Posted in: Disc Reviews by Michael Durr on February 8th, 2012
Some music due to my age and music exposure, I just do not quite get. Led Zeppelin, Eagles (once I got out of college) or Black Sabbath, I love. Rush? I can not stand them. Pink Floyd? Way over-exposed to the point where I just do not want to listen to them except one in a while and only to certain songs. The Doors? Hrmmm, well I do like some of their songs. As it just so happens, the Blu-Ray review I have for you today involves my favorite Doors song, L.A. Woman.
The Doors always envisioned themselves as a four man band, a modern jazz quartet of rock and roll. They were working on intellectual levels higher than a lot of bands. In 1970, they were working on their six studio album. Previous albums had been the same, an almost standard rock and roll band with guitarists, drummers, keyboards, and Jim Morrison. They want to try and do something different: bluesy, with horns and elements of jazz. Work started in the December of 1970 to produce: L.A. Woman.
Posted in: Disc Reviews by J C on February 6th, 2012
“I was dumb enough to think I'd be joining some elite police officers here. I don't know who these people are.”
Those words come from Kathryn Bolkovac (Oscar winner Rachel Weisz), a Nebraska cop who accepts a high-paying gig as a United Nations peacekeeper. The film, inspired by true events in 1999 post-war Bosnia, follows Bolkovac as she discovers a human trafficking/sexual slavery ring with an insidious connection to International Police Task Force personnel, including some from the United States.
Posted in: Disc Reviews by William O'Donnell on February 6th, 2012
Evidence has revealed the possibility that a Soviet Assassin code-named “Cassius,” thought to be long dead, is still at large after a US Senator is murdered. A veteran CIA operative (played by Richard Gere) is teamed up with an enthusiastic young FBI agent (played by Topher Grace) who has studied and obsessed over Cassius' actions since his days at Harvard.
This is the sort of film that cannot be talked about at great length without revealing the many important secrets it contains. This is especially frustrating because it is those same secrets that only add to my appreciate of the film because it adds layers to all of actor's performances when you know the lies they have been, and continue to have. That being said, multiple viewings could make for some interesting observations for those that enjoy this sort of spy thriller film.
Cold war rivalries and spy games are resurrected for the central plot of this film. The CIA and FBI are forced together to investigate the actions of Russian spies, both new and old. There are conversations outside the White House, War room style meetings, cat-and-mouse games between dangerous men and many other hallmarks of the spy genre.
Posted in: Disc Reviews by William O'Donnell on February 3rd, 2012
Owl City's popularity was born out of social networking websites such as Myspace. From the days of uploading songs while living in his parent's basement, to going #1 on Charts in an astounding 24 countries, Owl City (aka Adam Young) continues to ride his hysterical success into his inevitable, first concert film.
Young and his band of pretty 20-somethings don't seem to break a sweat while delivering a suspiciously polished sounding hour-and-a-half long performance. I say suspicious because, although the camera shows that everyone is playing these songs accurately (not that they're all that challenging mind you), it just sounds a lot like the studio versions. I'd start making accusations of playing partly to tapes or adding tracks in post-production because the guitar sounds a little too clean, some instruments and voices are mixed in and out mysteriously...but Young is such a polite young man in his in-between song banter that I shall not go into it any further. You're welcome Mr. Young.
Posted in: Disc Reviews by Gino Sassani on February 3rd, 2012
"It is generally thought that time travel is impossible. Tonight, however, we ask you to bravely go where no audience has gone before, back in time to the 1970's"
And that's exactly what you'll get to do if you're smart enough to take my advice and pick up Styx: The Grand Illusion & Pieces Of Eight Live on Blu-ray from Eagle Rock Entertainment. It doesn't matter if you're old enough to remember when these albums were first released in 1977 and 1978 or if you've newly discovered the band and the albums. In fact, it doesn't even matter if you're a Styx fan at all....yet.
Posted in: Disc Reviews by William O'Donnell on February 3rd, 2012
Forgive the impending fun-with-words but, hot on the TAIL of the theatrical release of Red Tails is the Blu Ray release of this 1995 interpretation of the same story. Based on the actual group of airmen who were the first African-American fighter pilots in the United States Army Air Corps. This film follows the first cadets through their training and onto their various combat and mission in North Africa and Italy during World War II.
The true story that this film is based on is fascinating in its historical context. It is a shame that this film resorts to using overly staged scenes of corny drama to tell it. The lead cast is loaded with great talents, such as Laurence Fishburne and Cuba Gooding Jr, who certainly give good performances, but are stifled by cliched catchphrases instead of being given some deeper, character building, dialogue to perform.
Posted in: Disc Reviews by J C on February 2nd, 2012
Ryan Gosling's 2011 made the rest of us look like a bunch of slackers. When he wasn't breaking up fights on the streets of New York City or inspiring countless memes last year, he was starring in three incredibly varied and well-received movies. The curiously punctuated Crazy, Stupid, Love. is the most commercial of those releases and also features Gosling at his movie star/leading man best. Steve Carell stars as Cal Weaver, a middle-aged man who is blindsided after his wife, Emily (go-to-adulteress-of-the-moment Julianne Moore, of The Kids Are All Right and Chloe), reveals she had an affair with a co-worker (Kevin Bacon) and asks for a divorce. While drowning his sorrows at a stylish local bar, Cal catches the eye of ladies’ man Jacob (Gosling), who decides to take clueless Cal under his wing and help him navigate the singles scene.
For a while, directors Glenn Ficarra and John Requa along with screenwriter Dan Fogelman, seem content to make Crazy, Stupid, Love. into a less-slapsticky, slightly sharper version of Hitch. Carell and Gosling, an unlikely and terrific comedy duo, make those scenes come alive, and they are the best bits in the movie. Carell balances his sad-sack character with enough charm and humor to make you believe women would find him attractive, while Gosling admirably and completely commits to playing a smooth-talking operator with the same fervor he brought to playing a drug-addicted teacher (Half Nelson) or a fiercely anti-Semitic Jew (The Believer).
Posted in: Disc Reviews by Archive Authors on February 2nd, 2012
Written by Joe Gause
Here we go again! It’s another movie about something dangerous in the water. I’m not gonna lie here, folks, I wasn’t expecting to much out of this one, but to my surprise I enjoyed it quite a bit. So here’s the short and skinny. A bunch of college kids set off to a lake house to enjoy a much-needed vacation. There is a fair amount of drinking and flirting and tomfoolery (always wanted to use that word). Early in the film we discover that Sara (Sara Paxton) has a dark secret with one of the town locals. As the party gets under way, trouble starts to brew in paradise when one of the partygoers gets his arm ripped off by a shark! In a panic to get him to the hospital they call the town sheriff (Donal Logue) only to find out that he and the locals have been releasing sharks into the saltwater lake and filming the shark attacks to sell to the folks at the Discovery channel! So, as you might guess, there is a fair amount of suspense-filled scenes with our heroes trying to not only escape the sharks, but also escape the crazy sheriff and the locals. It all comes to and end in a way that doesn’t leave you wanting to smack the director (which is rare in Hollywood these days).
Posted in: Disc Reviews by William O'Donnell on February 2nd, 2012
Curtis “50 Cent” Jackson plays a hotshot college football player is at the cusp of making a big move to the NFL and riches when he collapses in the locker room due to a tumor growing in his chest, near his heart. Having to undergo cancer treatments, he loses his ability to play and must start again without all the advantages being a star came with.
It is sometimes hard to sympathize with a character he is so egotistical, and used his status to take advantage of other people, but he is undeniably a victim. Not only was he facing a lethal illness, but most of his family and friends treated him like a living lottery ticket. Of course, losing that ego is all a part of the all-too obvious character arc and life lesson's we are supposed to witness in this film. I spoil nothing by stating that he does indeed go through this crushing lesson in humility. While regaining strength after chemotherapy treatments, he just reconnect with his family members and find a way to earn a decent living. What unfolds would do the LIFETIME network proud. Tears are shed, fists open up for hugs, and the film lingers on at least 20 minutes longer than it should so that everyone can celebrate family for the sake of celebrating family.
Posted in: Disc Reviews by Archive Authors on January 31st, 2012
Written by Joe Gause
Pass the tissue please! If you plan on watching this movie, I recommend you buy yourself a big box of tissue and be prepared to shed a few tears. This extremely well done post-WWII love story is designed to show you that life doesn’t always have a happy ending. The cast is nothing short of incredible, and the acting is top-notch. Here’s the short and skinny. Count Laszio de Almasy’s (Ralph Fiennes) plane is shot down in the final days of the war. He is badly burned and is in need of special care. Nurse Hana ( Juliette Binoche) volunteers to look after him in an old rundown church. During their time together she discovers that he has had quite a past. He had fallen in love with a married woman (Kristen Scott Thomas) and was secretly trying to convince her to leave her husband and be with him. Of course this never works out the way we want it to. And so begins the first of many tear-jerking events in this tale. She tells him to go away and never see her again (apparently cheating on her hubby was too much guilt for her), so our dear Count goes a bit love-crazy, hitting the drink a bit and becoming a bit like a stalker. One thing leads to another, and the husband (Colin Firth) learns of his wife’s wrongdoings, so he thinks the best way to get revenge on the Count is to run him down in his plane (not the smartest idea). Well, the plane crashes and misses the Count all together. Only problem is the Count’s love was also in the plane and is badly injured. She admits her love for the Count, and it seems we might just have a storybook ending here, but of course this is just false foreshadowing. The Count ends up leaving her in a cave while he walks through the desert for help, promising her he will only be gone for three days. He leaves her food and water and sets out into the vast sand. Well, as luck would have it, he is captured by the Germans, and it takes him quite a bit longer than three days to get back to her. Of course when our hero finally returns to the cave, his true love has died.
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