Disc Type

The days of drive-in cinema and grindhouse pictures are all part of a bygone era, where the films were fearless and took chances with their subject matter. Now films seemed to be made so carefully as to not offend anyone.  When it comes to Macon County Line, as much as it is a staple of its time, it’s hard to imagine this film being made today.  It’s a film that’s a blend of two genres. It’s a road film, but because of the location and characters, it’s also a good ol’ boy picture. So how does this drive-in classic fare on Blu-ray? Despite having a runtime of 88 minutes, the story doesn’t rush into anything but instead lets us get to know the two brothers Chris (Alan Vint) and Wayne Dixon (Jesse Vint) who are on a quick joyride before they enlist in the military. Whether they are hooking up with married women or doing a quick dine-and-dash for breakfast, the boys seem to always be on the run from something, whether it’s an angry husband or the police.  The Dixon brothers are far from your hardened criminals, but instead just a pair of guys enjoying their last days as civilians in 1954 Louisiana. Along the way they pick up Jenny (Cheryl Waters) a beautiful young hitchhiker the boys vie for affection over, but it never gets all that serious, because they know they don’t have much time left before they enlist.

The chemistry between the brothers is easy to see since they are brothers in real life, but the fun doesn’t last for long once Sheriff Reed Morgan (Max Baer) crosses their path.

I always have a significant degree of excitement when watching a film that takes place in Florida, especially when it is filmed in a place I either live or have lived. The Punisher (2004) was filmed in downtown Tampa, and Miami Connection (1987) in downtown Orlando and the University of Central Florida’s campus. To further explain this excitement, I even waited till 3 AM on a busy street in Seminole Heights, Tampa, hoping to get a chance to see a part of The Infiltrator (2016) when they began filming here. Inoperable does indeed take place in the Tampa area of Florida, but you really only come to understand that through the dialog. For all the audience knows, we could just be being told that we are in Florida, and we would be none-the-wiser. While that doesn’t take away my enjoyment from the film, it certainly would have helped if it actually looked like Tampa.

The film takes place in a hospital while a large hurricane is happening outside (so realistically, the one thing that lets us know it is Florida is the impending threat of inclement weather). While in the hospital, Amy (Danielle Harris) is plagued by a series of nurses and doctors assaulting her, the sight of grotesque surgical experiments, and of course a time loop so that her experiences are repeated, adding to the nightmare. So, imagine Groundhog Day, but with less Bill Murray and more gory scenes. While trapped in this time loop, she meets Ryan and Jen, who learn they are trapped in the loop as well. Together, the group discover clues that might help them escape.

Neo-Liberalism is a concept that was introduced to me in 2014 while I was in graduate school. In an effort not to bore the reader and save my own amateur understanding from ridicule, I will not discuss the philosophical musings at length. However, I will briefly offer what I take to be the “important things to know” for reading this review. Essentially, Neo-Liberalism began as an economic ideology favoring policies that allow private businesses to function while uninhibited by the government. Then, from about the 1970’s onward, Western scholars brought popularity back to the term, allowing it to take on the characteristics of a catch-all term that ranges from economic structure, to economic philosophy, to academic discourse.

Much more can be said about the concept, but I will leave the learning up to you. David Harvey’s A Brief History of Neoliberalism is an excellent starting point, and that is where I dove in about four years ago. However, this text is a film review, leaving me the responsibility to deliver a fair, evaluative assessment of the documentaries Encirclement and Oncle Bernard. So the question becomes: how can you make a documentary about such a complex philosophy whose very meaning has evolved over time? The short answer is, through extensive interviews with notable interdisciplinary academics about the expansive topic. Plus, the topic is still unable to be covered to completion within the two hours and forty minutes it was cut into.

If The Wire isn't the greatest television show of all time, it's certainly in the conversation. That landmark HBO series was created by David Simon, who took a journalistic and novelistic approach in telling the story of a decaying city (Baltimore) and its various institutions. Now, Simon has teamed up with crime novelist George Pelecanos for The Deuce, which takes a similarly 360-degree approach in examining Times Square in the early 1970s and the evolution of the porn industry. Capturing every facet of that time and place doesn't just mean that The Deuce depicts the lives of pimps, prostitutes, and police officers. It also means the show is alternately thought-provoking, tragic and darkly funny.

You got some pimp in you.”

Meet the most dysfunctional crime family since The Sopranos. Not quite at the same level either on-screen or in quality, but once again we're drawn toward another dangerous clan with criminal intent. I guess we could call them The Baritones. Actually, Animal Kingdom is an apt description for television's latest baddies. They've now wrapped up their second season of mayhem on TNT where the series was the network's top ratings winner. Now that second season is out from Warner Brothers, and it's another crazy ride, of that you can be certain. It's based, rather loosely by now, on an Aussie film starring Guy Pearce.

Meet Josh Cody (Cole) His mother was a junkie who died of a heroin overdose. Josh called his estranged grandmother, who goes by the name Smurf, and is played by Ellen Barkin. Smurf takes him into her home, but it's not the Waltons. Smurf is a regular Ma Barker. She organizes criminal jobs that are carried out by her four sons. She collects the money and doles it out on an allowance basis. Her right hand is adopted son Barry, who goes by Baz (Speedman). He helps plan the jobs and is the only one with a family of his own. His girlfriend has mysteriously left him alone with a young daughter. If you saw the first season, you know what happened to her, and that secret is about to come out. Brother Pope (Hatosy) has just returned home from over three years in prison. He took the fall for the entire family, but he's off his meds and is quite crazy. He's by far the quietest brother, and the most dangerous. Brothers Darren (Weary) and Craig (Robson) are pretty much interchangeable bookends. They end up doing the heavy lifting, but they also are the hardest partiers in the family. From coke to jumping out of planes, these two do everything fast and furious. His uncles are not quick to trust Josh, and he has to find a balance with very little time to breathe.

Stop me if you’ve heard this one before: single gal pals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. The queens kweens of Comedy Central's Broad City have given that timeless story hook a funny, druggy and tremendously weird spin for the past four seasons. That includes this most recent batch of episodes, which is lighter on comedy than usual as it explores the origin of NYC besties Abbi and Ilana's relationship...and the way even the closest friends can inevitably drift apart.

Broad City chronicles the (mis)adventures of Abbi and Ilana (co-creators Abbi Jacobson and Ilana Glazer), a pair of uncommonly attached best friends living and playing in New York City. Season 4 begins with a long-overdue flashback episode (“Sliding Doors”) that reveals how Abbi and Ilana met...along with a darker, alternative outcome for their friendship. (Abbi is saddled with the most unfortunate wig I've seen in a very long time.) The rest of the season still contains the bizarre flights of fancy that have become the show's signature. The most polarizing example is the half-animated Ep. 4/“Mushrooms,” which will feel like an especially bad trip if you're not on Abbi and Ilana's wavelength.

New cartoon series these days are a hard watch for me. Gone are the days of classic shows like X-Men, Batman: The Animated Series and even newer favorites like Regular Show which ended about a year ago. Now we get shows where it seems like it is one cheap joke after another including Teen Titans Go and that show about some kid named Steven. So, I wasn't too thrilled to get the newest incarnation of Ben 10 on my review desk a couple of weeks ago. That's when I decided to employ the talents of my 2 year old son, Keaton and see if he can offer some insight.

"Thomas"...no son, we can't watch Thomas (The Train) right now. We have to review Ben 10, there are twenty episodes on this thing, see if you like it or not. "BeNNN." Yep, I hand my son the dvd case. He breaks open the stark white case and gives me the disc. "Thomas" Used to this exchange, I go ahead and put the dvd in the player and it brings up the menu. I select English subtitles, and then go to play the first episode. My son blinks at the opening and decides to sit down on the couch with his thumb in his mouth. He points, "Elmo?", he asks inquiringly. "No, BeNNN." He doesn't say anything else at this point and keeps sucking his thumb while looking at the screen.

The notion of having one of comics’ famous costumed detectives face Jack the Ripper is simply one of those ideas I can’t help but smile with geeky joy thinking about.  Batman: Gotham by Gaslight, takes the caped crusader back to the early turn of the 19th century, a time when Gotham City was in its early days, before skyscrapers flooded its landscape.  This unique take does offer up some fun twists on the legend of the character ,but also takes many liberties of historical events that actually took place.  This kind of revisionist history can be fun; take Inglorious Basterds for instance, but how much should you really play with actual history and set character mythology? This is definitely a new playground for the creators to play with, so how does the animated film shake out?

At the start of the film we meet (Poison) Ivy, who has taken a different career path than most may be used to. It is followed by her confrontation with the Ripper, and it doesn’t go so well.  It’s an opening like this that lets the viewer know that the familiar cast of heroes and rogues are not safe in this world, so forget what you think you know, and try to sit back, relax, and try to enjoy the story that unfolds.

There was a guy on TV the other night. Had a theory that nearly a quarter of all so-called fatal accidents were actually murders. That's ridiculous...it's only about 10 percent.”

It's one of the more familiar action/thriller tropes: an apparent suicide or accidental death that actually turns out to be an elaborate murder. Usually that story is told from the perspective of the murder victim's loved one, who will stop at nothing to uncover the truth. What's cool about Accident Man — a stylish and rollicking action romp — is that it gives us an irreverent look at the cold-blooded killers who craftily carry out these cinematic crimes.

Kenji Kamiyama is a fairly known name in the anime world. His auspicious beginnings had him contributing backgrounds to shows like Duck Tales and movies like Akira. He then contributed scripts to a Wild Arms anime show and also did the screenplay for one of my favorite animes, Blood: The Last Vampire. His really big break occurred when he landed the director chair for the Ghost in the Shell: Stand Alone Complex films. After directing the TV show, Eden of the East, he came up with an idea for a new animated film called Ancien and the Magic Tablet. Unfortunately, that name didn't really stick and was renamed Napping Princess. Fast forward to 2018, and I have in my hands the Blu-Ray/DVD Combo set from Shout Factory. Let's check it out.

Once upon a time everybody had the same job. That job was to build machines or in plainer terms, BRAND NEW CARS! The King of Heartland thought this was the key to happiness. If you owned an old motorcycle or last year's model, you would get docked by your manager until you got the newest car right off the line. But there was a voice of hope and reason in the kingdom that belonged to Princess Ancien.