Posts by Dan Holland

“Los Angeles is a beautifully wrapped lie” 

Tangerine is a rather interesting comedy that is very reminiscent of Robert Altman’s ensemble comedies of the 1970’s. The film’s writing is especially intelligent given the contemporary issues it addresses, such as: transgendered women, prostitution, the entertainment industry and how it affects the lower class. Most of these issues are not directly addressed; they are represented in very minute but profound ways.

I am not going to lie: I am a complete sucker for the “life swap” genre of film. Whether it is Freaky Friday, The Parent Trap and their remakes, or the fantastic Face/Off. These films always are entertaining for me, as I take great joy watching actors and actresses overcome the challenge of acting out the minute characteristics of the other actor (not just the character). Christmas Trade is no different; the two actors do a good job of keeping their portrayals believable. However, it misses several opportunities to be my second-favorite “life swap” film to date (I don’t think anyone can top Cage and Travolta in Face/Off).

Tibet has been under Chinese oppression for more than fifty years. Recently, a wave of self-immolation has become a disturbing form of protest among Tibetan monks, with approximately 138 incidents since 2011. This alarming number of self-immolations is essentially the “straw that broke the camel’s back” for the filmmaker, as that is a theme that is brought up quite a few times in the peaceful protests depicted in this documentary. However, what earned this film a four-star rating is the nuances of a man’s journey to understand himself within the entirety of the Tibetan conflict.

“Seriously, how cliché is this?”

Misunderstood loner: check. Bullies: check. Isolated “camp”: check. Vengeful spirit: check. Looks like we got ourselves a horror movie! Every fan of horror has seen at least some combination of those themes in a film at least once. Now here they are, wrapped up an impressively cohesive package.  Although this film thrived on its use of clichés, it made conscious efforts to incorporate a lot of original ideas. Between the clichés that I am tired of and the original ideas that just didn’t work very well (for me), the film finds a balance that makes it enjoyable.

The Horror Network Vol. 1 is an anthology of five short horror films, compiled by Douglas Conner and Brian Dorton. I absolutely love short films: I have created a few of my own, and I have been part of the selection committee for a short film festival. This anthology is fantastic in that it combines my love of short films and my love of the genre of horror. Although most films in this anthology could most certainly be cut for time (as is the case with most independent short films), they do a fantastic job capturing the elements of horror that make your hair stand on end.

I was very excited to see The Target come through Upcomingdiscs headquarters. I am an avid consumer of New Korean Cinema, and The Target actually shares a producer with Oldboy (2003), my favorite film of all time. However, as soon as the credits roll, you learn that the film is inspired by Point Blank (Á bout portant), a French film made in 2010. So, I am immediately torn between my love of New Korean Cinema and my disdain for remakes. I must say, The Target was a rather pleasant surprise. Tae-joon is a young doctor who begins treating an accused murder suspect, Yeo-hoon, after he is chased from the crime scene by two thugs.

Yet another film from the Sundance Film Festival has been distributed to Upcomingdiscs headquarters. Noaz Deshe’s White Shadow was nominated for the World Cinema Grand Jury Prize in the “Dramatic” category, and while it didn’t win, it is very easy to see why this film is a strong contender. The film is beautifully shot and edited, paying a lot of attention to lighting and color. White Shadow tells the story of Alias, a young albino boy living in Tanzania, who must flee his home after the murder of his father. There is a danger to all albinos in the area as a local witch doctor harvests their organs for his various potions.

Pop Life is a documentary concerning the role that drugs play in the world of Electronic Dance Music (EDM). Clocking in at about 55 minutes, the documentary really doesn’t take up that much time, and it does have quite a bit of information it sifts through. The documentary is a great introduction to the idea that drugs are, and really always have been, something that closely intertwines with popular music culture (not just EDM).