Posted in: Disc Reviews by Brent Lorentson on October 15th, 2021
Fried Barry is definitely one of those fun quirky movies that needs to be seen to be believed. One thing I should definitely say from the start is this movie is definitely not for everyone but if you are willing to go into this with an open mind well you just might appreciate this little gem ad for those late night drinkers and tokers, this is one that is fun to put on for those late night movie nights. If you are looking for a high brow art film you’ve come to the wrong place and despite how the covert art suggests “A Hard R version of ET” well that’s a bit of a stretch in the ET department but this is definitely a film not for the kiddies but perfect for those high school film geeks looking for an outlet from woke society. I feel like this is the kind of movie we need as the rest of the world is so scared about offending one another Fried Barry instead asks it viewers to kick back and prepare to get uncomfortable and enjoy the ride.
Gary Green plays the role of Barry, a quiet and not very likeable drug addict that happens to also be a terrible father. Everything about Green goes against the mold of what a lead actor is supposed to be but it doesn’t take long before you realize how this man was born to play this part and I’m willing to bet this will make him a cult hero in the upcoming years. Green doesn’t talk much during the film and it’s really his facial expressions, body movements and his eyes that drive this performance, while I’m not saying this is an Oscar worthy performance, on a physical level Gary Green has a physicality that I haven’t seen in quite some time.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2021
We first came to know Paul Hogan as the "Shrimp On The Barbie" guy. He was doing television and radio ads for Australian tourism. A smart fellow, he saw that the ad character was popular and rode an enormous wave of an Australian fad that hit America in the 1980's. Suddenly there were Australian bands like Men At Work teaching us about vegemite sandwiches on the top of the music charts. We got steak, not shrimp, on our barbie with a chain of Australian-themed steakhouses appropriately called Outback "no rules, just right" started up by a Florida group. Pop culture became inundated with catch phrases like "no worries" and "G'Day". Australia was cool, and we even had an "Australian" neighbor we all later found out was faking it for years. No doubt anything Aussie was considered cool. It was in that light that Hogan parlayed his tourism ads into an over-the-top Aussie character named Michael J. "Crocodile” Dundee.
The film was an almost instant hit. It pulled in a rather sweet $175 million at the domestic box office. Remember, this was a 1987 comedy with no real known American stars. Of course there was going to be a sequel. That film pulled in considerably less, but still a respectable $110 million. Those three films have now been brought to Blu-ray as a three-disc set from Paramount. The third film was called Crocodile Dundee In Los Angeles and tanked big time with an embarrassing $25 million box office total. That was 2001, and the Aussie fad has long since passed.
Posted in: Disc Reviews by Brent Lorentson on October 2nd, 2021
Ever since The Purge came out back in 2013, I think with each passing year it seems like it can become a terrifying reality. Some fans, I’m sure, have even thought about what deviant activities they’d get into or how they’d defend themselves if it ever became a reality. The films in their own blunt way have been an examination of our government and how society is treated by class and by race. It’s not a big surprise that these films have been hits at the box office, but my big complaint has been are they really horror films? For me they are just modern takes of a world that John Carpenter created with his Escape from New York and Escape from LA films, like a hard-edged dystopian sci-fi survival film. At least with the first installment The Purge felt more grounded as an intense home invasion film, but as the sequels followed and the world opened up, it just started to feel more like an action film. Suspense and atmosphere have been replaced by gunfire and over-the-top costumes, and it’s just lost its impact. But then this idea of The Forever Purge came along, the idea that the bloodshed and chaos doesn’t have to end, that the government has lost control, and the blood thirsty lunatics have taken control. This direction seemed to offer some potential. The bleakness could be a sobering look at what could occur.
The film opens with a family sneaking across the border for a potential for a new life in America, a family seeking to live the American dream and flee the violence of the cartels and no longer live in poverty. Things then shift a year later, and we’re on a ranch in Texas. The ranch is run by the Tucker family and has its share of Mexican ranch hands. There’s a little tension between the son Dylan (Josh Lucas) and Juan (Tenoch Huerta), who seems to be better at handling the horses than the good old Texan cowboy. At first glance it seems like simple racism, but later in the film the two end up discussing their differences, and we see it’s a little more complicated, but at least doesn’t come from a place of hate. Honestly, I wish this was explored more. Even if it is a touchy subject, I felt it at least showed how discrimination and culture clash doesn’t necessarily have to come from a place of hate. Of course we know these two will need to set aside their differences in order to survive, but really, there is never any tension between these two again, which I found little frustrating.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2021
"There's a war coming to Gotham, and now there's no Batwoman stop it."
Well ... that's halfway true. After just one season in the cape and cowl, Ruby Rose rather abruptly quit the show. That's a pretty big red flag when you lose your titular star and character after just one season. For many shows that might have been the end of the road. Not true for Batwoman. They had several choices. They could have recast the part and just pretend it's the same character with a new look. They could have killed the character off and found a new one to replace her. Of course, with the multiverse now closed down, the most likely option of replacing her with another Earth's Kate Kane might have been the best option. The announcement came pretty much on the heel of Rose's departure that they would not recast the part. That turned out to be partially true, but more on that later. The choice was made to put an entirely new character into the suit.
Posted in: Disc Reviews by Gino Sassani on September 2nd, 2021
The first thing you should know about The Walking Dead franchise is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
"It's all right. I know you've been through a lot."
Posted in: Disc Reviews by Brent Lorentson on July 25th, 2021
It continues to amaze me how well Warner Brothers does with their DC products in the television universe but manage to execute so poorly with their films. Despite being a bit formulaic, the CW DC shows are still a blast to watch but it’s the more adult oriented shows Titans, Doom Patrol and Swamp Thing that have left me most impressed. Now they have released Pennyworth for the Starz Network, despite the confidence I have in the other shows I went into this one with cautious optimism. The biggest question that bothered me was do we need another series that delves into the Batman universe? Gotham recently wrapped up, there’s a Batwoman series, Joker was only 2 years ago and a new Batman film coming next year, not to forget all the other incarnations of the Dark Knight. What had me interested though is the notion of finally getting to see Alfred Pennyworth as the former SAS officer in his prime and the chance to see how he became entangled with the Wayne family. Was the series a letdown or yet another success for the DC television universe?
The series was brought to life by Bruno Heller, a writer with experience in this universe since coming off from writing for Gotham. Now if you’re thinking you enjoyed Gotham and perhaps this is a prequel you can enjoy with the kids let me stop you for a moment and say, this one is not for the kids. This series embraces its adult content with its over the top violence, an abundance of sex, drugs and profanity that more closely resembles a Quentin Tarantino film than a comic book series, and I love it for that. Season one was a fun little romp that sets up the story of how Thomas Wayne, Martha Kane and Alfred Pennyworth all met. Season 2 delves deeper into the development of their friendships and relationships and in the process shows how Lucius Fox was brought into the fold. This is all done while a battle is taking place between London and the Raven Union which is led by Lord Harwood (Jason Flemyng) whom we met in the first season. Season two, while it does continue the story I’m a little disappointed with the direction it goes with this so much focus on a war and take over by the Raven Union, my disappointment is with how little most of it doesn’t involve Alfred at all.
Posted in: Disc Reviews by Brent Lorentson on July 20th, 2021
Bigger doesn’t always mean better. Eight years following the success of the first 48 Hrs film and the rise of Eddie Murphy’s stardom, Murphy came to the studio proposing to do a sequel, and they happily obliged him, allowing him to also produce it under his budding production company. Walter Hill had gone on to direct some successful films, but nothing like the box office success of 48 Hrs. Brewster’s Millions, Streets of Fire, and Red Heat are just of few of the films that stood out during this time for Hill, but the potential of another big moneymaker that could give him the clout to go on and direct more of the films that he wanted was the draw he needed. It was a paycheck movie that could have had potential, but with a rumored 30 minutes cut from the film just before its release on top of the 20-plus minutes cut down from the first cut followed by a rushed script to get the film into production, well, it’s no surprise that the film falls short of the first film.
This time around Jack Cates (Nick Nolte) is after this elusive criminal he’s dubbed “The Iceman”. He’s working on a theory that has this elusive criminal connected into some high-stakes drug deals. Unfortunately he has no proof this guy even exists. Just when he thinks he’s close, one of his cases points him into the direction of his old buddy Reggie Hammond (Eddie Murphy), who is recently a free man. Reggie happens to have a target on his back with Ganz’s brother, Cherry (Andrew Divoff), who is out for revenge and also Reggie’s money. Cates is also feeling the heat from an Internal Affairs officer played by the recognizable Kevin Tighe. The setup for the film isn’t bad; honestly, the film had some good potential, but everything just falls apart.
Posted in: No Huddle Reviews by Brent Lorentson on July 20th, 2021
In 1982 when production was getting started on 48 Hrs, Walter Hill had plenty pf success with The Warriors, The Long Riders, and Southern Comfort, and many would think he was taking a bit of a risk by casting Eddie Murphy as the second lead of his film. Sure, Murphy would go on to be a giant success, but at the time of this film all he had was being a cast member of SNL. The gamble would of course be a success for not just Walter Hill and the film, but 48 Hrs would be the film that lit the fuse to a successful career that would launch Eddie Murphy into superstardom. The movie is a classic for more than just making a career for Eddie Murphy; it’s also the movie that remolded what the “buddy action” film can be by having the leads at one another’s throats while the bullets and fists fly. While this isn’t my favorite Walter Hill film (that number one slot will always be The Warriors), 48 Hrs. is a staple film of his career that I feel is required viewing for those who love 80s action films, or simply good films, period.
The film opens up with a fun “jail break”, Ganz (James Remar) is working a chain gang when his partner Billy Bear (Sonny Landham) comes to break him free. The big plan is for the two to make it to San Francisco, where they want to collect money that’s owed from a deal that went wrong, and then they will live happily on the lam.While these two may not be the smartest of criminals, they definitely rank pretty high when it comes to being vicious and lacking a moral compass when it comes to who they put a bullet into. It’s the trail of bodies that gets Jack Cates (Nick Nolte) onto the case, especially when cops end up dead and Ganz nearly kills Cates with his own pistol.
Posted in: Disc Reviews by Brent Lorentson on July 9th, 2021
“Bueller … Bueller …”
When it comes to the 80’s teen comedies, I think we can all agree John Hughes is the king, and I feel just about every kid who grew up during that time has a strong opinion on what the “BEST” John Hughes movie is. The Breakfast Club, Sixteen Candles, Weird Science, Ferris Bueller’s Day Off, and Planes, Trains and Automobiles are pretty much all classics that he wrote and directed, but that doesn’t count the numerous others that he just wrote. When I heard John Hughes died, it was a sad day, even though he hadn’t directed a film since 1991’s Curly Sue. I think we all were kind of holding out hope he’d be able to step back behind the camera one more time. As for my favorite film from Hughes, it’s without a doubt Ferris Bueller’s Day Off. This was a film for which I had a VHS copy I had that watched just about every time I was home sick from school or faking sick (this seemed to happen more often). The film is basically the cinematic equivalent to mac-n-cheese comfort food for me. I know I’m not in the minority when it comes to being able to quote this film at random, and perhaps I can possibly blame it for wanting to jump onto a parade float and serenade the masses with some classic tune. But the film does, oddly enough, hit me a little deeper than all that.
Posted in: Disc Reviews by Brent Lorentson on July 6th, 2021
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials, I wasn’t all that thrilled. I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I might have had in different circumstances. I was definitely pessimistic about watching the , but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons, and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series. Season 2’s can be a make-or-break for a lot of shows. Expectations have been made by the audience, and sometimes things just fall apart, but sometimes there is the rare occasion where Season 2 manages to only get better. I’m happy to say in the case of His Dark Materials, things definitely improve.
Season 1 left us off with a bit of a cliffhanger as we see Lyra (Dafne Keen) and Will (Amir Wilson) stepping through portals from their worlds, and we’re just not sure where they’ll end up. Well, the pair end up in a city called Cittagazze, a place where there are no adults. Only a few children are living in hiding in the town because of these wraithlike figures called Spectres that basically suck the “dust” or human life-force from adults. The set design for this new world is impressive, which is a good thing because a lot of time is spent at this location over the stretch of Season 2. Lyra’s daemon, Pan (voiced by Kit Conner) is still going through multiple changes and remains one of my favorite aspects of the show, though thankfully daemons are not in constant peril this season. Instead more focus is placed in the importance of Lyra and Will and how the pair fit into a prophecy that of course will impact the world and all its multiverses.
