Disc Type

If it was within your power to heal others’ sickness and injuries, would you? Most people’s answer to that question would undoubtedly be yes, but what if the price of healing someone else was to take their sickness on yourself? What would your answer be then? In Heaven’s Door, twelve-year-old Riley Taylor’s life is in shambles. After her mother suffered a miscarriage, her mother lost her faith and has filed for divorce from her father. Her little brother has been diagnosed with asthma, and she witness her grandfather suffer a heart attack and die before her very eyes (wow, that’s a lot to take; I’d crawl up in the fetal position).

Events in her life change after an accident where she slips out of a tree in her back yard while trying to retrieve her soccer ball. The fall from the tree should have killed her; however, on her way down Riley slipped through a portal (that’s right, I said portal); a portal to heaven. As if that wasn’t enough, Riley’s trip through the portal has bestowed her with extraordinary healing powers. Being a girl with a pure and caring heart, Riley decides that the best avenue for her powers is to help the suffering. She starts off small, healing neighborhood animals, and before long she heals her brother’s asthma. It doesn’t take long before she is the talk of the town of Vineyard. Her mother struggles the most with her daughter’s newfound reputation, given her choice to renounce anything to do with angels or Heaven since the loss of her unborn child.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.  Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.

Raymond Burr did not carry the show on his own. There was a very fine cast of supporting characters. The most famous has to be his faithful secretary Della Street, played by Barbara Hale. The two were inseparable. Perry had the help of a good private investigator in the Raymond Chandler style. William Hopper played the tough-as-nails Paul Drake. One of Orson Welles’ famous Mercury Theater Players took on the part of Police Lt. Tragg. Ray Collins starred in Citizen Kane as the political party boss Gettys. He was a fine example of top talent working in television.  Mason was often pitted against prosecutor Hamilton Burger, whose name too often reminded me of hamburgers. There wasn’t anything funny about Burger, however. He was a worthy opponent who drew the short straw most of the time because he was up against Perry Mason. The task was accomplished with a lot of style by William Talman, a one-time evangelistic preacher.

Like many others I love a good gangster film.  Not every film has to be epic like Once Upon a Time in America or The Godfather; the simple ones are just as good like Snatch and Sexy Beast.  In fact there are so many good gangster films out there I could almost argue is there really a need for any more entries into an already bloated genre?  Okay, silly question, because we’ll always want more of a good thing, but unfortunately with the good we have to take the bad.

When we first meet Jack (Julien Courbey) he’s running a little scam in a basement where he has high rollers playing a form of kneecap Russian roulette.  The concept I like, but there’s simply no suspense. We don’t know who these people are who are putting guns to their legs.  For those who have seen The Deer Hunter you know how intense these kinds of scenes can get, but instead all we have is a guy trying to look cool while two high-rolling thugs play this insane game of chance.