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"For nearly three thousand years, man has been searching for the lost ark. It's not something to be taken lightly. No one knows its secrets. It's like nothing you've ever gone after before."

Just in time for the wrap of principal photography on the next and final Indiana Jones film, Paramount cashes in on the renewed interest with the long-awaited, at least from this reviewer, release of the first four films in the Indiana Jones franchise on UHD Blu-ray in full ultra-high-definition complete with HDR and Dolby Vision. OK, I lied about the long-awaited four films. Now you can own the first on its own in this special Steelbook release of Raiders Of The Lost Ark on UHD/4K. No, I'm not going to call it Indiana Jones And The Raiders Of The Lost Ark, and yes, Han shot first and those feds in ET were not carrying walkie talkies in those hands. So sue me.

"There are among us a people, gifted with a perfect memory of all their past lives. They call themselves Infinites. Among the Infinites, two groups have vied for power. On one side the Believers, dedicated to using their knowledge for the protection and growth of all humanity. Against them stood the Nihilists, who see this power as a curse. New technologies have given the Nihilists an opportunity to end all life on Earth, and the race is on for its control."

Infinite is an adapted story from D. Eric Maikranz's novel The Reincarnation Papers. On the surface this is one of those great concepts that could support a film franchise, and might have accomplished just that if the film itself hadn't taken the route of spectacle over substance. It doesn't help that this film was hurt by the COVID shutdown of productions and never ended up with the wide release it was originally intended to have.

“They think I’m hiding in the shadows, but I am the shadows.”

You have certain expectations when you go to a superhero/comic book movie. Sure, it changes a little depending on the character that you’re going to see. But there are certain things that all of these films tend to have in common. There’s an expectation of frantic action and some mind-bending special f/x. You’re looking for colorful villains who tend to act over-the-top and always provide that gentle wink back at the audience. When these expectations aren’t met, audiences tend to be disappointed, and big-budget films can end up costing the studios hugely in the end. Even as we appear to be reaching the last days of the limited pandemic crowds, that risk gets multiplied. It also doesn’t help if audiences are still riding the high off the first big global billion-dollar film in almost three years.

"Maybe this isn't the story we think it is."

I wanted to believe that it was possible. I really did. I wanted to believe that it was possible to make a quality addition to the iconic franchise despite nearly twenty years having gone by since the third film. But alas, here we are, and it clearly wasn’t possible to make a quality addition to the franchise. I should have trusted my instincts. While The Matrix: Resurrections may provide us with answer regarding the ultimate fate of Neo and Trinity, those answers come at the cost of entertainment. I am a firm believer in letting sleeping dogs lie, and I can honestly say that this franchise would have been better off without this latest installment, which in my opinion adds nothing to it. I’m honestly shocked at how disappointed I was with the film given that two-thirds of the main cast came back for the film. Trust me, we are also going to discuss the one-third that didn’t and the dishonorable way that they chose to continue the character.

"They usually call death row the Last Mile, but we called ours the Green Mile, because the floor was the color of faded limes. We had the electric chair then. Old Sparky, we called it. I've lived a lot of years, Ellie, but 1935 takes the prize. That was the year I had the worst urinary infection of my life. That was also the year of John Coffey and the two dead girls." 

For me that place would be the movies. From the time I was a little kid, movies have always had an incredible fascination with me, and it's where some of my fondest memories come from. It's what has led me here, writing about the things I see, and it's never lost its charm even when it became a job. Films like The Green Mile are a huge reason why that is so.

“A great man doesn’t seek to lead, he’s called to it. But if your answer is no, you’ll still be the only thing I need you to be. My son.” 

Given that this was most likely the most anticipated movie of 2020, I must say that I expected much more from it. Especially given the who’s who list of Hollywood stars who were brought together for this production. Names like Timothee Chalamet, Zendaya, Jason Momoa, Oscar Isaac, Rebecca Ferguson, Josh Brolin, and the list goes on. I suppose another thing that somewhat worked against the film was the long wait, as this was a movie that was slated for a year earlier, and then the pandemic complicated that, so anticipation for this film was high. Not to mention that this is a reboot of a beloved series that has already been adapted and garnered a large cult following. It is also my understanding that previous adaptation had the benefit of having the creator of the franchise on set to help guide it.

In 1999 when The Sopranos first premiered on HBO, I don’t think anyone was expecting just how much it would change the television landscape. In its run it made cable TV a main contender for the Emmys, but it also changed the way we see TV, as it took the gangster movie dynamic and stretched it out into a series that ran successfully for 86 episodes. Then there was the way the series came to a close that has had fans and critics talking nearly 15 years after it last aired. It’s the show that raised the bar for what television can be and has been the standard since which only a handful of shows have been able to match in quality. Personally (and I know this is a controversial take), I’m only a fan of the first three seasons, but even a bad episode of The Sopranos is better than most television shows out there.

"80 billion light years of hive knowledge across universes would explode your tiny little brain."

Sony released two films from their corner of the Marvel universe in 2021. On October 1st we got Venom: Let There Be Carnage. October was a good spot for the film that taps into the horror film vein as much as it does the comic book superhero world. The first film did pretty well, and Sony really wants to expand their little corner of Marvel. The film did quite well in this post-COVID reality and pulled in $500 million in 11 weeks. That was impressive, to be sure. Spider-Man No Way Home was the other Sony/Marvel film. It had the unfortunate timing of releasing just as the Omicron variant of the virus hit, and as some states are going back to various restrictions there was some question if audiences would venture out into the cinemas in enough numbers to give the film any kind of return at all. After all, we've seen big-budget films fall to the wayside enough to understand this is risky business. That question has been answered

“As long as we are looking over our shoulder, the past is not dead.” 

When it comes to Daniel Craig’s Bond movies, I’ve found them to be hit-or-miss. There are those I love, such as Casino Royale and Skyfall, and then there are those that I wasn’t that into, such as Quantum of Solace and Spectre. However, when it comes to No Time to Die, there is no question that it is my favorite of all the Craig-led Bond movies. Maybe it was how long I’ve been waiting to experience it given that the onset of COVID resulted in the film’s release being delayed multiple times, so by the time it was finally here, I could barely contain my excitement. However, I think it is more likely that the reason is the knowledge that this will be Craig’s final portrayal as the suave secret agent with a penchant for shaken martinis.

This was actually the first movie I ever saw on a date. Nearly twenty years ago. The most interesting thing being that I can tell all sorts of things about that experience, but for the life of me, I can’t tell you a thing about the movie. Prior to re-watching it, that is, and having done so, I now understand why it faded from memory, because it isn’t a movie that really makes a lasting impression. This is surprising given that the film is credited as the first photorealistic computer animated film, as well the most expensive video-game inspired film up until 2010. The thing is, it’s a film that if you ask me, never really should have been. The story is not compelling, and it does not accurately depict the source material by which it was inspired. They share the same name, but none of the characters or the plot of the film originated from the video game franchise. Talk about a bait and switch.