Posted in: Disc Reviews by Brent Lorentson on June 4th, 2014
Following in the footsteps of Taken Gina Carano (Haywire) goes on a revenge rampage in order to discover what has happened to her injured and missing husband in a foreign land. It’s not the most original jumping off point for a revenge film, but as is the case with most revenge films, the motivation is usually always the same, but it’s the journey to the fulfillment of their blood-lust that keeps us in our seats. Coming off of the latest installment in the Fast and the Furious series, Carano has started to make a name for herself ever since she emerged in Steven Soderbergh’s action/thriller Haywire.
Posted in: Disc Reviews by J C on June 3rd, 2014
“I don't know why death still surprises me.”
As someone who's seen every single episode of True Blood, I suppose nothing should surprise me by now. HBO's vampire drama has given us more than its share of head-turning sex scenes and a hearty helping of over-the-top violence. However, the further the series ventured from Bon Temps and its core group of characters, the more it seemed to lose its way, even as a satisfying guilty pleasure. This penultimate season still relied on an overly-crowded cast of supernaturals. But it was ultimately an encouraging sign that the show might get back to basics as it prepares to end its run this summer.
Posted in: No Huddle Reviews by J C on June 2nd, 2014
The tagline for Beyond the Trophy definitively states that “Power is the only thing that matters.” Well, having watched this low-budget cops and kingpins crime drama, I humbly disagree. The film strives to tell a story about the violent perils of all-consuming power. Unfortunately, Beyond the Trophy forgot to include some of the stuff that matters to movie-watchers: things like “focused storytelling”, “coherent action sequences”, and “fresh characters.”
Posted in: Disc Reviews by J C on May 28th, 2014
On the surface, The Color of Lies resembles many other murder mysteries set in a close-knit community. The 1999 film, however, is a late-career effort from Claude Chabrol, the French New Wave director who first gained acclaim alongside contemporaries like Jean-Luc Godard and Francois Truffaut in the late 1950s. So it’s not surprising to learn The Color of Lies is really a subtle, stylish exploration of the various ways people deceive each other.
Posted in: Disc Reviews by Brent Lorentson on May 26th, 2014
Christian Slater has managed to make a decent career lately by simply appearing in numerous direct-to-DVD productions for several years now. It seems as though every month the former 80s-90s heartthrob is slumming his way through productions as though he never once looked at the script and instead was just adding another lackluster credit to his IMDB profile. As a longtime fan of the actor from the days of Heathers, True Romance, and Pump Up the Volume, I can’t help but hope the guy will make a resurgence (though appearing in Lars Von Triers Nymphomaniac is a good start to that career revival).
Posted in: Disc Reviews by Brent Lorentson on May 21st, 2014
Ever since Elijah Wood completed filming Lord of the Rings, it would seem that he has done everything in his power to not be locked down with the label of simply being Frodo. From playing a mute psychopath in Sin City, to voice work in Happy Feet, a suicidal pot-head that is best friends with a talking dog in Wilfred, and even the killer role in Maniac, it’s clear that he’s an actor that likes to challenge himself. With Grand Piano Wood delivers his most dynamic performance as the brilliant concert pianist Tom Selznick who suffers from stage fright.
Posted in: Disc Reviews by Archive Authors on May 21st, 2014
Most action pictures have an aura of super-seriousness, or they are filmed as comedies and everything is meant to be ridiculous. It definitely is a difficult task to mix the two effectively. On some level most action pictures are ridiculous, since most of us will never experience the close proximity to death and danger that is depicted on the screen. Also, life and death are often cheapened with high body counts but little consequence for our hero. In 3 Days To Kill, all sorts of elements are brought to bear in order to reinforce the average everyday family experience and not the lone killer.
Posted in: No Huddle Reviews by J C on May 15th, 2014
Bodybuilders present a series of fascinating contradictions. They objectively embody the ideal physical form, but there are also people who can’t even stand looking at them. They’re in tip-top shape, but instead of running, jumping or hitting each other, their competitions involve…posing. Pumping Iron, the 1977 documentary that turned Arnold Schwarzenegger and Lou Ferrigno into stars, was the first film to shine a light on the world of bodybuilding. Generation Iron stylishly and thoughtfully explores how the sport — and its participants — have grown immensely in the ensuing decades despite remaining a somewhat peculiar part of popular culture.
Posted in: Disc Reviews by J C on May 13th, 2014
“Whoever tells the best story wins.”
This bit of lawyerly wisdom is given by John Quincy Adams in Amistad, Steven Spielberg’s account of a real-life 19th century slave revolt. President Adams is offering advice on how to mount the most effective case on the slaves’ behalf, but his words ring true well beyond the courtroom. Spielberg has been telling some of the best stories since the 1970s. Amistad may not be top-tier Spielberg, but the film — making its Blu-ray debut — is an absorbing historical drama in its own right.
Posted in: Disc Reviews by Archive Authors on May 13th, 2014
Her is someone you could fall in love with. Her is full of wonderful qualities. Her is elusive and unattainable as well as enticing and satisfying. Her is the awkward title of the new Spike Jonze film starring Joaquin Phoenix, Scarlett Johansson (though not all of her), Amy Adams, Rooney Mara, Olivia Wilde and Chris Pratt. It does not star Samantha Morton, Carey Mulligan or Chris Cooper. It might have, but the project evolved so much that they dropped by the wayside. It grew out of the third collaboration between Jonze and Charlie Kaufman (Being John Malkovich, Adaptation) but Charlie Kaufman also dropped out, and this became a written-by-Spike Jonze project.
