Posted in: Disc Reviews by Brent Lorentson on January 16th, 2019
These days when the studios are cutting together trailers to promote their upcoming films, I feel one of the number one complaints people have is that the trailer gives too much away, so why bother shelling out the cash to see it on the big screen? When it comes to the trailer for Bad times at the El Royale, it gives you a glimpse at what is to come, but the result is something clever and ambitious. Unfortunately, it feels a bit too familiar. This is the second feature film from writer and director Drew Goddard, who first made a splash onto the screen with his hit film Cabin in the Woods. While I enjoyed his first romp that played with many of horror’s stereotypes, I still felt the film fell a bit flat. Unfortunately, though I enjoyed this fun little noir film he’s put together, I feel it too falls a bit flat, but mostly this is due to its 140-minute runtime.
The film opens up with a great sequence, where we get to watch as a man comes into a motel room and goes through the process of burying a bag beneath the floorboards. It’s a long static shot that nicely sets the tone for the film we’re about to watch, and with the nice little twist at the end of the scene, we’re ready to jump into this film. Sadly, as we are introduced to visitors at the El Royale motel, things get a bit long-winded, as it seems the sequence of just having the characters checking into their rooms will never end. It works as setting a tone and introducing us to characters, but the problem is we spent all this time with character development just to discover no one seems to be who they claim to be. I’m all for having twists, but this sequence just goes on for too long, and unfortunately that’s pretty much how each sequence plays out, each clever one stretching on for a bit too long. This is where I understand where people draw their comparisons to Quentin Tarantino, only Tarantino can make long talky sequences crackle with humor, dread, and cool all at once, and Goddard just can’t pull it off.
Posted in: Disc Reviews by Gino Sassani on January 10th, 2019
"The list is an absolute good. The list is life."
It had been nearly 20 years since I had seen Schindler's List. I believe this was only the second time I've watched it since seeing it in the theaters back in 1993. It's one of those films that doesn't lend itself to repeated viewings. It clocks in at over three hours, and the material is emotionally draining. That doesn't mean the film shouldn't be on everyone's shelf. It should. It should, because it tells a brutal story that civilization must never forget. It's clear that while the event remains in our collective memories, the reality of the Holocaust has been lost on too many people. Watch this film, and you will be completely amazed that anyone could throw words like Hitler or Nazi to describe anything that could be happening in American politics today. I'm convinced that the people who use those descriptions need to sit down for three hours and watch Schindler's List, maybe for the first time. It belittles this horrific moment in history to throw it about as a political hit or hate speech. There is nothing in our current American landscape that comes close to the reality of what happened to the Jews in World War II. Saying that there is shows amazing ignorance, an ignorance that this film goes a long way in dispelling.
Posted in: Disc Reviews by Gino Sassani on December 17th, 2018
"There's no such thing as luck, but I sure as hell believe in stupid."
We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera. As a writer his first script did hit it out of the park. Sicario is an awesome film populated with compelling and interesting characters who thrived on a broken system. That theme appears to have stuck with him, because the first season of Yellowstone appears to take us back in time to the days of open frontiers and cattle barons who struggled to keep their land amid lawless communities and raiding parties of American Indians who were portrayed as savage beasts who kill women and children in the middle of the night to become to shadows of nightmares and the stories told to keep children in line. These themes are all there, but it takes place in a modern 2018 setting that does indeed make for an interesting new twist on an old idea. This is the dawning of the modern western where lands still stretch for miles and are still owned by a single family. It's Bonanza in the 21st century, and Kevin Costner thought enough of the idea to star in this television drama series for The Paramount Network.
Posted in: Disc Reviews by J C on December 14th, 2018
“I'm sorry there is so much pain in this story. I'm sorry it's in fragments, like a body caught in crossfire, pulled apart by force, but there is nothing I can do to change it.”
To say there is pain in The Handmaid’s Tale might be the biggest understatement of 2018. The series is set in a dystopian near-future in which women — even the ones who are supposedly part of the ruling class — are enslaved and tortured in a variety of heinous ways. Handmaid’s Tale immediately became Hulu’s flagship show and picked up an Emmy for Best Drama Series last year. So expectations were high for this second season, which too often proves to be torturous for viewers as well.
Posted in: Disc Reviews by J C on December 7th, 2018
“They destroyed the man I was, but then I was reborn. And this time I came out breathing fire.”
Season 1 of Westworld — HBO’s mega-budget adaptation of Michael Crichton’s 1973 film of the same name — spent a lot of time exploring the nature of reality and humanity through a high-tech theme park’s robotic hosts. And while the show still has plenty of time for those themes, the second season can be tidily summed up with a phrase that nods to another Part II of an iconic sci-fi franchise: The Hosts Strike Back.
Posted in: Disc Reviews by Jeremy Butler on December 6th, 2018
“Sometimes when you trust your impulses, incredible things can happen.”
I doubt this is what Jesse Usher’s character had in mind when he used it as a pickup line for Bella Thorne’s character. However, Ride does feature what turns out to be an extraordinary night for these two characters as they find themselves at the mercy of a demented individual with a .44 Magnum. This movie has been on my radar for a while, and it was a movie that I jumped at the chance to review. I’m fortunate to say that I was not disappointed, although I did find the ending to be a bit anticlimactic. When I saw the runtime for this film, a mere 77 minutes, I anticipated that the thrills would be over fairly quickly, but the story managed to pack quite a bit into this brief period.
Posted in: Disc Reviews by Michael Durr on December 3rd, 2018
This year, I have gravitated more towards watching movie courtroom dramas. I watched Anatomy of a Murder for the first time. The same could be said for the Verdict with Paul Newman. I re-visited A Few Good Men in glorious 4k with pleasing results. Then I got an opportunity to review The Third Murder, a courtroom drama that takes a look at the Japanese court system when one lawyer decides to seek the truth. Even though I was about to go on review hiatus for the holiday season, I eagerly wanted to take a look, and I am glad I did.
In the dead of the night, Misumi (played by Koji Yakusho), a fired factory worker hits the back of his former boss's head repeatedly with a hammer. After this continues for a few brief minutes, Misumi then douses him with gasoline and then sets him on fire to watch him burn. Misumi stares into the night with death on his cheek. We fade to black.
Posted in: Disc Reviews by J C on November 28th, 2018
“…I’ll show you how to be rich.”
HBO’s fantastic and fiercely funny Succession is about a group of people who are great at being rich…and not much else. The show’s fictional Roy family controls the powerful conglomerate Waystar Royco, which bears more than a passing resemblance to the late Rupert Murdoch’s media and entertainment empire. The show would be entertaining enough if it merely lampooned the spoiled brats who stumble into becoming masters of the universe. But Succession goes to another level by wringing legitimately powerful family drama out of an objectively absurd and despicable cast of characters.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2018
"Loyalty is tricky. It's a moving target."
As the summer wound down from the season's requisite anchor film blockbusters, there was increasing room for a few independent films that will make their way from the festival circuit to fill the newly vacated screens at your local multiplex. For some it was to attain eligibility for the year-end award season. For others it was a short window to turn a profit from what was conceived more as a work of art. For others it was a chance to become a sleeper hit. And for others yet, an opportunity to deliver a social message on the larger soapbox of the big screens. Blindspotting appears to be on the cusp of all of these things. But perhaps it came a little early for any awards consideration, and at a time where it was still competing with the mega-films of the summer. There's no doubt that the film attempts to hit us with a message, but it falls just short of that accomplishment. Blindspotting works best as a character study, and it's in that mode that the film almost approaches compelling.
Posted in: Disc Reviews by Michael Durr on November 20th, 2018
Young love is a wonderful concept that I wish could be sold and bought by the ounce, because I would either be rich or horribly addicted. Two people hopelessly absorbed by each other in a raging pool of hormones, bliss, and social media. It is a beautiful sight even if most of the time it is fleeting and gone in the blink of an eye. But what if you could change those decisions that made love lost and make it blossom again? Then you might just have Fireworks, a new Japanese anime from the producer of Your Name. Let's take a look.
We open to a boy and girl who are falling to the bottom of an ocean. The boy is trying to help the girl, who appears to be unconscious and about to drown. He shouts "Nazuna", and then we fade to black.
