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"During the long, dark period of the Great Wars, an elite class of soldier rose from battle. Their unbreakable code was simple: possess a noble heart of courage, right conduct, and absolute devotion to one's master. From out of those years of bloodshed an empire would emerge. Its power would assimilate persons of every color, creed, and faith. This uncontested rule eroded the traditions of the great knights... but not for all."

Last Knights is an ambitious direct-to-video production. It sports a rather elite class of actors headed by Morgan Freeman, who adds a ton of gravitas to any role he plays.

Anybody can jump a motorcycle. The trouble begins when you try to land it.”

There's a segment in I Am Evel Knievel that features some of Knievel's contemporaries — along with a few of the younger extreme sports athletes he inspired — breaking down just how difficult it is to jump a motorcycle across vast distances. (Especially when you're using relatively primitive equipment the way Knievel was.) Long story short, the crucial components are guts and a mental makeup that doesn't allow you to overthink or dwell on the insanity of what you're about to do. This entertaining documentary succeeds in illustrating how Knievel had both of those qualities in spades.

"There's always a consequence for breaking the rules."

Maybe that's why the crew from The Lazarus Effect decided to use all of the rules and conventions in the book without daring to really break any new ground of its own. By the time I was finished with the film, I felt like I had watched several horror movies at the same time. It's most intentionally Frankenstein meets Flatliners meets insert-your-favorite-ghost/possession-movie meets every-Stephen-King-film-ever-made. With all of that at its fingertips and a pretty bright cast, all The Lazarus Effect could do was raise itself to mediocrity.

It honestly took me a while to get over the opening shot of The Forger. The shot itself is rather unremarkable: it's a simple close-up of star John Travolta sitting in a small room by himself and staring straight ahead. But between his ridiculously obvious wig and the waxy texture of his face — the actor now looks like he's wearing a Michael Myers-style “John Travolta” mask — I knew it was going to be pretty difficult to take him seriously, no matter who or what was playing. It's a shame because there's actually a pretty decent family drama to be found within The Forger.

"In these mountains roams one of the rarest species on our planet. A shy, elusive, and gentle creature: the giant panda."

If you are old enough you will remember President Richard Nixon's famous trip the China. He was the first President to make the voyage, and it was heralded as a foreign policy breakthrough for the nation. Long after, the hoopla had died down and the only time it seemed Nixon was in the news was for Watergate. But even amid the scandal, one bright legacy of that trip remained for years to come. That was, of course, the Chinese gift to the United States to celebrate the event. We received two pandas named Ling-Ling and Hsing-Hsing that would capture the hearts of a nation even as Nixon was losing them

“Jihadists are people too!” That’s probably the big, blinking takeaway from Timbuktu, director Abderrahmane Sissako’s Oscar-nominated drama about the occupation of the titular city by extreme Islamists. But it’s also the most reductive possible interpretation of a film that doesn’t shy away from portraying some of the beauty in thoroughly ugly circumstances. More importantly, Timbuktu tells a volatile story with tremendous grace.

What do Elvis Presley, Frank Sinatra, The Beach Boys, Sonny & Cher, The Monkees, and Nat King Cole have in common? (Besides, of course, their undisputed status as musical icons and the adoration of millions of fans.) Well at various points in their illustrious careers, they were each backed by The Wrecking Crew, a tight-knit group of session musicians responsible for cranking out some of the most familiar hits of all time. This documentary is a lively love letter to that incredibly charismatic and cohesive group, whose contributions remained largely anonymous for decades.

“We’re not in the middle of the third act. We just got to the end of the first.”

Aaron Sorkin almost definitely knew The Newsroom had been simultaneously renewed for a third season and canceled when he wrote those words, which come at the end of the season 3 premiere. It’s a winking and bittersweet bit of writing for a show that seemingly infuriated as many more people than it delighted over the course of 25 episodes. (Which apparently amounts to a single season of Pretty Little Liars.) So how else would you expect The Newsroom to go out than with moments of singular brilliance mixed in with a few controversial bangs?

“Tell everyone to get ready.  Jimmy is coming.” 

If someone were to tell me while walking out of Schindler’s List that 20 years later Liam Neeson would be an action star, I would have thought they were out of their mind.  Between the trio of Taken films and numerous films that seem to be cut from the same ilk, Liam Neeson seems to be walking in the same footsteps as Charles Bronson and Clint Eastwood as being the go-to everyman who just so happens to be a badass with or without a gun.

I’m hard pressed to think of a movie star who is better at playing rich a-holes than Michael Douglas. He’s played a Murderous Rich A-Hole, a Rich A-Hole Who Gets Put In His Place, and a Self-Destructive Rich A-Hole, to name just a few. And that’s not even counting his Oscar-winning turn as Gordon “Greed is Good” Gekko, the Definitive Rich A-Hole. It’s tempting to tidily sum up Beyond the Reach as “Gekko’s Got a Gun.” Unfortunately, what starts out as a picturesque two-hander becomes more preposterous as it goes along before completely flying off the rails in the final act.