Posted in: Disc Reviews by J C on November 23rd, 2018
“Not all heroes wear capes.”
To put things mildly, Warner Bros. still has a bit of ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. One of those small-screen flicks — 2015’s Justice League: Throne of Atlantis — has just been granted a nifty “Commemorative Edition” 4K release before Aquaman splashes onto the big screen next month.
Posted in: Disc Reviews by Brent Lorentson on November 15th, 2018
Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic. Sure effects have come a long way over the years, and through the Hollywood magic of special effects they can create a more realistic-looking shark, but to be fair many of the film’s more memorable moments don’t even have the shark on screen. When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water.
Posted in: Disc Reviews by Brent Lorentson on November 11th, 2018
Ever since Do the Right Thing came out in 1989, Spike Lee has been a director that critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, to documentaries, to television shows, but mostly he’s made his claim to fame in film. His films have been all over the place as critical and box office successes. Inside Man to this day may be his biggest success financially, but of all his films it feels the least like a Spike Lee film. The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations. With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.
Posted in: Disc Reviews by Jeremy Butler on November 11th, 2018
When a disease begins targeting and killing children, you fear for the future of the generation. However, when the children whosurvive develop dangerous abilities, you fear for yourself. That is the situation that Ruby Daly finds herself in. To compound her issues, not only does she have powers that she can’t control, but among the powerful her abilities are among the rarest and strongest. Amandla Stenberg stars in this film based on a young adult novel series. Anyone else sensing a franchise in works. Unfortunately, despite the vacuum let behind by Twilight, Hunger Games (which our star was a part of), and the recently ended Maze Runner, I’m not so sure that The Darkest Minds will be the vehicle to fill the gap. Overall it was a solid opening, but I left the film with more than a few unanswered questions.
Posted in: Disc Reviews by Gino Sassani on October 31st, 2018
The Matrix (1999) was a landmark film in the Sci-Fi genre. While its box office intake was dwarfed by Episode 1, it was The Matrix that had people talking. Andy and Larry Wachowski’s story of a post-apocalyptic world where humans serve as biological generators of energy for the machines that rule the planet challenged people’s perceptions of what reality was. Computer hacker extraordinaire Neo (Reeves) has this gut feeling that life isn’t all that it seems to be. Turns out he’s right in a big way. A group of revolutionaries led by the thought-to-be-mythical Morpheus (Fishburne) open his eyes to the Matrix.
Posted in: Disc Reviews by J C on October 25th, 2018
“I don’t know how to sing about love when I’m not feeling it.”
I have a surprising confession to make: I’m a huge movie musical nerd (that’s not the surprising part), but I thought the first Mamma Mia movie was absolutely terrible. Obviously, I was in the minority: the 2008 ABBA jukebox musical grossed more than $600 million worldwide. So the second least surprising thing about the perfectly-named sequel, Mamma Mia: Here We Go Again, is that it took 10 years to get the band back together. The first most surprising thing is that I actually thought this movie was...kinda good.
Posted in: Disc Reviews by J C on October 17th, 2018
“I’m sorry…I’m a really good person.”
I absolutely loved The Big Short, which managed to extract smart, insightful comedy from one of the gloomiest chapters in recent American history. But if there’s one minor critique I had, it’s that the 2015 Adam McKay film sort of glossed over the human cost of the nationwide financial collapse. On the other hand, Arizona — a violent, over-the-top black comedy that’s billed as being “from the producers of Eastbound & Down and Brooklyn Nine-Nine” — is set in 2009 and focuses almost exclusively on a handful of hard-luck losers trying to survive the housing crisis.
Posted in: Disc Reviews by J C on October 13th, 2018
“But this place...too much light.”
To put things mildly, Warner Bros. still has a bit of a ways to go before its stable of DC Comics superheroes catches up to Disney’s dominant Marvel Cinematic Universe. However, Warner and DC have long had the upper hand on both the small screen (The Flash, Legends of Tomorrow) and with their animated, direct-to-video offerings. Constantine: City of Demons represents the best of those latter two worlds: City of Demons began its life as a short-lived TV series before bringing smart-ass occult detective John Constantine back to life for this moody and thoroughly entertaining feature-length adventure.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2018
Dwayne Johnson appears to be a pretty busy guy. In addition to the HBO series Ballers about to enter its fourth season, Johnson puts out a couple or more films a year. We're not talking about small independent films, but rather huge, high-budget and big f/x films. Next year will see Jungle Cruise and Jumanji 2, following with San Andreas 2, Suicide Squad 2, Black Adam, and a remake of Big Trouble In Little China, all arriving in the next couple of years. This year saw Rampage, which comes to home video next week. It's a busy life for Dwayne Johnson, who appears to have dropped "The Rock" from his name. I sure hope it didn't hit anyone on the head. Now he's starring in Skyscraper, which shamelessly combines elements of Die Hard and The Towering Inferno. In Skyscraper, Johnson shows us that he's intent on hanging around for a while... this time from 220 stories high.
Posted in: Disc Reviews by J C on October 10th, 2018
“Why would anybody create a Nazi puppet?!”
There are two types of people in this world: A) the sort of person who reads the question above and says, “That’s offensive! I have absolutely no idea” and B) the joyful weirdo who replies, “Why would anybody stop at creating just *one* Nazi puppet?” If you’re in Group B, you’re in luck…the people behind Puppet Master: The Littlest Reich didn’t stop at one Nazi puppet. (Not even close!) More importantly, this bloody reboot of the 1989 cult horror classic features some of the craziest and most disgusting kills I’ve seen in a while. (I promise that’s a compliment.)
