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"Does announcing your identity help with the covert part of the job?" 

Let me begin by saying that actress Brie Larson doesn't want me to write this review. It's not that I didn't like the film and intend to cut it down. Actually I rather liked the movie, and while it isn't going to crack my top five Marvel films, it's a very entertaining film that adds wonderfully to this always evolving world of the Marvel Cinematic Universe, or as we fan geeks like to refer to it, the MCU. So she wouldn't take much if any umbrage with my evaluation of the film. It turns out that I happen to be a white male, and she has made it known that she doesn't want to see reviews for this film written by white males. Sorry, Brie. I suggest you skip this one.

In the late 1980’s Batman was in trouble. No, he wasn’t tied to a table saw by The Joker. Catwoman didn’t have her claws on him. It was the camp residue of the 1960’s television series. The idea of a Batman film was clamored after by fans, but the studios couldn’t get the Adam West series out of their minds. And, while the success of Superman might have awaken the studio bosses to the appeal of comic book films, there was surprisingly very little interest in a Batman film. Since DC Comics had become a part of the Warner Empire, it seemed only logical that they would want to do the film. But even Warner resisted for several years as a team tried to get the Caped Crusader back on the movie screen.

"Welcome to Benghazi."

It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.

"Legend says that when the ground quakes or lava spews from the earth, it's the dragons letting us know they're still here. Waiting for us to figure out how to get along. Yes, the world believes the dragons are gone, if they ever existed at all. But we Berkians, we know otherwise. And we'll guard this secret until the time comes when dragons can return in peace."

It is surreal to know less about a subject than your six-year-old daughter, but that was the case going into How to Train Your Dragon: Hidden World. Aside from a knowledge of this franchise’s existence, I knew next to nothing about the films as a whole.

Just imagine for a moment that a 12-year-old version of yourself was taking a little stroll and you came across a sword that was protruding from a slab of concrete. We’ve seen plenty of versions of the King Arthur story. Some have been good (Excalibur and First Knight) but many have been not so good. In the case of The Kid Who Would Be King, it’s not a story about King Arthur but more an adventure that asks what would happen if a boy were to find the sword in today’s world.  The film didn’t do so well at the box office, which isn’t a big surprise considering the film was made in the UK and not the States, but is the film one to be overlooked and forgotten, or is this a gem worth checking out?  Simply put, this is perhaps the best “kids’” film I’ve seen in years, and this is a film that I’m willing to bet will garner a cult status in the years to come.

One of 2019’s most anticipated releases is M. Night Shyamalan’s conclusion to his superhero trilogy with Glass. This has been a trilogy 19 years in the making, following the release of Unbreakable and then 2016’s Split. When I first saw Unbreakable, I was a projectionist, and I had to screen it the night before it was released to make sure everything was spliced together and the film played properly, and I just remember not really liking the movie at first.  I ended up giving the film another try, and I found I liked it a little more. Now over the years I’ve seen it several times, and the film has grown on me.  I’ve grown to appreciate the film to the point that when that final scene in Split plays and we got the reveal of David Dunn (Bruce Willis) I was extremely excited at the prospect of seeing this character revisited.  Before I get much further, if you haven’t seen Unbreakable or Split, if you plan on seeing Glass, do yourself a favor and watch the previous films first, and even if you have seen them, it wouldn’t hurt re-watching them just so the films are fresh in your mind while experiencing the conclusion of this trilogy.  With all that out of the way, how was the film?  It’s time to suit up and find out.

by John Delia, Jr.

The world of the Transformers is back with more action, adventure, and science fiction fun for everyone. The most-loved Autobot from this world has a history that explains where these troubled characters all began. As the battle of Cybertron comes to a conclusion, the Autobots make their move to flee from the Decepticons to an unknown location to later meet up and regroup. Optimus Prime (Peter Cullen) tells B-127/Bumble Bee (Dylan O’Brien) that he must flee and head to Earth and hide until it is safe to meet up again. Once on Earth, Bumble Bee must find a place to be unnoticed. He must find a secure safe location for his fellow Autobots and defend Earth until Optimus Prime returns. During his landing on Earth, he encounters a team of soldiers training for battle called Sector 7. This team, led by Agent Jack Burns (John Cena), fear for their lives when the capsule transporting B-127 crashes in the forest nearly on top of his team.

"My father was a lighthouse keeper. My mother was a queen. They were never meant to meet. But their love saved the world. They made me what I am: a son of the land, a king of the seas. I am the protector of the deep. I am ... Aquaman."

It’s been a rough year for the DC Universe, losing both Henry Cavill and Ben Affleck as Superman and Batman respectively. In a time when Marvel is heading towards a big finale of sorts, this should be when DC goes full steam towards capitalizing on any residual momentum.

"60 minutes is all it took for the ancients to bring humanity to the brink of destruction."

It only took Peter Jackson's crew along with director Christian Rivers 128 minutes to bring their audience to the bring of falling asleep with their Star Wars rip-off of Mortal Engines based on a series of books by Philip Reeve. Universal was likely looking for a franchise hit here. Hugo Weaving couldn't save it. Impressive visual f/x couldn't save it. When I discovered the film had been in some kind of production phase since 2008, it all started to make a little sense. Sometimes the harder you work on something, the more you lose sight of the simple aspects of the film. Most importantly, you lose the connection to emotional characters, and you stop telling their story, but force them into telling yours.

Green Book represents an historical milestone for me as a critic. In my decades of reviewing and more decades following films, I have never selected a personal Oscar Best Picture two years in a row. I tend to be somewhat out of touch with the voting members of the Academy or even my fellow SEFCA (Southeastern Film Critics Association) members. But it finally happened. Last year my selection was The Shape Of Water, and it took the top prize. This year I went against the grain of the SEFCA members who chose Roma as the best film, and Green Book meandered to # 7 on their list. Fortunately, the Academy saw it my way for the second consecutive year, and Green Book took home the statue. Spike Lee threw a temper tantrum, and I'll talk about that in my conclusion.