Posted in: No Huddle Reviews by J C on July 16th, 2014
“The West — once a land of awesome but tranquil beauty — had become a battleground for a hundred diverse reasons.”
The “second” season of How the West Was Won — and I'll explain in a bit why the word “second” deserves to be in quotation marks — does a strong job dramatizing the myriad dangers of the Old West. This batch of episodes showcases vengeful gunfighters, greedy gold prospectors, a taxing cattle drive, and the tenuous relationship between frontiersmen and Native Americans. Of course, at the center of it all is one particularly intrepid clan.
Posted in: Disc Reviews by Gino Sassani on July 15th, 2014
There is nothing wrong with your monitor. Jonathan Glazer controls all that you see and hear. That tiny speck of light you see is just the beginning. The beginning of an experience you will not soon forget. The light appears distant...cold... foreboding. It's coming closer to us, or we are coming closer to it. The distant star grows while you are assaulted with some of the most bizarre sounds you have ever heard. It's somewhat uncomfortable. You squirm in your seat.
Posted in: Disc Reviews by Brent Lorentson on July 14th, 2014
"Isn’t it wrong to sing and dance when someone has just died?"
When I first hear a film is going to attempt to be a horror musical, all I can do is simply shake my head at the thought of how bad this may be. But that’s not to say that I couldn’t be very wrong. Repo! The Genetic Opera was a rock opera that I had a blast with, and I’m not ashamed to admit I even purchased the soundtrack after the release.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
Posted in: Disc Reviews by Archive Authors on July 14th, 2014
Nymphomaniac I and II are 117 and 124 minutes, respectively. There is a longer cut that may be released next year closer to 5 and ½ hours. The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story.
Posted in: No Huddle Reviews by Archive Authors on July 9th, 2014
by Normandy D. Piccolo
“She’s the damsel. He’s in distress.”
What happens when a stand-up comedian turned actor writes, stars in and produces his very first murder/mystery movie? Either a timeless classic or a case of wishing Colonel Mustard had greeted him in the Conservatory with a Candlestick before typing the title page. Actor Brent Butt (Corner Gas/Hiccups) and director, Carl Bessai (Sisters and Brothers/Hiccups) have teamed up once again for, No Clue, a campy murder/mystery set in present day with a 1950’s feel.
Posted in: No Huddle Reviews by Brent Lorentson on July 9th, 2014
With all these found-footage films that seem to be coming out week after week, I wonder just how audiences will react when they finally get a scene that is shot on a tripod. It will be hailed as a revelation, I’d imagine, and finally the world will be able to watch a film without pondering if they should have double-dosed on their motion sickness pills. Yes, ladies and gentlemen, Infliction is yet another entry into the canon of found-footage films and is also another example of why it is a style that is not meant for everyone to try or to use as an excuse for a low budget.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2014
Few musicians have enjoyed the career that Elton John has enjoyed. From the release of Your Song in 1969, he hasn't seen many years without hit records. He's had number one songs in every decade since that day, and the hits continue to roll in. When the music industry changed, Elton managed to change enough to keep up with the times, yet hold on to the poignant songwriting that has made his songs stand out. I've been a fan since the Goodbye Yellow Brick Road days of 1973.
Posted in: Disc Reviews by J C on July 8th, 2014
Anyone who ever sat through an elementary school science class knows that about 70 percent of the Earth's surface is covered in water. We've all heard the spiel, but I don't imagine most of us spend much time contemplating how truly staggering that figure really is. Watermark seeks to convey the many different ways humans and the planet's water supply affect one another. The documentary is maddeningly scattered, but it also manages to capture and convey a small part of the world's awe-inspiring bigness.
Posted in: No Huddle Reviews by Brent Lorentson on July 8th, 2014
Any time I see a film released with the words Once Upon a Time (insert location), I feel the film is already setting itself up for failure. There are numerous classics that boast that title; Once Upon a Time in the West as well as Once Upon a Time in America are two that come to mind that are classics in their genres. But then you have Once Upon a Time in Mexico, which for me was a lackluster conclusion to the El Mariachi trilogy. Now we have the release of Once Upon a Time in Vietnam and, well, despite its attempts to be a big sprawling epic, the film just doesn’t deliver.
