Disc Type

Some movie titles are almost comically blunt. Recent examples that didn’t leave much to moviegoers’ imaginations include Cowboys & Aliens, The 40-Year-Old Virgin and, of course, Snakes on a Plane. So when I saw the title of Disney’s latest live-action, family-friendly offering, I wondered just how odd this movie could really be. (At the end of the day, we’re still talking about a Disney film here.) Turns out, The Odd Life of Timothy Green is a strange little flick for a variety of reasons.

Jennifer Garner and Joel Edgerton star as Cindy and Jim Green, a childless couple living in fictional Stanleyville, “the Pencil Capital of the World.” The movie very quickly and subtly — no need to bum out or bore the younger members of the target audience — establishes Cindy and Jim are not able to have children of their own. The couple is understandably dejected. To cheer his wife up, Jim suggests they write down the qualities their ideal child would possess — including having a big heart and being honest to a fault — and place the pieces of paper in a box, which they bury in their garden.

Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the 2 and a half hour long chase.

Abagnale committed these crimes in a time that was far more trusting than it is now (in fact, Abagnale would go on to use his skills to boost the security of the currency and checks he took advantage of before). Whenever Abagnale's crimes are described, his statistics are read like highlights from a sportstar rather than someone malevolent. We do not see any actual victims. Even his nemesis, Agent Carl Hanratty (portrayed by Tom Hanks), eventually gains a lifelong friendship after multiple years of pursuing (and frequently being humiliated by) Abagnale.

"I promise you the secrets of the universe, nothing more..."

It's been an astonishing 15 years since Will Smith and Tommy Lee Jones first teamed up as Agents J and K respectively for the intergalactic police force Men In Black. The film was like a breath of fresh air. It combined top-flight science fiction fantasy with whimsical humor. It was a hit at the box office, and like most wonderfully original hits it was quickly followed by a sequel that had almost none of the cleverness and freshness of the original film. The film was so unmemorable that I sat with other critics getting ready to see Men In Black 3 and none of us could actually remember what the second film was even about. Years went by and most of us put the franchise in our rearview mirror.

 "In 1920 they passed the prohibition act making the sale of alcohol illegal. Well... at least it was supposed to be."

I know what you’re thinking, and I was also incredibly disappointed to learn this film was not a biopic of Xena: Warrior Princess actress Lucy Lawless. (This hypothetical film would obviously star the ageless Kiwi, because the actress still looks incredible.) Fortunately, Lawless makes up for its startling lack of Lawless by being one of the better films I’ve seen this year.

Is it just me or does every new reality show have to feature the word: Wars? We have Storage Wars, Property Wars, Parking Wars, and I believe I just heard the other day we have Weed and Whisker Wars. Apparently War is good for reality show business. Well, today we have yet another war to throw on the proverbial fire. Shipping Wars, sponsored by UShip.com and on A&E Television. I guess we need to go find out which trucker will come out on top in this season one package.

The basic premise of Shipping Wars centers on the website known as UShip.com. UShip.com’s plan is simple, if you have something you do not know how to ship, you can list it on the website. Then for the truly odd items, the website offers them up to potential shippers in a reverse auction scenario. Occasionally, the low bidder does not win and the one who gets the shipment is the one with the best feedback. For show purposes, we have a usual list of players who create the reality element.

"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."

So just in case you have access to all kinds of firearms and a few spare acres to set up a range, you might want to think twice before trying to reproduce the challenges you'll find in History's latest reality show Top Shot. It's part Survivor and part Big Brother with the added dimension of marksmanship. And, honestly, it's quite a bit more compelling than either of those shows.

Whether it comes in the form of a mid-life crisis or simply a crisis comes along and changes your life, at some point we all reach a moment in our lives where we reflect on the choices we’ve made for better or worse.  Not every decision we make is one we’ll be proud of, whether it concerns those we have relationships with or choices we make in our careers.  With age people have been known to act out to try and recapture their youth, whether it is in the form of a sports car or perhaps dating someone much younger than our friends and family would find suitable.  Sugar Mommas tackles the mid-life crisis with a balance of humor and compassion that I have to admit surprised me with the execution of its message.

This isn’t a big-budget Hollywood movie, and to be honest had I seen this on the shelf at the store, there would be no chance of me ever giving this title more than a cursory glance.  But I would have passed up something that actually I had to pinch myself for believing I enjoyed this movie.  A little movie about three women who own a bakery. During the week leading up to a tasting for a potential big money client, all three of the women have to come to terms with personal crises that have come to a head at the same time.  There’s Sheila (Terri J. Vaughn) who has become obsessed with the urge to have a baby, Lynn (Vanessa Williams) who is a middle aged woman currently dating a 22-year-old up-and-coming rapper, and Tommi (Rachel True), who is in a crumbling marriage.  Each of these women is likeable and relatable, but none of them can seem to see the damage they are bringing into their lives.

“‘Twas the night before Christmas, and all through the hood/Not a hater was stirring, cuz it was all good.”

With Thanksgiving in our rearview mirror, ‘tis officially the season of packed shopping malls and cheesy Christmas movies. Most of these flicks will air on ABC Family or the Hallmark Channel over the next few weeks, but Santa got ahead of himself and recently delivered Christmas in Compton to my doorstep. Though the film has more on its mind than its dopey cover art suggests, I kinda wish Santa had also left me a gift receipt.

Mia is a successful architect who has recently become engaged to her boyfriend Tim. While attending her father's own engagement party she starts a flirtation with her soon-to-be sister in law. From there, a full on romance blossoms that looks to tear apart all she had established with her fiancée, and the rest of her family.

This is not really a typical romance story. Rather, it is a tale of how a woman acknowledges, then painfully accepts her true feelings and desires. Mia is a lesbian who has not accepted her identity as such until Frida, the aforementioned future sister-in-law, seduces it out of her. There is a ton at stake that goes well beyond flirtation. Mia has not come out to her family, and this revelation ruins her engagement and creates a strange link between hers and Frida's family since they are on the brink of becoming related by law.

A single father gets a major job offer working in a prestigious Chicago restaurant, but the job requires him to move his entire family from out of their hometown of Toledo. They are set up with a new apartment but their dog, Shakey, is not permitted in the building. This family must then decide whether staying for this swanky job is worth losing a member of the family, or is there any other alternatives to losing Shakey?

I have had a bad string of luck when it comes to reviewing films that place “Family Approved” on their cover. To me, this has become a badge of low quality. Alas, this film is not the redeemer I'd hope it would be but it does have a couple bright spots I shall mention.