Posted in: Disc Reviews by J C on December 23rd, 2013
Cliff Richard’s music stardom predates that of the Beatles. So the fact that I wasn’t at all familiar with the British pop singer’s music before sitting down to review this Blu-ray probably says more about me than it does about him. Lucky for me, this career-spanning concert — which includes music from his time with the Shadows, some solo hits, and even his duet from the movie that partly inspired the creation of the Razzies — also doubles as a lively, CliffsNotes glimpse into Richard’s incredibly prolific and successful career.
Richard is 73 now, but he’s still able to tirelessly work every inch of the mammoth stage at the iconic Sydney Opera House, where this concert was filmed earlier this year. The singer made his first record at age 17, and had reached #2 on the British charts shortly after turning 18. The man knows how to entertain, even if he’s fooling absolutely no one with his unnaturally dark brown hair. (Tom Jones and Paul McCartney know what I’m talking about.)
Posted in: Disc Reviews by Brent Lorentson on December 11th, 2013
Posted in: Disc Reviews by J C on December 4th, 2013
We’re about 50 years removed from the Beatles taking the entire world by storm, so you’d be forgiven for thinking that everything anyone could possibly say about the Fab Four has already been said. Fortunately, the success of Good Ol’ Freda — a Beatles documentary that doubles as a loving tribute to its subject and the famous band she adored — doesn’t hinge on any heretofore unknown/shocking revelations. In other words, the film’s charm doesn’t so much come from what Freda Kelly says; instead, it comes from the delighted, no-fuss way she recounts her time with, arguably, the most famous band of all time.
“Who would want to hear the secretary’s story?”
Posted in: Disc Reviews by J C on November 19th, 2013
“Five years ago, I stood on this stage and I said goodbye. Five years later, I'm standing on this stage and I say, 'Hello.'”
I'd honestly never even heard of Saga before popping in this Blu-ray, but it was impossible to miss the family reunion atmosphere of this show. The Canadian prog rockers released their self-titled debut album in 1978, but — like many successful, long-running bands — have undergone a number of lineup changes. (Including a non-lethal, Spinal Tap-esque run of drummers in the early part of this century.) Saga, in its various forms, has found some of its greatest success in Germany, so there was no better place to get the band back together for a concert movie.
Posted in: Disc Reviews by Jeremy Butler on November 8th, 2013
Twenty-five years in any business is a feat to be recognized, especially when it is in the field of entertainment. It requires constant dedication, devotion, and a loyal fan base that sticks by you; Morrissey seems to have all three. In his latest concert series, Morrissey 25 Live, the English singer celebrates his latest career milestone at Hollywood High School in Los Angeles. From the very beginning, it is obvious that the singer has a loving and dedicated fan base, which was the most surprising detail for me given that before this disc, I had never heard of the singer.
The concert begins with testimony from two admitted Morrissey fans, who speak about how his music speaks to them. He appears to have the crowd from the very beginning as they go wild as he comes to the stage. He grabs the microphone, utters “Viva Mexico, I never forget my alma mater,” and the band launches right into the first song, “Alma Matters.” It took me a second to realize what his comment meant given that according to the cover art, the concert took place in Los Angeles (His words are equally confusing given that according to his bio, the singer is English.)
Posted in: Disc Reviews by Gino Sassani on November 7th, 2013
"I like people to go away from a Queen show feeling fully entertained, having had a good time. I think Queen songs are pure escapism, like going to see a good film - after that, they go away and say that was great, and go back to all their problems" - Freddie Mercury
I had that very pleasure back in the late 1970's when I attended a Queen concert at the old Spectrum in Philadelphia. It was one heck of a show. Freddie was flamboyant as always. They were also quite good. I still remember an acoustic set they did in the middle. Take away the "plugs" and you really find out what kind of musicians you're dealing with. Apparently, pretty good ones.
Posted in: Disc Reviews by J C on October 30th, 2013
“I’m often asked, ‘What do I do for a living?’ And I answer: ‘I do what I want.”
For the better part of the last 20 years, CeeLo Green has ferociously defied musical expectations by zigging when you expect him to zag. (If you thought the former frontman of hip-hop collective Goodie Mob would eventually become one of the judges on TV’s #1 singing competition, then go buy a lotto ticket immediately because you have a gift.) I happened to be in Las Vegas earlier this year when I saw a poster for CeeLo’s Sin City Loberace show. And for the first time I can remember in regards to CeeLoo’s career, I thought, “Hey that actually makes sense.”
Posted in: Disc Reviews by J C on October 25th, 2013
Hugh Laurie is not the first — and he certainly won’t be the last — actor who decided he wanted a career in music too. The move might come as a surprise to people who primarily know Laurie from his sterling eight-year run as the misanthropic title character on House M.D. (Though not if you watched the show carefully.) In the past, Laurie has rocked out with some of his small-screen comrades for charity. But it turns out that after eight years of playing one of the crankiest characters in television history, Laurie was ready to sing the blues.
Hugh Laurie: Live on the Queen Mary aired on PBS in August. The concert finds the actor and the first-rate Copper Bottom Band performing aboard the legendary luxury liner, which is permanently moored in California. For Laurie, dressed for the occasion with a captain’s hat as he took the stage, the show was the realization of a lifelong dream. You wouldn’t necessarily expect an Oxford-born Englishman to be obsessed with New Orleans jazz/blues, but Laurie acquired a passion for that music as a teenager. Laurie was especially dazzled by blues legend Professor Longhair, who had recorded his own “Live on the Queen Mary” album in 1975.
Posted in: Disc Reviews by Jeremy Butler on October 17th, 2013
My knowledge of Heavy Metal and Heavy Metal bands can be counted on one hand with a couple fingers to spare. So as you can probably imagine, when this discs found its way to me, my enthusiasm or my confidence in it was not high. So when I say that Black Label Society: Unblackened was not what I expected, it is not an indictment; quite the opposite, in fact. The concert started right as I hit play, I expected to see the band come out, pick up their instruments, and possibly do a little introduction (that came towards the end of the concert) but that was not the case. As soon the banner drops, the group launched into the first song of their set, Losing Your Mind; no muss, no fuss. The song had a catchy and enticing chorus, but other than that, it did not resonate with me, possibly due to the fact that I had trouble understanding what vocalist Zakk Wylde was saying. I don’t attribute this inability to him but rather my ears adjusting to this new experience.
Needless to say, I did not take an immediate liking to the group and their brand of music, but by the third song of the set, Sold My Soul, I had been brought into the fold. There was palpable passion behind the vocals of that song, making it one of the most relatable songs of the set in my opinion. From then on, I was a member of the crowd; if I knew the words I would have been singing along.
Posted in: Disc Reviews by J C on October 8th, 2013
Caroline Esmeralda van de Leeuw didn’t know she was a jazz singer until somebody told her. Growing up in Amsterdam, she was too lazy and impatient to properly learn how to play an instrument. Fortunately, she was blessed with a sultry, soulful and sassy singing voice. Caro Emerald has used that voice to smash chart records in the Netherlands. Earlier this year, her second album, “The Shocking Miss Emerald”, reached #1 in the United Kingdom. And that’s where she happened to be when I was introduced to her funky brand of jazz.
This Blu-ray captures her performance at the art deco BBC Radio Theatre in London as part of the In Concert series. It’s a relatively intimate, 300-seat venue that suits her music perfectly. In fact, if it weren’t for those pesky seats, I could easily imagine the theatre spontaneously turning into a dance hall with everyone in the audience joining in on the fun. I should mention that, in my former life, I was a pretty avid swing dancer. So I’m always looking for potential places to lindy bomb, and cool new music to dance to.
