Posted in: Disc Reviews by Gino Sassani on January 25th, 2018
"The games have begun again, and they will not stop until the sins against the innocent are atoned for."
It has been about seven years since last we heard Tobin Bell ask if we wanted to play a game. From 2004 until 2010 we were treated to seven films in quick succession, with The Final Chapter apparently bringing the popular franchise to an end. But most of us were pretty sure that the end wasn't quite so near. The films brought in billions of dollars and even inspired a new escape room industry around the globe where people could work out puzzles and attempt to beat a ticking clock to get out of a themed room. Of course, no blood gets spilled, but folks pay for the experience, and a lot of that goes back to the Saw film franchise. With all of that money, Lionsgate simply couldn't let the franchise rest for long. But after moving so quickly from film to film, it was a good idea to allow it time to breathe and the producers a chance to recharge the old batteries. Break's over. The franchise gets a bit of a reboot without completely rebooting at all. The result is Jigsaw, and I suspect this is more of a beginning than merely Saw 8.
Jigsaw is the first film in the series to begin with something other than victims awakening to the newest trap. Police are chasing a suspect with a detonator in his hands. He's pleading to talk to a Detective Halloran (Rennie). As the cops descend upon the manic suspect, he warns that the game is about to start. It's what fans are waiting for, and we cut to five people with buckets bolted to their heads attached to chains. A wall of the obligatory saws awaits their hapless forward plunge, and a familiar voice explains their predicament. From this point there are pretty much two stories playing out for the remainder of the film.
Posted in: No Huddle Reviews by Brent Lorentson on January 25th, 2018
With a solid title and appealing DVD cover, No Solicitors is a film that looks to attract horror fans looking to make an impulse buy or a late-night viewing when in the mood for something to get the heart racing. Unfortunately, the film doesn’t hold up to its potential, and to be honest this might be one of the more disappointing titles I’ve had the privilege to review. The film has a strong premise, one that not only teases plenty of horror, but the potential for what could result in numerous sequels if the film was successful and the creative parties involved were inclined to go that direction. Instead the film seemed to aim more towards laughs than scares, and the result is at times a painful experience to watch, and not for the graphic gore that is sprinkled throughout.
If you’re like me, you’re not a fan of unexpected houseguests, and even worse being interrupted by solicitors who are trying to sell you something or convince you to check out their church. The notion of a horror film about a family that takes pleasure in preying upon these door-to-door salesmen (and women) seems like it would be entertaining. Getting a little deeper into the family’s motives, they keep the solicitors locked away and restrained to hospital gurneys after removing an arm and a leg to help prevent any chance of escape. You can’t just simply toss away a good and arm and a leg, so not to waste any good meat, the family has the body parts cooked up for dinner. Yes, this is a family of cannibals who also use their victims to harvest organs for the black market. All this solid horror material and still this film manages to not just disappoint, but simply struggled to hold my interest.
Posted in: No Huddle Reviews by Gino Sassani on January 24th, 2018
Lynda La Plante is quite a fixture in the British television landscape. She has been a television writer since the 1970's and has been producing her own creations since the 1990's. Her shows often feature a woman in some kind of authority position fighting the good fight in a law enforcement tradition that leans heavily in the male department. Likely American audiences know her best from her more recent Prime Suspect series which has enjoyed some success here in the States. It wasn't long before that show that she was writing and producing a series of television movies with the overall title of The Commander. The films ran from 2003 until about 2008 when the final film was released as a three-part show. Acorn has put together a 7 disc DVD collection of the show's entire run.
The only common thread in the series is the character of Commander Clare Blake played by British television icon Amanda Burton. The first film follows her promotion to the prestigious Murder Squad but she's met with immediate complications that have more to do with her own failures than working in a "man's world". A killer that she arrested many years ago has been released from prison. He claims he has been rehabilitated and has written a book about that experience. The profits will go to a victim's charity he has set up and he's asked Blake to write the book's forward. Unfortunately, she does much more than that. The two become romantically involved while he has become the suspect in a string of recent killings that could mean he has graduated from murderer to serial killer. The bad press and series of events cast a huge cloud over the newly minted commander and her work. And it's with that cloud that the series moves forward.
Posted in: No Huddle Reviews by Jeremy Butler on January 24th, 2018
Alibi gives you quite a bit of storytelling, which is surprising given that it is only comprised of three hour-length episodes. I will give it to British shows that have somehow found the key to making that work, because that would not work in the U.S. It would feel rushed, and a lot of key nutrients would have to be removed due to time constraints. Alibi manages to have multiple twists and turns in that time span as well as tell a very entertaining and engrossing story with the assistance of its two established leads, Sophie Okonedo and Michael Kitchen. Alibi tells the story of what happens when two people attempt to cover up an accidental death, when one person is a complete neurotic and the other is calculating to the point that you might find yourself question if this is her first “accidental” death.
No good deed and all that, or least that’s the case for Marcey Burgess (Sophie Okonedo), a civil servant and part-time caterer who finds herself ingrained in a murder investigation when all she was trying to do is retrieve her purse. However, I will say that she was presented with an opportunity to walk away and she didn’t take it, so I guess that technically means that she reaped what she sowed. While catering the 19th anniversary for a married couple Greg and Linda (Michael Kitchen and Phyllis Logan), Marcey notices inappropriate contact between the wife and the husband’s business partner, but keeps it to herself and leaves with her group. However, after realizing that she left her purse behind, she returns to the house to find the husband standing over the business partner’s lifeless body. Marcey attempts to flee the scene but ultimately ends up locked in a back room with the husband on the other side.
Posted in: Disc Reviews by J C on January 24th, 2018
“Have you ever heard the legend behind the legend of Ninjago?”
Even though I loved the first two Lego movies, I was completely unfamiliar with the toy company’s Ninjago line before I sat down to watch this latest entry in the madcap cartoon franchise. (I wasn’t even sure how to pronounce “Ninjago”…and the answer isn’t as simple as it seems.) But my unfamiliarity with the source material isn’t the reason why I feel The Lego Ninjago movie is the weakest entry in the series so far.
Posted in: No Huddle Reviews by Gino Sassani on January 24th, 2018
"Lion’s Guard, let's go!"
For many years The Lion King was the highest-grossing animated film of all time. It remains one of the most beloved films in history. It marked the last of the Disney classic animation triumphs. Combined with the Elton John and Tim Rice songs, it is one of those generational films. While there has never been a feature film follow-up at the box office, there have been a few attempts to keep the franchise alive, and why not? A direct- to-video film told the same story from the unique point of view of the popular characters Timon and Pumbaa. A full-fledged sequel appeared in another direct-to-video feature called The Lion King: Simba’s Pride. Now the baton is being passed to the next generation with a television series on the Disney Channel called The Lion Guard.
Posted in: No Huddle Reviews by Gino Sassani on January 17th, 2018
"Believe it or not, anyone can be famous. And you don't really need God-given abilities to do it. That doesn't mean you go out and shoot up a crowded theater. That's wrong. If you're motivated you can get yourself on a reality TV show or jump cars on a motorcycle, or marry a movie star. Or simply find a wife willing to have 20 kids. As for myself, my best shot at the limelight is to buddy up to the President. I just need the attention of the media first."
It was artist Any Warhol who said that in the future everyone would be famous for 15 minutes. The quote has been lampooned and is now a part of our pop culture. Crazy Famous is a low-budget film written by Bob Farkas and directed by Paul Jarrett. So do they get their 15 minutes, or is it Time's up?
Posted in: Disc Reviews by Brent Lorentson on January 17th, 2018
In case you’ve been living beneath a rock and out of contact with any and all social media, this weekend the long-awaited film adaption of Stephen King’s It releases. Some of my friends look at the trailer for the new film and instantly reject what they see; they immediately cling to their memories of how the original mini-series scared them. One thing you’ll hear them all saying is how Tim Curry made such an impact on their lives and to this day gave them reason to fear clowns. While I respect their opinions, when you revisit the film, you can’t help but notice how dated the film is, and really, if you’re over the age of 10, it just isn’t scary. I grew up on reading Stephen King, and as a fan, I’ve always been frustrated that it seems no one could ever get his horror stories right. Sure, there is Misery and Carrie, but there are many more miserable failed attempts of his material. The Mist (especially the black and white version) is perhaps my favorite adaption of his work, that is to say, up until now.
When the film starts up, those of you familiar with the mini-series will perhaps have a sense of déjà vu at first. Without a doubt our first introduction to Pennywise, the dancing clown, is at first a little off-putting, but if you hang in there, you’re going to be happily terrified by this performance. Bill Skarsgard fills the clown shoes this time around, and there is no doubt a new generation of kids are going to be terrified of clowns because of this performance. There is nothing friendly in this performance, and after our introduction and we get a glimpse at what he’s capable of doing to children, that’s when the unease sets in, and as an audience member you realize from the start that no one in the film is safe.
Posted in: Disc Reviews by Jeremy Butler on January 15th, 2018
Most people that survive a near traumatic experience don’t go back for seconds. Most people that is. For the group in The House October Built 2, I guess they were adhering to the logic that lightning doesn’t strike the same way twice. Or does it? Embarking on what I can only describe as a horror tour, five friends attempt to capitalize on potential fame and fortune by documenting their experience traveling city to city to explore various haunted houses or hay rides. They even managed to convince the most traumatized member of their group to join them, reopening old wounds and provoking things that best left in the past. I wish that was the worst they had to contend with, as evidence that what they faced a year earlier begins to resurface to finish what it started.
So the concept of the film is top-shelf, execution is another matter in entirely. For one, the set-up is entirely too long. The basic idea was apparent early on, this group looking to capitalize on their famed abduction a year earlier resumes the same activities that nearly cost them their lives. I even enjoyed the addition of a holdout, the girl that refused to take part in this after being buried alive in a coffin. I mean, who would want to relieve that trauma. However, once you have the girl on board, I would say that you only need to visit a handful of places to establish tempo before moving to the center stage for the plot. I think a part of it was the fact that the group went to around three venues before they realized that they need the girl. In my opinion, they should have found themselves turned away at the first venue in order to necessitate the need for their holdout and those other two venues could have been focused more on convincing her to jump back into the mix, possibly a flashback to the year prior.
Posted in: Disc Reviews by J C on January 11th, 2018
“I'm not saying women are better...I'm saying we deserve some respect.”
Battle of the Sexes chronicles a watershed moment for the women's liberation movement. And given the very bad behavior by very powerful men in Hollywood and other high-profile industries that has come to light in recent months, the movie suddenly feels particularly timely despite being set 45 years ago. But even if that weren't the case, this film — which dramatizes the 1973 exhibition match between top-ranked female player Billie Jean King and former male champion Bobby Riggs — would still be a funny, heartfelt winner.