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When I was in grade school, I remember reading High King, the fifth book in the Prydain Chronicles, as part of a reading assignment (since it was a Newbery Award winner).  I also at some point watched Black Cauldron in my youth, but I'm pretty sure it was on a crummy VHS tape.  Anyhow, many years later, with an old friend, I was gifted a treasured copy of Prydain Chronicles (all five books in a hardback format).  Being much older, I took the time to read the entire hardback collection, and ever since then I've been tracking down related items including the Black Cauldron movie from Disney to revisit.  It might not be the wonderful series of books, but it's still an excellent movie on its own accord.  Let's explore the recent release from the Disney Movie Club.

"I can see it now... Supernatural: The End. And the cover is just a grave stone that says 'Winchester'. Fans are gonna love it. Welcome to the end" 

The brothers made an emotional announcement during the airing of the previous season that the 15th year would be the final season of the show. It's hard to believe that we'll soon know a television landscape without the Winchester brothers. It's the last show that goes back to the original WB Network that eventually lead to the current CW Network that has become more and more the home of the Warner Brothers-owned DC Comics television universe. But in the middle of speedsters, archers, aliens, and time travelers, there was always room for the Winchesters. It'll be a bit of a culture shock to have them gone.

On December 15th, 1967 the Silver Bridge which connected Point Pleasant, West Virginia to Gallipolis, Ohio collapsed under the stress of rush hour traffic and killed forty six people.  Later on, it was determined that the collapse was due to a small defect only .1 inches in a single eyebar in one of the suspension chains along with poor maintenance.  However, sightings of the Mothman during that time period had citizens attribute this disaster to a far more sinister cause.  That led to a book in 1975 by John Keel.  Twenty seven years later, the film The Mothman Prophecies would be released based on these events.  Let's take a look at the Imprint #39 release arriving on blu-ray.

It started in 2013 with Justice League: The Flashpoint Paradox. DC decided to follow the Marvel MCU model and release a series of DC property films in a 16-film phase that ended last year with Justice League Dark: Apokolips War. After 16 films with a couple of branch-offs, that phase/story has come to a close, and a new phase begins with Justice Society: World War II. The stories were pretty much based on the New 52 reboot of the DC comics universe. There have been some exceptional films in the series and a couple of duds. The animation styles varied and conformed to the type of story being told. With the release of Justice Society: World War II we enter a new phase, and so far the theme or source of the new films hasn't been revealed. We know the next two films will be based on the Batman: The Long Halloween comic. After that it appears the DC folks' lips are sealed. While that two-part adventure looks quite enticing, the new series of films opens with a very average entry.

After filming Cold Pursuit in 2019, Liam Neeson announced he was done with his flirtation with action films. They had opened a new genre to the actor starting with Taken and created a nice boost to his career as an unlikely action star. He said he had some reservations about the genre. It didn't help that he revealed at the same time that he once roamed the streets looking for a black man to kill over the rape of a friend. It looked like it wasn't just action films that were over for the actor. I honestly expected there to be more trouble than there was, given the current climate. Somehow he kind of got a pass after apologizing for the remark. But he wasn't being offered the kind of high drama roles he was expected. So in less than a year he was back as an action figure, and that appears to be something he won't really be quitting in a long time. I get it. I was about to attend my fourth Elton John farewell concert since the first one back in the early 70's. There's something about getting the bug deep in your bones that makes it hard to let go.

"The theme of this picture is whether man ought to be ruled by God's law, or whether they are to be ruled by the whims of a dictator, like Rameses. Are men the property of the state, or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of a divinely inspired story, created 3,000 years ago, the five books of Moses. The story takes three hours and 39 minutes to unfold. There will be an intermission. Thank you for your attention." 

A sure sign that Easter is just around the corner is yet another home video release of perennial seasonal favorite The Ten Commandments. In years past, we got the multi-disc edition, complete with original silent version of the film. This particular version is rather more stripped down, as far as features go, but it does mark the film’s debut release on UHD Blu-ray and in 4K.  Unlike previous editions, this one takes full advantage of the superior source material. The film was shot on 70 mm film, and that gives us an equivalent of 8K in today's resolution terms.

A year and a half ago, I had the opportunity to review a limited edition of Spirited Away, which was one of the pinnacles of Studio Ghibli animation, a film where the animation, story, and music were so well done that it warranted repeat viewings in appreciation.  So, when I received today's movie for reviewing and it boasted the same production house as Spirited Away, well, then my curiosity is certainly awakened.  But if I learned anything from other famous franchises, production is nothing without a good story and direction.  Let's see how Earwig and the Witch turns out.

In the HBO limited series The Undoing, we get a scandal and murder that affects the high society of New York’s elite. I’ll admit at first glance this doesn’t seem all that original, but then when you see it stars Hugh Grant and Nicole Kidman, it was enough to give this a closer look.  Then I notice the six-episode series is penned by David E. Kelley (The Practice, Ally McBeal, and Big Little Lies), and this really grabs my attention. Helming the project behind the lens is Susanne Bier, who directed the Netflix hit Birdbox (though I wasn’t impressed) but also the limited series The Night Manager (which was pretty great).  With all these combined along with the backing of HBO, this seemed like it had more potential than I first thought, and for the most part this series didn’t disappoint, but is it worth sitting through six episodes to get answers in this whodunit?

It’s been a while since Jackie Chan has put out a film I’ve gotten excited about.  Vanguard seemed like it could be the movie that would change that, since it had Chan reteaming with Stanley Tong (Rumble in the Bronx and First Strike among many others), but alas, this isn’t the case.  Despite his age I know the man still has some gas in the tank. He’s simply an amazing performer who needs the right script to come along with the right director behind the camera.  Vanguard is an action thriller that definitely feels like a throwback to the late 80’s and early 90’s action films, but unfortunately there is too much bad CGI that gets in the way of the fun along with political undertones that just seem forced.

Road films are something of a passion when it comes to movies for me. It could be a movie on a ten-lane highway guaranteed to have multiple car crashes, a two-lane cross country expedition, or a one-lane dirt road going into darkness where the passengers might never return. Nothing gets me going more than films like The Hitcher, Road Games, Two-Lane Blacktop, or The Duel.  It is the idea of not knowing exactly where the next turn is going to take you or what lies beyond the next hill.  Characters, environments, situations all can change once you get to the next town or cross another state line.  Today's road film is the 1997 thriller, Breakdown, with Kurt Russell and J.T. Walsh, where we explore what a man must do in order to find his missing wife.  As one might guess, it is one of my favorites, as it delivers one nail-biting scene after another.  Let's take a look.