Posted in: Disc Reviews by J C on July 23rd, 2014
The fact that we haven’t gotten a movie about Cesar Chavez until now is both surprising and not all that shocking. It’s surprising because the Mexican American labor leader was arguably as big of a civil rights icon to Latino workers as Martin Luther King, Jr. was to the country’s black community in the 1960s. On the other hand, the extended wait for a Chavez movie isn’t all that shocking when you consider his efforts took place in the largely un-cinematic realm of grape boycotts. The bland, well-meaning Cesar Chavez makes the case for his impactful deeds, even if it doesn’t totally present him as a vibrant, complex man worthy of the biopic treatment.
Posted in: Disc Reviews by Gino Sassani on July 22nd, 2014
It happens all the time. It's just as common on large-budget films as it is on the small films. Someone comes up with a great hook. It's a clever idea with all of the potential to be very good. It might even start off that way. Too many times the road traveled is a road to nowhere, and potential was lost somewhere along the path. That's exactly the issue with Open Grave. The opening sequence is one of those scenes that really sticks with you. A guy wakes up in a huge pit filled with dead and rotting human beings.
Posted in: Disc Reviews by J C on July 22nd, 2014
- “Are you some kind of big deal?”
- “Yeah, I’ve been around.”
The box office has not been kind to Arnold Schwarzenegger ever since he stopped being “The Governator” and started headlining movies again. Not counting his Expendable glorified cameos, Ahnuld’s three movies — The Last Stand, Escape Plan, and Sabotage — are among the lowest domestic grossers of his career. It’s clear that not a lot of people are seeing these movies, which is kind of a shame.
Posted in: Disc Reviews by Brent Lorentson on July 21st, 2014
"Maybe it was all inevitable. An unavoidable collision between mankind and technology."
Just about any project that Christopher Nolan has any attachment to is going to get my attention. And from the first glimpses of the film in the early teasers, Transcendence always felt like a film Nolan would seem right at home making. Instead, taking the helm for the first time as director is Wally Pfister. Though this may be his first time in the director’s chair, Pfister is no stranger to working on pictures of large scale; after all, he’s been Nolan’s director of photography since Memento back in 2000.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2014
There is nothing wrong with your monitor. Jonathan Glazer controls all that you see and hear. That tiny speck of light you see is just the beginning. The beginning of an experience you will not soon forget. The light appears distant...cold... foreboding. It's coming closer to us, or we are coming closer to it. The distant star grows while you are assaulted with some of the most bizarre sounds you have ever heard. It's somewhat uncomfortable. You squirm in your seat.
Posted in: Disc Reviews by Brent Lorentson on July 14th, 2014
"Isn’t it wrong to sing and dance when someone has just died?"
When I first hear a film is going to attempt to be a horror musical, all I can do is simply shake my head at the thought of how bad this may be. But that’s not to say that I couldn’t be very wrong. Repo! The Genetic Opera was a rock opera that I had a blast with, and I’m not ashamed to admit I even purchased the soundtrack after the release.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2014
Few musicians have enjoyed the career that Elton John has enjoyed. From the release of Your Song in 1969, he hasn't seen many years without hit records. He's had number one songs in every decade since that day, and the hits continue to roll in. When the music industry changed, Elton managed to change enough to keep up with the times, yet hold on to the poignant songwriting that has made his songs stand out. I've been a fan since the Goodbye Yellow Brick Road days of 1973.
Posted in: Disc Reviews by J C on July 8th, 2014
Anyone who ever sat through an elementary school science class knows that about 70 percent of the Earth's surface is covered in water. We've all heard the spiel, but I don't imagine most of us spend much time contemplating how truly staggering that figure really is. Watermark seeks to convey the many different ways humans and the planet's water supply affect one another. The documentary is maddeningly scattered, but it also manages to capture and convey a small part of the world's awe-inspiring bigness.
