1080p

Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad.  John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him.  Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid.  Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.

It seems there have been a lot of horror films involving dinner parties that have gone wrong.  You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore.  Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you.  When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films.  It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.

"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."

You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series.

"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham." 

In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise.

If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough.  It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off.  The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.

Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next.  If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it.  The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy.  As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.

Are you a good guy or are you a bad guy?”

I honestly try to be a good guy whenever I sit down to write a review because the fact is I wouldn't be doing this if I didn't have a deep love for movies. Heck, I can usually even derive enjoyment and find the charm in films that obviously have limited resources. Unfortunately, it's hard to stay positive whenever Steven Seagal pops up on a Blu-ray cover, always with the same neutral expression and always brandishing a firearm. Code of Honor, Seagal's latest offering, is no exception. If the question is, “Is this a good movie or a bad movie?”...I think you know the answer.

For the Gasparilla International Film Festival, to nab the latest film from writer/director Richard Linklater is kind of a big deal. GIFF was the second festival to show Everybody Wants Some after its debut at the acclaimed South by Southwest festival.  With the film being lauded as a spiritual sequel to Linklater’s cult hit Dazed and Confused, I had to admit I was a bit skeptical about this film and its ability to even match up to its predecessor, after all it was the indie darling that helped launched the careers of Matthew McConaughey, Ben Affleck, Milla Jovovich, and many others.  This ensemble of talented up-and-comers managed to capture this cinematic lightning in a bottle about high school

"Never underestimate the impact of dramatic entrance!"

It's hard to maintain the attention of the 21st-century child. Animated movies have to combine enough elements of charm and action to keep their attention for a little under two hours. If you want to keep a franchise going, you have to rip out your sequels in reasonably tight schedules. It's been over four years since Kung Fu Panda 2, and we waited nearly that long between the first and second entry. That's a long time in a culture where we move from fad to fad almost by the hour.

"That's me, Mike Hanover, and I just killed a man in a taco shop bathroom. Hey, he started it. I been hiding near the border looking for The Vigilante..." 

You've found him. Anchor Bay's The Vigilante actually started life as a web series. The web episodes followed the exploits of The Vigilante, played by Paul Sloan and his sidekick The Kid, played by Kevin L. Walker. It was pretty much a hyper-superhero kind of series with ramped-up action on a limited budget. Now we have a feature film version that is quite the mixture of genre films. You get a little grindhouse mixed with some Leone Spaghetti Western with extra sauce