Drama

The world’s most erotic novel series is coming to an end with the release of the final chapter, 50 Shades Freed. Dakota Johnson and Jamie Dornan reprise their roles as Anastasia Steele and Christian Grey, as the pair enters wedded bliss. Their romance has been a whirlwind, going from meeting to marriage in what seems to be less than six months. However, when it’s right, it’s right; besides, it’s rare that you find someone with the same taste, if you know what I mean. Naturally, happily ever after won’t come as easily, as our couple will have to face an old enemy and a new challenge that could threaten to tear the two of them apart.

“It’s not hard to go from genius to laughingstock.”

Close your eyes and imagine someone just said the word “genius” to you. (And also pretend like you can’t see the familiar, wild-haired figure on the DVD cover art that accompanies this review.) What person comes to mind when you hear that word? I’m willing to bet it’s Albert Einstein, the German-born Jewish theoretical physicist who developed the theory of relativity. That’s what makes Einstein the perfect inaugural subject for Genius, National Geographic’s anthology series that also doubles as the cable channel’s first stab at scripted drama.

"We just shoot you. Less paperwork."

Most of us like a good heist film. It's fun to watch clever crooks work out complicated plans and then execute them. It's not hard to root for the crooks if they're likable enough characters. With me I almost have a kind of reluctant respect for criminals who are able to outsmart sophisticated systems. There's something about the perfect crime that fascinates a film lover like me. Logan Lucky was one of the better heist films I've seen in years, and I was ready to spend an hour and a half being impressed by ingenious crooked plan that runs like clockwork once again. What I ended up with was a horribly overlong 2 hours and 20 minutes.

Several movies have been released over the past three decades that defend the press or show the importance of the media to inform the public.  This is one of them that for the most part does reveal the inner sanctum of one newspaper as it deals with exposing the government for wrong decisions leading to the death of thousands in the Vietnam War. While the script does reveal the sadness of human life losses that could have been avoided, unfortunately the film uses it to glorify newspapers using old news.

- “We’ll get another chance…to go home. It wasn’t the right time.”

- “What’s the right time?”

When The Americans received a two-season renewal back in 2016, the news was met with unanimous enthusiasm. Fans of FX’s acclaimed (but low-rated) spy drama were guaranteed two more years’ worth of stories, while TV critics applauded the fact that creator Joe Weisberg and Co. could carefully plot out their show’s endgame. That’s why it was a bit shocking — and more than a bit disappointing — to find that much of this fifth season felt like The Americans was saving all the good stuff for the end.

Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout.  Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now.  I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.

Did you hear what the teacher wants?”

We’ve all had that especially demanding teacher whose class we quietly dreaded. Yet instead of pushing her students toward academic excellence, the educator at the center of The Teacher is infinitely more interested in what her kids’ parents can do for her. This Czech/Slovak drama hints at some interesting points about compliance. But like a student — or perhaps even a certain movie reviewer — who uses too many flowery words before finally getting to the point…the movie ultimately can’t get out of its own way.

Ever since Jon Bernthal left The Walking Dead, he has managed to create quite the impressive resume over the years. From having some standout performances in Fury, Baby Driver and recently taking on the role of Frank Castle in The Punisher, he is easily making a name for himself.  Now we get to see him take on the role of Sam in the new small town indie thriller, Sweet Virginia.  In a film that is filled with well-crafted characters matched with some terrific performances by the cast, it’s a shame the film didn’t reach Blu-ray with more of a buzz around it. From the film’s violent opening, the film percolates with menace and unease to the final climax. 

“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.” 

The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.   

I’ve been a fan of The Walking Dead ever since the first episode aired on AMC. I’m a sucker for zombie films and the original Dawn of the Dead remains as one of my all-time favorite horror films. I mention this because when the idea came along to do a spin-off of The Walking Dead, I was stoked. But when Fear the Walking Dead first aired, I have to admit there was something about it that just didn’t hook me. So I gave up after a couple episodes. I wish I had held out just a little bit longer.