Posts by Dan Holland

The films in this BluRay double feature are connected through two commonalities: the actor Gene LeBrock, and each having an Italian director. The films were produced around the same time, one in ’89 and the other in ’90, and they are both your typical schlocky Italian horror films. Although they may not be as noteworthy as the films of Mario Bava or Dario Argento, they most certainly emulate many of the aesthetics within the “giallo” genre. In other words, where they lack in story and acting talent, they make up for in cinematography, set design, and editing.

When Calls the Heart is a typical romantic drama series from the Hallmark channel, with forty-five minute episodes. This particular disc, When Calls the Heart: Heart and Home is a combination of episodes six and seven from season two. While combining the two episodes places this particular disc at feature length, it does not give context to what has happened to the characters in previous episodes. In other words: being introduced to this disc as a standalone movie, without prior knowledge of the television series, may not be the best way to watch it.

Sometimes films can move at a rather slow pace, but have a tremendous payoff. In many cases, this pacing pattern is identified by cinephiles as a “slow burn.” How slow the “burn” actually is depends solely on the director’s choice; some can be a little too slow for the amount of “burn” it provides at the film’s climax. Felt had no such problem with either of these concepts. The film is slow, yes, but its pacing fits so well with the devolving psyche (the “burn”) of the main character.

Perhaps if I knew a little bit more about Amadeo I prior to going into this film, I would have enjoyed it a little bit more. Luis Miñarro’s Stella Cadente, or Falling Star, focuses on the short-lived reign of Amedeo I as the King of Spain. Originally hailing from Italy, Amadeo was elected King of Spain in 1871. Upon his election, his primary backer was assassinated, leaving the foreign king alone to deal with the restlessness of Spain’s government. Falling Star sets up this sequence of events well enough to follow, but soon thereafter dwindles into a slow-paced fictionalization of the difficulties that faced Amadeo I.

“We like to believe that it’s false reporting because we just, in general, don’t want to believe that rape happens at the level that it does.”

These words are spoken by Diane Rosenfeld, and are probably some of the most poignant words spoken in this documentary. Lisa Jackson’s film It Happened Here tells the story of young women who have been raped during their stay at college. Each one of the girls recount their traumatic experiences and each one do everything in their power to make this horrifying reality known to the public.

There are an awful lot of people online who do not approve of Northmen: A Viking Saga, and they base their opinion in one of two things: either it’s a “ripoff” of the popular television series Vikings, or they criticize the film’s historical inaccuracies. I can’t defend the film’s creation being linked to the television show, nor will I pretend to know much about Viking history. However, I can provide an interesting question that will, with out a doubt, provoke some thought about the matter: so what? Through this review, I hope to nullify some of the current dismissive reviews and provide the fair review the film deserves.

I am a huge fan of the horror genre. Very rarely will I turn a horror film down, no matter how bad it is. This commitment begs the question: what exactly makes a horror film bad? (Although my aim for that question is to be rhetorical, I hope to answer that question through this review of Appetites.) As a horror fan, you typically read the cover of the DVD and already know what you are getting into (for the most part). You decide to lend your time to the film, knowing full well that the odds of watching the next Halloween or The Shining are not in your favor. Regardless, you pop the disc into the player and begin your journey into the unknown, hoping to watch something worth your time. Enter Appetites.

Blackbird follows high school senior Randy Rousseau (Julian Walker) as he comes to terms with his sexuality growing up in a small, conservative, Southern Baptist town. To make matters worse, his mother, Claire (Mo’Nique), never quite recovered from the kidnapping of her daughter six years prior; causing her husband (Isaiah Washington) to leave the family. In an effort to make a rather loaded story accessible in a brief synopsis, several other dramas unfold within Randy’s circle of friends: Randy experiments with his sexuality, his secret crush is dating the town pastor’s daughter, and he joins a group of college filmmakers in an effort to find comfort in his true sexuality.

Joan Rivers left behind an enormous legacy after leaving us in September of 2014. Known for her sharp wit and celebrity stings, the comedienne proved she was a force to be reckoned with. Most known for her television vehicle Fashion Police (started in 2002 and still running), she has had a major influence in the world of comedy, and her death really shook that world. Perhaps my favorite project she has worked on was the brilliantly-titled In Bed With Joan. While televised, it was also released as a podcast.

I’m such a big fan of the late Charles Bronson. Though I have not seen every film on his résumé, I have seen enough to know that if you give that man a gun, you have a movie. From his leading roles in Once Upon a Time in the West and the Death Wish franchise, to his supporting roles in The Great Escape and The Magnificent Seven: if he is in it, I want to see it. Perhaps he is best known for his leading roles as hardened vigilantes or silent hit men, but it is safe to say, you are not watching Borderline for the story. You are watching it for Bronson.