Posted in: Disc Reviews by J C on June 3rd, 2014
“I don't know why death still surprises me.”
As someone who's seen every single episode of True Blood, I suppose nothing should surprise me by now. HBO's vampire drama has given us more than its share of head-turning sex scenes and a hearty helping of over-the-top violence. However, the further the series ventured from Bon Temps and its core group of characters, the more it seemed to lose its way, even as a satisfying guilty pleasure. This penultimate season still relied on an overly-crowded cast of supernaturals. But it was ultimately an encouraging sign that the show might get back to basics as it prepares to end its run this summer.
Posted in: Disc Reviews by Jeremy Butler on June 3rd, 2014
What makes us human? That is the primary theme of Robocop, the remake of the 1987 film of the same name. The 1987 film was a huge blockbuster success, spawning two sequels, and no doubt that is the hope for the remake at the very least. Joel Kinnaman steps into the suit made famous by Peter Weller, and he is not the only big name to grace the film: Michael Keaton, Samuel L. Jackson, Abbie Cornish, and Jackie Earle Haley, as well as the great Gary Oldman playing the doctor who made Robocop possible: with such a top-notch cast, how could the project fail?
Posted in: Disc Reviews by Brent Lorentson on June 2nd, 2014
When Stephen Chow came out with Shaolin Soccer and Kung Fu Hustle he delivered martial arts in a way like we never had seen before. It’s not just that he blended humor with his action but it was that he was able to manage to make his characters function as you would imagine cartoon characters would in the real world. The road runneresque chase scenes from Kung Fu Hustle are the first visuals that come to mind any time I think of the name Stephen Chow. Now that he has Journey to the West making its way to Blu-ray, does he still have what it takes to make a hit or has he simply returned to the well already?
Posted in: Disc Reviews by J C on May 28th, 2014
On the surface, The Color of Lies resembles many other murder mysteries set in a close-knit community. The 1999 film, however, is a late-career effort from Claude Chabrol, the French New Wave director who first gained acclaim alongside contemporaries like Jean-Luc Godard and Francois Truffaut in the late 1950s. So it’s not surprising to learn The Color of Lies is really a subtle, stylish exploration of the various ways people deceive each other.
Posted in: Disc Reviews by Archive Authors on May 27th, 2014
by Eric Mitchell
G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money, in fact, that the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce
Posted in: Disc Reviews by Brent Lorentson on May 26th, 2014
Christian Slater has managed to make a decent career lately by simply appearing in numerous direct-to-DVD productions for several years now. It seems as though every month the former 80s-90s heartthrob is slumming his way through productions as though he never once looked at the script and instead was just adding another lackluster credit to his IMDB profile. As a longtime fan of the actor from the days of Heathers, True Romance, and Pump Up the Volume, I can’t help but hope the guy will make a resurgence (though appearing in Lars Von Triers Nymphomaniac is a good start to that career revival).
Posted in: Disc Reviews by Brent Lorentson on May 21st, 2014
Ever since Elijah Wood completed filming Lord of the Rings, it would seem that he has done everything in his power to not be locked down with the label of simply being Frodo. From playing a mute psychopath in Sin City, to voice work in Happy Feet, a suicidal pot-head that is best friends with a talking dog in Wilfred, and even the killer role in Maniac, it’s clear that he’s an actor that likes to challenge himself. With Grand Piano Wood delivers his most dynamic performance as the brilliant concert pianist Tom Selznick who suffers from stage fright.
Posted in: Disc Reviews by Archive Authors on May 21st, 2014
Most action pictures have an aura of super-seriousness, or they are filmed as comedies and everything is meant to be ridiculous. It definitely is a difficult task to mix the two effectively. On some level most action pictures are ridiculous, since most of us will never experience the close proximity to death and danger that is depicted on the screen. Also, life and death are often cheapened with high body counts but little consequence for our hero. In 3 Days To Kill, all sorts of elements are brought to bear in order to reinforce the average everyday family experience and not the lone killer.
Posted in: Disc Reviews by J C on May 20th, 2014
The line between romance and stalking is much blurrier at the movies. Behavior that routinely leads to restraining orders or arrests in real life tends to elicit “awws” from moviegoers and earns the romantic hero a kiss in the end. The Right Kind of Wrong is one of the more egregious examples I can remember, which is a shame because the Canadian romantic comedy has a likable lead and dares to give its characters multiple dimensions.
Posted in: Disc Reviews by J C on May 19th, 2014
“If we act like we belong, they'll think we belong.”
You never know who could be watching when you post something online. Sophia Grace Brownlee is a perfect example of how to become a “star” in this decade. In 2011, the 8-year-old Brit starred in a video of herself singing Nicki Minaj's “Super Bass” alongside her silent, hype man cousin Rosie McClelland. The clip went viral and caught the eye of Ellen DeGeneres, who has repeatedly featured the diminutive duo on her daytime talk show over the last few years. I suppose it was only a matter of time before Sophia Grace and Rosie jumped to the big screen; well, the straight-to-DVD screen anyway.
