Posted in: Disc Reviews by J C on May 12th, 2014
“You are not to leave this building. America is closed.”
That's certainly a far cry from “give me your tired, your poor...your huddled masses yearning to breathe free.” It's also the predicament faced by Viktor Navorski, an accidental refugee who falls through a proverbial crack in the system and winds up trapped at JFK International Airport. The harsh, sobering command comes early on in The Terminal, a large-scale, feel-good parable. Even 10 years ago, a tonally-tricky studio movie like this one could only find its way to multiplexes if someone with the clout of a Steven Spielberg or Tom Hanks decided to make it.
Posted in: Disc Reviews by J C on May 8th, 2014
“A week from this Saturday, I turn in my amateur standing and go pro.”
Tom Hanks has been starring in movies for exactly 30 years. He burst onto the big screen with 1984's Splash, the romantic-comedy hit that also marked the start of a fruitful creative relationship with Ron Howard. A few months later, Hanks headlined Bachelor Party, which probably just seemed like the latest in a long line of silly, raunchy, sex comedies that were extremely popular at the box office. Of course, that was before anyone could possibly realize the movie would eventually serve as the spiritual godfather to comedic blockbusters like Wedding Crashers and The Hangover.
Posted in: The Reel World by J C on May 7th, 2014
“War leaves a mark.”
Even the people who manage to escape war with all their limbs intact feel its impact for the rest of their lives. Of course, it’s much trickier to spot the emotional and psychological wounds veterans like Eric Lomax carry with them. The Railway Man is based on Lomax’s harrowing World War II experiences and the day of reckoning, decades later, with one of his tormentors. In turning Lomax’s real-life story into a dramatic movie, the film doesn’t so much ask if revenge is good for the soul; it argues that it might be necessary.
Posted in: Disc Reviews by J C on May 7th, 2014
Craig Morrison was in his late 80’s the first time he got in trouble with the law. Still Mine tells the real-life story of the Canadian octogenarian who found himself in court facing the prospect of jail time. In case you’re wondering, Morrison didn’t rob a bank or cheat on his taxes. He merely wanted to build a modest house on his own property that could better accommodate his ailing wife. And he insisted on doing it himself.
The film opens with a tired-looking Craig (James Cromwell) preparing himself to make a statement in court. The action flashes back two years, and we see Craig on the expansive 2,000-acre New Brunswick property he shares with his wife Irene (Genevieve Bujold). We eventually learn the couple has been married for 61 years, but the playful, tender rapport between Cromwell and Bujold conveys that connection within minutes. Just as surely as we get glimpses into their loving relationship, we also get hints at some of the problems beneath the surface. Craig’s cattle and strawberry businesses begin to falter, while Irene absentmindedly leaves an oven mitt laying across a hot stove and forgets that some misplaced actually belongs to her.
Posted in: No Huddle Reviews by J C on May 7th, 2014
Following the live performance of Madea’s Neighbors From Hell captured on this DVD, Tyler Perry joins his fellow cast members on stage after they’ve all taken their bows. Perry has ditched his Madea drag and takes to the microphone to thank his fervent, loyal fans for their support. You probably know Perry because of the phenomenal success he has enjoyed in TV and movies. (And because he puts his name on practically everything he does.) However, Perry is quick to remind his audience that it all started on the stage.
Madea’s Neighbors From Hell premiered in Atlanta last year. As you probably guessed from the title, the play features Perry’s most famous creation: the towering, tough-talking Mabel “Madea” Simmons. I realize the character is Perry’s bread-and-butter, but it’s still a little jarring to see the uber-rich multi-hyphenate treading the boards in a direct-to-DVD movie.
Posted in: Disc Reviews by J C on May 5th, 2014
“I do wish I could be content, but...”
“You cannot.”
Posted in: Disc Reviews by J C on May 1st, 2014
It’s easy to envision the elevator pitch for Devil’s Due. You only need five words: “Rosemary’s Baby meets Paranormal Activity.” The upside is obvious. The idea of a demonic pregnancy has terrified and unsettled expectant mothers since Ira Levin published Rosemary’s Baby in 1967 and Roman Polanski adapted it for the big screen the following year. Meanwhile, the Paranormal Activity films made low-budget/found-footage domestic horror hugely profitable. The downside? You’re probably not topping Rosemary’s Baby, and horror audiences seem to be suffering from an acute case of found-footage fatigue.
“Children, it is the last hour. And as you have heard that the antichrist is coming, so now many antichrists will come. Therefore we know is the last hour.”
Posted in: Disc Reviews by J C on April 24th, 2014
“I used to be thin when I was 6.”
Jim Gaffigan has long been fixated on food. Need proof? The comedian’s 2013 memoir is called “Dad Is Fat”, and his most famous routine is about Hot Pockets. So it wasn’t exactly a shocker to find that Gaffigan spends most of Obsessed — his fourth Comedy Central stand-up special — talking about his dietary likes and dislikes. (Hint: kale is not on his list of favorites.) This is astoundingly straightforward and inoffensive material that nonetheless had me consistently laughing out loud.
Posted in: Disc Reviews by J C on April 21st, 2014
“Have you done anything noteworthy or mentionable?”
It’s the sort of question that can easily apply to either your workday or your life as a whole. It’s also the question actor/producer/director Ben Stiller chose as the basis of his inspirational adaptation of The Secret Life of Walter Mitty. The original short story by James Thurber is less than five pages long, so a filmmaker has the option of going to any number of fascinating places in bringing Thurber’s tale to the big screen. Stiller, in essence, decided to take the scenic route.
Posted in: No Huddle Reviews by J C on April 21st, 2014
“Bad things happen in the woods, especially to pretty girls like you.”
Stop me if you’ve heard this one before: a smallish group of friends head to a remote location for what they think will be a sex-and-booze-fueled romp. Instead, they find themselves getting picked off by a mysterious killer. If you’ve ever seen a slasher movie, you’re painfully familiar with this scenario. Thankfully, it seems like the people who made the low-budget Death Do Us Part are also well-acquainted with the way this sort of movie is supposed to work. And they’ve decided to have some fun with it.
