallmark films seem a bit scary, but this is a film that really isn’t half bad, and what may help make it a little more attractive is that it stars Superman himself, Brandon Routh. Routh plays Zachary, a firefighter that is living up the single life dating beautiful models and working on remodeling a home while he’s keeping the town safe from burning down. It’s while coming home he rescues a stray cat and his life takes a drastic turn, and though he originally has no plans of keeping the cat, the cat manages to work its feline magic and warm this fireman’s heart.
Posted in: No Huddle Reviews by Brent Lorentson on December 15th, 2014
“Are you telling me that the fate of thirty million inhabitants is in the hands of these criminals?”
Now that we are in the middle of phase two of Marvel’s movie universe, a new batch of characters have been given a movie of their own to help set the stage for what is to come in the ever-expanding Marvel cinematic universe. The Guardians of the Galaxy announcement for many left fans scratching their heads; after all, just how would a talking raccoon, a lumbering tree and various other space aliens fit in with the established Avengers team comic and film fans have grown to love already?
Posted in: The Reel World by Brent Lorentson on December 15th, 2014
When it comes to the modern epic, director Ridley Scott is the go-to guy to pull off the sprawling and mega-budget storylines. From Gladiator to Kingdom of Heaven, Scott has constantly proven himself behind the camera in executing tales with lavish sets and battles involving hundreds to even thousands of extras. With the release of Exodus: Gods and Kings, a retelling of the Bible story where Moses frees the slaves of Egypt, Ridley Scott would seem the perfect choice for this film. Unfortunately this is a Bible story that is sure to anger religious scholars and put some general audiences to sleep.
Let me jump ahead and say I’m an unapologetic fan of Ridley Scott; this is my favorite working director. From his early work like Alien, Blade Runner and Legend on into his later films like Gladiator, Matchstick Men, Black Hawk Down and Prometheus, he has entertained me for years. But lately I feel he’s been swinging for hits but missing more than he has delivered. Last year’s release of The Counselor was a misstep that should have been a knockout hit but instead just was a disappointment in many ways, which brings us to Exodus: Gods and Kings and its frustrating retelling.
Posted in: No Huddle Reviews by Brent Lorentson on December 15th, 2014
With the exception of killer clowns, I think the creepiest villains you can find in a horror film are possessed kids. After all, they’re kids, so the knee-jerk reaction of letting them be overtaken by evil or letting them die is a bad thing in many circles. Personally, if I’m being chased by some murderous kid who claims to have the devil in him, well, I’m not taking any chances, and they are going to end up on the unfriendly end of a handgun. Thankfully I don’t believe the evil will be rising any time soon to kick off the ultimate war between good and evil.
In the new horror film Speak No Evil, the members of a small town are confronted with the dilemma “to kill, or to pray” after the children of their town are possessed by an evil that seems to have an unquenchable thirst for murder. Seeing possessed kids isn’t anything new; in fact Here Comes The Devil and Come Out And Play are a pair of recent releases that set the standard for creepy possessed kids films. Oddly enough, if you were to blend the plots of these two films together, you would get Speak No Evil, unfortunately without as much impact.
Posted in: No Huddle Reviews by Brent Lorentson on November 26th, 2014
It’s great to see the love that comic books and their characters are getting from the public; only a couple decades ago people didn’t look so kindly on the medium. Growing up it wasn’t the wisest decision to broadcast to your classmates about your enthusiasm over the new Punisher or Batman comic. I got lucky and never really had to deal with bullies, but I had friends who had their fair share of torment over liking the kind of music, movies or comics that they did. The comic book store was a safe haven away from it all, and it was between the pages that all of us comic book geeks would escape and live vicariously through the animated panels before reality came barreling in.
In the documentary Legends of the Knight, writer and director Brett Culp seems to have two goals. First is to tell the story of how Michael Uslan made it his personal mission to bring Batman to the screen and to be viewed as a serious character, unlike the parody of what he was in the Adam West series. There is also the other side of this documentary; the heart of it that after watching this film I don’t think it is possible to view superheroes the same way ever again. I don’t mean to imply there is anything negative here. In fact it is quite the opposite, and the stories that fill this feature will tug at your heartstrings to the point that I believe it could possibly change and make a difference.
Posted in: Disc Reviews by Brent Lorentson on November 24th, 2014
As adults we somewhat have a better understanding of how our dreams work and understand that those fears of the dark when we were children were somewhat silly in retrospect. But when we were kids, the nighttime was a mysterious time that held so many possibilities, where the magic in the world around us was something that was very real for us all. In the new Spanish language animated feature Nocturna, the first-time filmmakers (Adria Garcia & Victor Madonado) seem to have tapped into that childlike wonder and have crafted a film that I simply adore.
Tim (originally voiced by Helene Bizot) is a young orphan boy who like most young kids has a fear of the dark. To help him with his fears, he has become fascinated by the stars above, and on the roof top of the orphanage he has mapped out many of the constellations, but his favorite of all the stars above is Adhara. For Tim this is his last connection to his mother, who has told Tim that anytime he feels alone or frightened he basically will always have this star to count on. Unfortunately, one evening Adhara seems to vanish from the sky.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2014
I’m not the biggest fan of Japanese animation. I don’t think it’s awful or anything, but animation is one of those things where I’m just picky about what I like. Though I can say I am a big fan of Hayao Miyazaki (Spirited Away and Princess Mononoke) and most of his work. I think this is worth mentioning, because though I may not be as well-versed in this genre, I’d like to feel I still go into it with an open mind, and I’m always excited to find a title that excites me that I never saw coming. And that it precisely what Patema Inverted did.
Imagine if one day the laws of gravity were broken, and during this time friends and family all around seemed to be randomly sucked towards the sky, and you were helpless to do anything about it. Those who would be lucky to survive and keep their feet planted firmly on ground would have to go on living in this world that had fundamentally changed overnight. But what about those who have been floating up into the ether, what about these lost souls and their fate? This is the fundamental springboard by which Patema Inverted takes us to a world where those who survive live in separate “realities” where some seek to live deep beneath the earth to survive, while others have created their own world in the sky that has evolved as well.
Posted in: Disc Reviews by Brent Lorentson on November 11th, 2014
Personally I’m not a fan of the Fast and Furious franchise, despite the fact that I tend to enjoy films from the genre. For me, I’ll take the old school films like Vanishing Point, Two-Lane Blacktop, and the original Gone in 60 Seconds over these big budget productions any day. All I can figure is that these films that I do enjoy are working with budgets that force the directors to be creative and understand most of their elaborate stunts only get one take and are not polished with CGI, but instead whatever the camera captures that is what we see on the big screen. The stunts are simply incredible, and the cars in my humblest opinion were simply cooler back then.
Drive Hard is a fun throwback to chase films that lived in an era of drive-in theaters and grindhouse cinema. Thomas Jane plays Peter Roberts, a former race car driver who gave up what could have been a successful career to be a father. Sure, this is a respectable decision, but it’s a decision that has haunted him, as he now has taken on a career as a driving instructor. Despite Roberts being a parent, he still hasn’t managed to give up the dream of being something more than an instructor, only it’s hard to imagine he could have expected Simon Keller (John Cusack) would be the person who would become the motivating force. Simon isn’t just a regular student of Peter’s; in fact, Simon has specifically found Peter to once again take a spot behind the wheel, only this time around it is in the form of being a getaway driver.
Posted in: Disc Reviews by Brent Lorentson on November 5th, 2014
This has been a review that has taken me a while to get to, not because it’s something I was dreading, but instead it had me revisiting some other Elmore Leonard adaptations to the screen. There have been countless adaptions of Leonard’s work on the big screen as well as television. Whether it’s his westerns 3:10 to Yuma, Justified or Hombre or his work on crime Jackie Brown, Out of Sight, and Get Shorty, there is a good chance at some point you’ve seen Elmore’s work, and those were just a handful of titles I mentioned. I was a teenager when I first discovered Elmore Leonard. Out of Sight had just come out in paperback, and I had scooped it up after reading this was from the guy responsible for Get Shorty. His books didn’t read like your typical novel. Instead it felt like you were reading something that came alive; his characters simply spoke as though they came off the streets, not the pages of literature. I loved these books and have been reading them since, and when the news came early this year that Elmore Leonard had passed, it was one of the first times I actually got upset about a “celebrity” passing. It was the realization there simply would be no more stories to keep me turning the pages at night. Thankfully he left behind a collection of stories that will stand the test of time, and it’s with Life of Crime we get to see that.
A pair of small time crooks, Ordell (Mos Def) and Louis (John Hawkes) have a plan to kidnap a crooked real estate developer’s wife and hold her for a million-dollar ransom. The plan is just about perfect, and Mickey (Jennifer Anniston) is just about the perfect victim for her kidnappers; the trouble instead comes with the husband, Frank Dawson (Tim Robbins) who has just gone on vacation to the Bahamas where he has his mistress waiting. To make matters even more complicated for the crooks, Frank has even filed for divorce, so having his wife out of the picture would only make his life easier.
Posted in: The Reel World by Brent Lorentson on October 31st, 2014
“On TV it looks so real.”
When I first walked out from the theater after watching Nightcrawler, the thing that stuck with me the most is how great Jake Gyllenhaal was in this film. This isn’t the first performance he’s caught my attention in; he’s an actor who pretty much any time I see him in a film he’s one of the most memorable aspects of the film. Whether it’s his moody performance in Donnie Darko, his offbeat portrayal as a cop in Prisoners, or even him taking a risk as a gay cowboy in Brokeback Mountain, every role he does something more with the character where we can believe he is this person we see on the screen. Nightcrawler is no exception, and in this role Gyllenhaal is simply terrifying as Lou Bloom.
