Posted in: Disc Reviews by Archive Authors on November 25th, 2013
It's nice to see two Spielberg veterans in the same movie. It's been a long time since American Graffiti when Harrison Ford and Richard Dreyfuss last appeared together. It's been a long time since Hooper in Jaws and Roy Neary in Close Encounters of the Third Kind, but Dreyfuss and Ford don't appear together in this movie either. It's like they are in two different movies. Paranoia is a corporate espionage thriller with two CEO's played by Harrison Ford and Gary Oldman, who have strong ties and stronger hates. There is lots to like about the movie, but many, many missed opportunities too.
The story is fairly tangled and revolves around a young genius (Liam Hemsworth, the brother of Chris who plays Thor in some other movies) who suffers from immaturity and bad judgment. Richard Dreyfuss is his lovable loser of a father who needs his medical insurance. But he loses his medical insurance because he's not important enough to his big boss Oldman, who fires him. It turns out that was a bit of a ruse. It's actually much more convoluted and confusing than that, but that's the essence of it. Oldman's rivalry with his former mentor and now fierce competitor played by Ford is all-consuming, so much logic is lost in his zeal. Oldman uses threat of death and promises of riches to entice Hemsworth to infiltrate Ford's inner circle.
Posted in: Disc Reviews by Jeremy Butler on November 20th, 2013
The line between hilarious raunchy comedy and over-the-top raunchy comedy is very fine, and We’re the Millers tends to dance on both sides of it. In time such action will be revealed to be both a blessing and a curse, I suspect. With the young crowd, I believe the film will fall right into place with such movies as Horrible Bosses (a comedy which coincidently starred Aniston and Sudeikis) and to be more recent, This is the End. With more mature audiences, the raunchiness may prove to be slightly more than they were expecting to see. With me, I find myself on the side of the young.
David (Jason Sudeikis) is a small town pot dealer in Denver, an occupation he has held since college without moving forward or backward. Hesitant to admit it, he has grown stagnant with the life he’s leading and wants more out of life. Those desires are put on hold after he is robbed, with both his stash and all of his cash including the money intended for his supplier Brad (Ed Helms, The Hangover). Deep in debt with no prospect of paying it back, Brad offers David one opportunity to erase his debt: smuggle a smidge and a half (inside joke, have to see the movie to understand) of marijuana from Mexico across the border back to Denver.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2013
"What if a child dreamed of becoming something other than what society had intended? What if a child aspired to something greater?"
It's appropriate that exactly 75 years ago this very month Superman was born at the hands of Jerry Siegel and Joe Shuster. He was born to be the patriotic hero symbol for a nation on the brink of a devastating world war. The war came and went as many others would since the hero's inception. Styles would change. Technology would come and go. Superman would find himself invading each and every medium that has come along since. Television shows, cartoons, comics, novels and even previous films have all continued the ongoing adventures of the man from Krypton. In those years styles have changed so much that the symbols of the hero himself have become quite dated. But in any time there will always be a need for larger-than-life heroes. They don't come any larger than Superman, The Man Of Steel. Can he be as relevant today as he was in 1938?
Posted in: Disc Reviews by J C on November 6th, 2013
“You think you had a bad day? This guy lost a billion dollars.”
Clear History is ostensibly about hot-shot marketing exec Nathan Flomm, who misses out on a billion-dollar payday after a petty disagreement. But really, this HBO Films original comedy is basically a 100-minute, all-star episode of Curb Your Enthusiasm with prettier scenery. As such, it's another opportunity for writer/star Larry David to profanely and incredulously sound off on a fresh set of social landmines, including insincere apologies and birthday e-card etiquette.
Posted in: Disc Reviews by Brent Lorentson on October 30th, 2013
It’s hard to believe that once if you said the word Google, there is a good chance no one would have known what you were blabbering about. Now the internet search database is the largest search engine on the web and is a dominating company that is given the same reverence Steve Jobs and Apple receive. Because of Google, the days of hitting the books to find information and the Dewey decimal system are all but things of the past. But technology and growth are a part of life.
Billy (Vince Vaughn, who also co-wrote the film) and Nick (Owen Wilson) are forty-something grinders who pound the pavement selling watches to their high-class clients. Unfortunately for them, their boss, played by John Goodman,,has decided to call it quits with the watch business and retire. With few skills and no other options, Nick takes a job at his sister’s boyfriend’s mattress shop, while Billy struggles to find where to go next. This struggle is something most audiences will be able to relate to in the present job market as the film uses the current job market to delve into the opportunity for second chances and wrestling with regret.
Posted in: Disc Reviews by Gino Sassani on October 29th, 2013
The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.
Who are "the boys", you might ask. If you're serious, then you might actually be reading the wrong piece. For the rest of you, "the boys" are Mike Wazowski (Crystal) and James P. "Sulley" Sullivan (Goodman). And it's been a dozen years since we last saw them in Monsters, Inc. A sequel to that film might be a bit problematic. We learn that laughs provide far more power than screams, and we leave the power structure of Monsteropolis on its head. Pixar's imaginative team took the best route available to them and decided to go the prequel pathway, and we get to see Mike and Sully as college students. Both have their sights on becoming master scarers. For Sulley, it's in the blood. He comes from a long line of successful scarers, and he's not really taking the college scene very seriously. For Sulley it's about fun. Mike, on the other hand, has stars in his eyes and works harder than anyone else on campus. But he might have to come to grips with the fact that he just might not have what it takes.
Posted in: Disc Reviews by Jeremy Butler on October 29th, 2013
Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.
Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.
Posted in: Disc Reviews by J C on October 23rd, 2013
Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.
Then again, Shrek wasn’t your typical cartoon musical. The most notable "musical number" involved Smashmouth’s cover of “I’m a Believer” — remember when “Smashmouth” was a thing? — and the film, based on William Steig’s book, actually took some not-so-thinly-veiled shots at the Disney machine. Although I’ve enjoyed the various Shrek films on their superficially lighthearted terms, I’ve always had an irrational grudge against the first one after it beat out the infinitely-superior-in-every-way Monsters Inc. for the Best Animated Feature Oscar more than a decade ago. However, I’m a semiprofessional, so I put aside my bias when I sat down to review Shrek: The Musical, now out on Blu-ray.
Posted in: Disc Reviews by Brent Lorentson on October 22nd, 2013
James Wan is simply a director who continues to impress me. Ever since Saw was released, I’ve been a fan of his visual style that he brings to every film. Let’s face it, Saw is pretty much the biggest horror franchise of the past decade, and it all started with a simple little indie film that took place mostly inside a dirty bathroom. When Death Sentence came out, I was floored by how well he managed to construct a Death Wish film for a new generation. The parking garage scene was just freaking awesome. Then along came Insidious, which was another massive smash for Wan. Sure, the movie had its creepy moments, but for me the final act just fell apart. Now Wan is set to release The Conjuring upon the masses; is it another smash hit like Saw and Insidious, or will this be destined to fall flat as Dead Silence did?
The Conjuring is based on a true story about famed paranormal investigators Ed and Lorraine Warren who are staples of the paranormal investigation history and made famous for their “findings” with the Amityville investigation in Long Island. With ghost-hunting shows saturating the cable channels, it was inevitable that we would finally get a tale about the investigators who somewhat started it all. But this isn’t so much just about the Warrens, but instead about the most terrifying case of their lives.
Posted in: Disc Reviews by Gino Sassani on October 16th, 2013
Direct-to-video sequels of successful animated films are tricky at best. The video release is usually a sign that either the studio is trying to cash in quickly on the franchise or they are just not confident enough in the sequel to put it up on the big screen, usually with good reason. Smaller budgets mean less impressive animation and a lack of A-list voice actors. Every studio has been guilty of one or the other and more often both. But what's the story when the original film made a disappointing $25 million at the domestic box office? That usually signifies that a sequel of any kind is not likely in high demand. Such is the quandary of Alpha & Omega 2: A Howl-iday Adventure.
The original film wasn't near as bad as the box office figures would have you believe. It was pretty much an average computer-animated feature film. It had a very solid voice cast that included such talent as Justin Long, Danny Glover, Dennis Hopper and Christina Ricci. It just didn't have a lot of punch to it, and it fizzled. I'm not sure how anyone thought that this one would have any more heart or punch after you take away the great talent and substitute relatively unknown names. That doesn't mean untalented, by any means. They do pretty much what's expected of them here. I just wish I could say it was entertaining.
