Family

Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.

Then again, Shrek wasn’t your typical cartoon musical. The most notable "musical number" involved Smashmouth’s cover of “I’m a Believer” — remember when “Smashmouth” was a thing? — and the film, based on William Steig’s book, actually took some not-so-thinly-veiled shots at the Disney machine. Although I’ve enjoyed the various Shrek films on their superficially lighthearted terms, I’ve always had an irrational grudge against the first one after it beat out the infinitely-superior-in-every-way Monsters Inc. for the Best Animated Feature Oscar more than a decade ago. However, I’m a semiprofessional, so I put aside my bias when I sat down to review Shrek: The Musical, now out on Blu-ray.

"You don't have to have super powers to be a superhero."

I know that's right. Hi. I'm Baby, and I'm the German Shepherd / Chow mix that runs security here at Upcomingdiscs. We call it Baby On Board Security, and if you want to know what my superpower is, just try and deliver one of your Fed Ex or UPS packages when I'm on duty, which is all the time. And that spells F A N G S.

Any story about a hidden world that exists just outside the view of human eyes is bound to fire up your imagination. It helps explain why the Toy Story movies and Monsters Inc. are some of the most beloved family films of the last 20 years. Epic — the latest offering from Blue Sky Studios — seeks to capture some of the inventive magic of those Pixar films, but too much of the movie winds up playing out like a generic hero’s journey. Thankfully, there are still plenty of things to like in this animated hit, which suggests there’s a big world of little people out there.

“Many leaves, one tree. We’re all individuals, but we’re still connected.”

The pint-size heroes of The Dragon Pearl battle greedy thieves and come face to face with a centuries-old dragon, but their biggest challenge may be overcoming a pair of skeptical/clueless parents. It’s a familiar plot device in kid-centric adventures, yet it’s one I’m becoming more sensitive to as I get older. For example, I was absolutely sure at an early age that the bumbling Wet Bandits were the bad guys in Home Alone; however, as I’ve grown older and not-necessarily wiser, I realize the real villains are the nincompoops who left little Kevin McCallister behind in the first place. To be fair, the parents in this film are being asked to swallow a much more fantastical story.

The Dragon Pearl opens with a prologue about an ancient Chinese emperor who enlisted a celestial dragon’s power to help him fend off warring tribes. The source of the dragon’s power is the titular pearl, which is said to be lost in the heat of the battle. In the present day, we're introduced to sullen Australian teen Josh (Louis Corbett) and outgoing Chinese teen Ling (Li Lin Jin). Josh and Ling are meeting up with their respective parents, Dr. Chris Chase (Sam Neill) and Dr. Li (Wang Ji), on what Josh assumes will be a boring archeological dig in China. (He should've known better: having Sam Neill at an archeological dig is a recipe for excitement.)

“I want to visit a country of dreams, imagination and magic.”

Instead of “dreams, imagination and magic”, the Africa presented in this confounding, family-friendly offering from Spanish filmmaker Jordi Llompart is a place of trippy visuals, head-scratching dialogue and horrid CGI. Magic Journey to Africa — billed as a “giant screen spectacle” — is now available for home consumption, where the film’s dazzling 3D presentation is its only saving grace.

The boogeyman, who goes by the name Pitch Black, is gaining power by turning children's dreams into nightmares. An alliance of fantasy characters, North (Santa Claus), (the Easter) Bunny, Sandman, and Tooth (Fairy), come together to face this opponent. They call themselves Guardians who have sworn to protect all of the world's children. In this adventure they recruit a new member, Jack Frost, who is on his own personal quest of discovery.

Big budget CG animated films are largely excuses to have enormous chase scenes, or other similarly fast pace sequences, which amount to being the equivalent of a guitar solo for computer animators. This film is no exception. At least here the graphics are justified since that we are dealing with characters who are rooted completely in imagination and fantasy. If we want the Easter Bunny to have super-teleporting abilities and to live in a complex network of tunnels that is populated by various sizes of walking eggs...we can imagine it so. If we want to see the Tooth Fairy work out of a floating palace that is teeming with hummingbird style minions...why not make it happen? Every scene is an enormous spectacle. Our main villain and the Sandman both deal with...well..sand particles that each move in their own pattern on the screen...I can only imagine the animators losing their minds over having to choreograph all of them.

When The Sandlot first came out 20 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. Though I’ve kept in touch with the film over the years, Fox’s new 20th Anniversary Blu-ray re-release of The Sandlot marked my first time watching it from start to finish in a long while. It surely won’t be the last.

An adult version of Scotty Smalls recounts the story of his most memorable summer. As a fifth grader, Scotty (Tom Guiry) moved to a new town with his mom (Karen Allen) and stepdad (Denis Leary) just before the end of the school year. Scotty’s mom wants her sweet, nerdy son to actually get into a little bit of trouble during the summer, so he falls in with a group of kids who play baseball in a raggedy patch of grass called The Sandlot. The only problem is Scotty doesn’t even know how to throw a baseball. Fortunately, Scotty is taken in by Benny (Mike Vitar), the group’s leader and the best baseball player by far. During that one remarkable summer, the kids encounter a dream girl, arrogant Little Leaguers and a legendary canine menace known as The Beast, which swallows up any baseball that finds its way into his yard.

Some movie titles are almost comically blunt. Recent examples that didn’t leave much to moviegoers’ imaginations include Cowboys & Aliens, The 40-Year-Old Virgin and, of course, Snakes on a Plane. So when I saw the title of Disney’s latest live-action, family-friendly offering, I wondered just how odd this movie could really be. (At the end of the day, we’re still talking about a Disney film here.) Turns out, The Odd Life of Timothy Green is a strange little flick for a variety of reasons.

Jennifer Garner and Joel Edgerton star as Cindy and Jim Green, a childless couple living in fictional Stanleyville, “the Pencil Capital of the World.” The movie very quickly and subtly — no need to bum out or bore the younger members of the target audience — establishes Cindy and Jim are not able to have children of their own. The couple is understandably dejected. To cheer his wife up, Jim suggests they write down the qualities their ideal child would possess — including having a big heart and being honest to a fault — and place the pieces of paper in a box, which they bury in their garden.

A single father gets a major job offer working in a prestigious Chicago restaurant, but the job requires him to move his entire family from out of their hometown of Toledo. They are set up with a new apartment but their dog, Shakey, is not permitted in the building. This family must then decide whether staying for this swanky job is worth losing a member of the family, or is there any other alternatives to losing Shakey?

I have had a bad string of luck when it comes to reviewing films that place “Family Approved” on their cover. To me, this has become a badge of low quality. Alas, this film is not the redeemer I'd hope it would be but it does have a couple bright spots I shall mention.

Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.

Julia Roberts headlines this version as a wicked Queen who is fond of lavish parties and elaborate gowns, but rules over a frigid, destitute kingdom following the disappearance of the popular king she married. Snow White (Lily Collins), on the cusp of her 18th birthday, is the king's daughter and the rightful heir to the throne. After the jealous Queen tries to have Snow White murdered, the exiled princess enlists the help of a noble prince (Armie Hammer) and seven outcast dwarves to take back her kingdom.