Genre

From the moment Son of a Gun opens up taking you behind bars as JR (Brenton Thwaites) is being processed into an Australian prison, it is the start of a journey that throws everything at its audience till the final credits roll.  I have a hard time figuring out just how to classify Son of a Gun; it is everything from being a film about self-discovery, a guys-behind-bars film, to being a heist film and so much more. The title refers to JR as he goes about serving his time behind bars and captures the attention of an infamous thief Brendan (Ewan McGregor).

Anyone who has ever played an instrument or sung understands the therapeutic powers of music. In England they have been using that idea to help physically disadvantaged children with music at the Nordoff-RobbinsMusicCenter in London's KentishTown. The institute was founded by American composer Paul Nordoff and British teacher Clive Robbins. They have thousands of success stories. We're talking children who had closed themselves off from the world around them, many who had stopped speaking or communicating at all.

What if there was a place where you can act out your wildest fantasy, whether it be murder, theft, or sex, and at the end of the day you could go home as though nothing happened?  That is the tease Vice offers its audience in a sci-fi action film that blends bits of Blade Runner, Stange Days and Westworld into one tight little package.  For fans of the sci-fi genre, the movies I reference are staples in the genre, but let me be clear; at no time does Vice measure up to these films. When we meet Kelly (newcomer Ambyr Childers), she is an android leading a life behind the walls of VICE where she is programmed to live the same day over day after day.

It’s been about a decade since Hollywood first tried to make a movie out of Halo, the blockbuster Xbox videogame series. The closest fans came to seeing Master Chief on the big screen was a 2006 adaptation with Peter Jackson serving as executive producer and his then-protégé Neill Blomkamp directing. Unfortunately, development costs started to skyrocket and the duo opted to make District 9 instead. Meanwhile, Halo remained a potentially-lucrative multimedia property. So Microsoft, which owns Xbox, finally decided that if they wanted a Halo movie done, they had to do it themselves.

For your safety you should keep him away from the booze and doughnuts.”

Wolf Cop wasn’t a film haphazardly thrown together; instead its path to being made was epic in its own right as the filmmakers entered their concept into a Canadian online competition where people voted week after week on what potential film would be lucky enough to get made.  Wolf Cop slayed the competition, and as they say, the rest is history.

2,000 years ago, the Bible prophesied the return of Christ...but only after God inflicts seven years of torment on the world to test the faith of mankind.”

It's not quite seven years long, but this two-part, three-hour TV movie — History's latest foray into original filmmaking — is likely to test the faith (and patience) of anyone who watches it. Revelation: The End of Days is intentionally less glossy than previous network offerings like Bonnie & Clyde and Houdini because it takes a ground-level look at the apocalypse. But in scaling back to achieve that aesthetic, the result is both frustrating and amateurish.

When you think about the biblical stories that have made it onto the big (or small) screen, they tend to focus on names like Jesus, Moses and Noah. (And Moses again, just for good measure.) To be honest, I didn't even realize how few Bible adaptations focus on women until I popped in The Red Tent, a Lifetime miniseries based on Anita Diamant's best-selling novel of the same name. While The Red Tent certainly shouldn't be taken as gospel, it deserves credit for exploring biblical events from a different perspective.

"I'm Leonardo da Vinci. Revolutionary painter, artist and visionary, of the Republic of Florence."

The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo DaVinci. 

I’m starting to wonder if it is time we officially made a sub-genre for kidnapping films.  It’s a storyline that has been played out for decades but continues to offer up some engaging and oftentimes heart-wrenching tales that for the most part have happy endings but that seems to be a far stretch from reality, though I doubt audiences are looking for these bleak realistic endings and mostly prefer the Hollywood ending where everyone is rescued in just the nick of time.  When Prisoners came out, I had hopes that it would be a film that wouldn’t shy away from the harsh realities, and for the most part it succeeded, but I still felt it held back.

Even though one of the main characters in The Red Road is a police officer, the show's six-episode first season plays less like your typical cop drama and more like an extended profile of two strained communities. There's the fictional town of Walpole, N.J. and the Lenape tribe that lives in the neighboring Ramapo Mountains. While the show certainly touches on the tension between the two communities, too much time here is devoted to multi-generational family drama that we've seen before. In other words, the show too often neglects the things that make it unique.