Posted in: Disc Reviews by Michael Durr on May 29th, 2012
Often in columns, writers are basically forced to do enough research on their own to qualify as experts. But that is not always enough. Sometimes, we are a lot better off if we just consult an expert from the get-go and ask them all of the pertinent questions we need answered. My wife happened to be that expert I needed for the latest season of True Blood, Season Four. Without her, Sookie Stackhouse might just be another girl from the Jersey Shore. Wait, which show am I reviewing again?
What do we need to remember from Season 3, well only two things really. One, Sookie Stackhouse is in Fairyland and two, Bill Compton is the King of Louisiana. Outside of that, we should be able to explain the rest. Let us rejoin the cast of True Blood, shall we?
Posted in: Disc Reviews by J C on May 29th, 2012
"This Martius is grown from man to dragon. He has wings. He's more than a creeping thing. There is no more mercy in him than there is milk in a male tiger."
There's a certain hierarchy when it comes to the amount of cinematic interpretations of William Shakespeare's plays. At the top tier, we have the endlessly adapted Romeo and Juliet, Hamlet, Othello and Macbeth the Scottish Play. A step below that, you've probably got your King Lear, As You Like It, A Midsummer Night's Dream and a few more. And about a dozen tiers below that, we finally come across Coriolanus.
Posted in: Disc Reviews by David Annandale on May 28th, 2012
Steven Spielberg’s very-long-in-gestation adaptation of Hergé’s Tintin finally came into being over Christmas. The story, very much in keeping with the globe-trotting adventures of the comic books (drawing heavily, in fact, upon The Secret of the Unicorn), has Tintin (voiced by Jaime Bell) become embroiled in a treasure quest after buying a model ship that has one third of the secret concealed in its mast. Captured by nefarious evil-doers who will stop at nothing to find the treasure, he encounters Captain Haddock (Andy Serkis), and a legendary friendship is formed.
Spielberg’s affection for the character is present in every frame of the film, and the story hurtles along from location to location, our heroes making one hair’s breadth escape after another. The characters are all very recognizable versions of their 2D comic book incarnations, and the animation is stunning in its meticulous detail.
Posted in: Disc Reviews by J C on May 28th, 2012
"It's Memorial Day. What am I supposed to remember?"
Happy Memorial Day, everyone! When I saw that I would be reviewing a movie called Memorial Day, I was afraid Garry Marshall had made another one of his awful ensemble romantic comedies — ala Valentine's Day and New Year's Eve — that stars everyone in Hollywood...and Hector Elizondo. Thankfully, this film is simply an (overly) earnest dedication to the men and women who have served in the Armed Forces, as well as their families.
Posted in: Disc Reviews by Michael Durr on May 25th, 2012
Growing up as an only child, I did my share of strange things. I staged wrestling matches with my wrestling figures, ran baseball games with myself (against myself) and also did my share of creating battles with my G.I. Joes. Feel free to call me a nerd or introvert at any time. As a result, every time I see a wrestling match or watch some baseball, I am reminded of those unique moments I shared as a child. Perhaps when I watch the new G.I. Joe Show: Renegades, I can relive some of those moments yet again.
Cobra Industries is here to help the world by providing products that every man, woman and child can enjoy. They provide helpful pharmaceuticals to the world, they even bake a tasty apple pie. Cobra is so involved in the everyday activities that it is hard for anybody to imagine their lives without them. This explains why they are the perfect corporation to house a lot of secrets and have a very heavily armed security force. The more you know (rainbow flies across the screen).
Posted in: Disc Reviews by M. W. Phillips on May 24th, 2012
“His name is Samson. He’s big with his cat, with mama and with his stick. Black Samson… he’s mean and clean and rules the scene.”
In the 70s and 80s, filthy little theaters littered New York’s 42nd Street, sandwiched between adult bookstores, porn theaters, and peepshows. These dens of celluloid sin hosted an endless loop of “B” movies affectionately known as grindhouse films. They ran exploitation films, drive-in double features, and European softcore of every subgenre, ranging from Blaxploitation to Sexploitation, from Euro-crime to Sci-Fi and Horror. Some theaters projected these movies 24 hours a day, seven days a week! 42nd Street Forever collects nearly ninety (approximately three hours and forty-five minutes) of sensational vintage trailers from these grindhouse classics.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2012
"It's funny how you wake up each day and never really know if it will be one that will change your life forever. But that's what this day was. The day I left the city to spend a week in the house where my mother grew up. A day I'll never forget."
The Secret World Of Arrietty comes from the collected works of English writer Mary Norton. The first book, The Borrowers, introduced us to the Clock family. They were a race of tiny humans known as Borrowers. They lived beneath the floorboards of normal-sized humans and lived off the things they could "borrow" from the human family. It was important to remain unseen or their lives would be in danger. The first book was published in 1952 and was followed by several sequels which continued the many adventures of the family and the fantasy world in which they lived.
Posted in: Disc Reviews by Michael Durr on May 22nd, 2012
Hi, this is Casey Casem (play along, alright) and welcome to American Top 40. Michael “Mick” Hucknall was often made fun of due to his red locks in Lancashire, England as a young boy. Little did those children know that Mick would use that to propel himself into a music career at just eighteen years old with the Frantic Elevators during the 1970’s. That was the start of a very fruitful music career for Mr. Hucknall. This long distance dedication goes out to Eddie in Tuscaloosa, Mississippi celebrating his 84th birthday today and here is “Holding Back the Years” by the band known as Simply Red.
Simply Red has always been one man’s brainchild and that was Mick Hucknall. It is said that in 1976 when he watched a Sex Pistols gig in Manchester that well that led to the formation of his first group known as the Frantic Elevators which debuted in 1977. That band would actually last for about seven years until they broke up in 1984. The punk band never really caught attention and was only liked by the locals that saw the band perform. However, before they split up, they released a very important song by the name of “Holding Back the Years”.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2012
At first glance Haywire appears a bit out of character for the likes of director Steven Soderbergh. It's not that he hasn't delivered action films in the past. It's that he's never quite tied himself to such a tried and sometimes true formula before. When you first look at the press for Haywire you're going to pretty much dismiss it as a standard action-hero film that follows in the mold of a Steven Seagal/Chuck Norris mold with a touch of Bourne Identity thrown in to meet the more recent trends. If that's what you think, then you've pretty much called it, because that's exactly what it is. But that's not a good reason to dismiss the film either.
I won't lie. The film pretty much follows the path you expect it to follow. Mallory (Carano) stumbles into a bar in an isolated town where she's meeting with a contact. But she's wary because something has gone wrong and she's not sure exactly who she can trust. She's right. No surprise there, is there? She takes Scott (Angarano) hostage for his wheels and makes her getaway. During their flight she begins to tell him the story of how she got to where she is. It's through this narrative that the story unfolds for us. This is where Soderbergh offers up a little of his own tweaks to the story and, for the most part, there's enough of his wit here to keep the narrative humming along. Of course, she's out to find the guys who tried to get her killed, and there's a ton of carnage in the wake.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2012
By 1978 the television detective model had been nearly complete and possibly already a cliché. Dan Tanna might have well been the complete model as far as the formula goes. It was almost as if you could go down a checklist and, like Dr. Frankenstein creating a monster, check off the necessary elements. The scripts could then almost write themselves, and you let the show fly on autopilot for three seasons or so until someone decides to look behind the curtain.
So let’s go down that checklist, shall we?
