Posted in: Disc Reviews by J C on July 24th, 2014
One of the miracles of modern technology is its ability to shrink the world down so you can practically (well, proverbially) hold it in the palm of your hand. The cheerily square Smithsonian Channel series Aerial America goes the other way. In fact, the best thing about the show is how it uses technology to fill every inch of your screen with some of the most famous — along with some of the more underappreciated — U.S. landmarks, employing a larger-than-life/bird’s-eye point of view most of us wouldn’t otherwise be able to enjoy.
A quick primer if you’ve never seen the show (as I hadn’t prior to popping in this Blu-ray): the series debuted in 2010, and each hour-long episode is devoted to a different U.S. state or region. Every one of those episodes is solely comprised of stunning, leisurely aerial shots of that respective state’s natural and man-made landmarks, along with a brisk history lesson courtesy of narrator Jim Conrad.
Posted in: Disc Reviews by William O'Donnell on July 19th, 2014
Here comes Volume four of this clip commentary comedy show (CCC could catch on as a sub-genre title couldn't it?). This time we get two seasons worth of episodes; the “Collas” and “Exposed Arms” entitled seasons, as it were. Very little is different as far as format or new segments are concerned since the last time I wrote about this show.
YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Posted in: No Huddle Reviews by J C on July 16th, 2014
“The West — once a land of awesome but tranquil beauty — had become a battleground for a hundred diverse reasons.”
The “second” season of How the West Was Won — and I'll explain in a bit why the word “second” deserves to be in quotation marks — does a strong job dramatizing the myriad dangers of the Old West. This batch of episodes showcases vengeful gunfighters, greedy gold prospectors, a taxing cattle drive, and the tenuous relationship between frontiersmen and Native Americans. Of course, at the center of it all is one particularly intrepid clan.
Posted in: No Huddle Reviews by J C on July 3rd, 2014
“He's old! How he gonna relate to me?!”
For a good portion of his latest stand-up special, Sinbad playfully berates a 15-year-old audience member named Cory. It's mostly standard-issue, old man, “back in my day” ribbing. But the most incisive observation comes when Sinbad points out that Cory would probably much rather be in the audience for a Kevin Hart show. The feeling that Sinbad is no longer the hot comic of the moment — and hasn't been for a while — informs much of this inoffensive, baby boomer-friendly set.
Posted in: No Huddle Reviews by J C on June 27th, 2014
“I like the fact that there's no desk. I like the fact that he's not wearing a suit and tie. And I like the fact that there's not some over-hyped studio audience being prompted to laugh at topical jokes that we're all gonna forget about in the next few days.”
For its second season, IFC's Comedy Bang! Bang! got bigger and bolder in the way it manically skewered decades of talk show and pop culture conventions. Not surprisingly, the show also got even weirder.
Posted in: Disc Reviews by William O'Donnell on June 25th, 2014
Detective Carrie Wells (played by Poppy Montgomery) and her former boyfriend/current crime fighting partner Al Burns (played by Dylan Walsh) have been noticed because of their uncanny crime solving percentage in the upper 90% (a fairly common thing in TV crime shows, but nearly unheard of in the real world) and get promoted to the NYPD's Major Crimes unit. With this move, and the fact that this program bounced in and out of cancellation quagmire between the first and second season, all of the supporting cast (except for Jane Curtain as Medical Examiner Joanne Webster) and we are offered a new team of token (read: stereotypical) character types filling the void; including a sassy black female cop, an asian tech guy, and uptight yet quirky boss.
I was coming into this series with no prerequisite viewings of the first season, nor any knowledge of the characters. This was a major annoyance for the first episode as would discover that they had removed the opening narration that explained that Wells has a very rare (and very high functioning apparently) condition called hyperthymesia which grants her the ability to recall everything she sees and hears since she was a teenager. This is both an incredibly convenient ability for someone gathering evidence at crime scene as well as an incredibly convenient gimmick for this show as it takes all of the tough solving out of the police procedures and turns it into Well having frequent pregnant pauses to lay out all of the minuet details she recalled. Said condition would be eventually explained as episodes progressed but it made me wonder what the show title was for a decent amount of time.
The opening episode I found very deterring and I'm glad I was obligated to power through the entire season. All of the characters where very smug in this season opener and it made the show very unattractive to me. Those that watch shows like NCIS or CSI may be more accepting of such cocky attitudes but I personally find those shows hacky and am never charmed by those that are flippant in the face of victim's deaths and would sooner puff up their egos or flirt than be aware of the fact that they are dealing with violent criminals.
As I mentioned before, the episodes do get progressively better and I credit much of this to the humbling of the lead characters when the story-lines get more personal. This is especially true by the episode entitled “Memory Kings” where Wells must deal with the murder of an academic who first therapeutically helped her deal with her condition, that may have driven her insane had he not done so. The plots of each episode are not exactly subtle. Our heroes deal with serial killers, nuclear bombs, hacker terrorists and globe trotting assassins. I can appreciate the almost campy level of how much is at stake in each tale. Though I should note that, although the stories do improve, there is still a lot left to be desired with some of the corny dialogue and character relationships throughout this season.
In my reviews I tend to send out kudos to any show that brings aboard certain actors and/or make reference to another program or film I enjoy. Here I'd like to said such kudos to Unforgettable for the episode “East of Islip” which featured guest appearance by Wayne Knight who works alongside his former 3rd Rock from the Sun cast mate Jane Curtain as a small town coroner/potential love interest. They have a playful energy and charm that stole the episode from the stars.
Posted in: No Huddle Reviews by J C on June 24th, 2014
“In 1956, a nationally-renowned fertility specialist met a former nightclub singer. Ten years later, they published a scientific study, which revolutionized our understanding of human sexuality.”
You can't call your TV show Masters of Sex and not expect to elicit a few chuckles. (You also can't be surprised if people go looking for it on Cinemax rather than Showtime.) Titillating title aside, Masters of Sex is actually an engaging, often-excellent period drama that shines when it's conveying the thrill of discovery and exploration. Also, it turns out there's a fair amount of sex.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2014
"You're either gettin' or gettin' got".
It's very tricky to make an historical drama. Writers and directors have to carefully balance the needs of entertainment over facts and authenticity. There comes the inevitable moment when they will be in conflict, and a decision must be made as to which direction will have priority in the telling of the tale. It might have been an unfair expectation on my part, but when an historical drama mini-series comes to a place like The Discovery Channel I tend to look for any conflict to be resolved in the favor of historical accuracy. If you were hoping for the same from The Discovery Channel's first scripted production Klondike...well...you'd be, shall we say, inaccurate. We got "gotten".
Posted in: No Huddle Reviews by J C on June 19th, 2014
“I got kids and I work, and it's hard sometimes. But, you know, boilerplate misery...alone in the world...might as well be a maggot sucking a dead cat's face. What's the point?”
That's how Louis C.K. describes his life during a season 3 episode of Louie. And since the FX comedy series — that is only nominally a comedy series — stubbornly and brilliantly defies any sort of easy categorization, the sad-sack declaration is also the best description you're likely to get of what the show is about.
Posted in: Disc Reviews by Gino Sassani on June 13th, 2014
"It's a different world out there."
You can say that again. The television landscape is changing, at least on cable. Ray Donovan is the latest in the string of new shows that are attracting talent once thought out of reach for television. A show starring Liev Schreiber and Jon Voight, this Showtime series looked to be something very special... and it almost is.
