Disc Reviews

“Tell everyone to get ready.  Jimmy is coming.” 

If someone were to tell me while walking out of Schindler’s List that 20 years later Liam Neeson would be an action star, I would have thought they were out of their mind.  Between the trio of Taken films and numerous films that seem to be cut from the same ilk, Liam Neeson seems to be walking in the same footsteps as Charles Bronson and Clint Eastwood as being the go-to everyman who just so happens to be a badass with or without a gun.

I’m hard pressed to think of a movie star who is better at playing rich a-holes than Michael Douglas. He’s played a Murderous Rich A-Hole, a Rich A-Hole Who Gets Put In His Place, and a Self-Destructive Rich A-Hole, to name just a few. And that’s not even counting his Oscar-winning turn as Gordon “Greed is Good” Gekko, the Definitive Rich A-Hole. It’s tempting to tidily sum up Beyond the Reach as “Gekko’s Got a Gun.” Unfortunately, what starts out as a picturesque two-hander becomes more preposterous as it goes along before completely flying off the rails in the final act.

"It means what it always means. Nobody tells you anything when you wanna know it. Only when they feel like telling it. And then only enough to make you crazy to know more." 

When it comes to Pretty Little Liars, it seems making the fans crazy is what they do best. The fifth season of the show is out on DVD, and this is no place for beginners. If you don't know who Aria, Spencer, Emily, Hannah and Alison are, it's time for you to head back to the beginning and catch up. You can find our reviews from those seasons here. For the rest of you, let's talk Pretty Little Liars, shall we?

“People you knew — people you forgot you knew — all ready to spend your money. And we got to be careful. We got to be smart.”

We look at professional athletes who've hit the genetic jackpot and make unseemly amounts of money, and we assume that they'll be financially set for the rest of their lives. Survivor's Remorse, a Starz sitcom that follows a young basketball star who's just signed his first big-money deal, gives us a frequently funny, consistently crass glimpse into why that isn't necessarily the case.

Now this was an interesting one for me. Usually when I watch a movie I like to look for uniqueness, what sets it apart from the thousands of films (I’m pretty sure that’s accurate) I have seen in my lifetime. In the case of As Night Comes, I didn’t particularly find it unique, but there was something that I just liked about it. Given the choice, there are aspects I would change to provide a more engaging experience; however, as is, the story is still worth a watch. Well, to start off, I kind of got the wrong impression of the film; I was expecting a fantasy drama, possibly a film about vampires.

As a member of the Upcomingdiscs family, it probably isn’t a surprise that I am a fan of David Hewlett. Yes, Dr. Rodney McKay is a role we are most familiar with, but my appreciation of the good doctor goes a little deeper than the Stargate universe. I first became a fan of David Hewlett after watching him in Vincenzo Natali’s low-budget feature Cube (1997) and began looking to other films in which he was featured, such as Pin (1988) and Nothing (2003). His body of work as an actor goes much deeper than these films, but they are largely responsible for my fandom.

I honestly didn’t know what to expect when I sat down to watch The Swirl. I didn’t need urban dictionary or the comically on-the-nose tagline on the DVD cover to tell me the film would be exploring the world of interracial dating, with a strong emphasis on the relationships between African Americans and Caucasians. But I assumed I’d be watching some no-budget melodrama that would (at best) be good for some unintentional laughs. Instead, The Swirl set out to be funny on purpose.

I’m going to go on record and say that it is highly likely that I do not fit into the target audience for this film. OK, now that we got that out of the way, I feel perfectly comfortable stating that I don’t believe that even the target audience will really enjoy American Bad Boy. I just knew that when Magic Mike was released that we broke the dam; now everywhere I turn there is a movie about male strippers. Now, I’m not a prude, but when it comes to this movie, it is nothing more than a shiny penny; the target audience is expected to be dazzled by the muscular bodies rather than the story itself or lack thereof.

As one who loathes sports, ESPECIALLY golf, I thought I’d rather put hot pokers in my eyes than watch the golf and gambling independent film, The Squeeze. However, to my surprise, it wasn’t bad - it wasn’t great- and although the ending teed me off for not providing an adequate resolution, I also didn’t fast forward. The golf scenes were realistically boring to me, so I guess golf fans would love this, but the script needs work. The Squeeze tells the allegedly “based on true story” of Augie (Jeremy Sumpter), a cute, small-town kid who comes from a family where the patriarch of the family is an alcoholic.

“That’s your job as The DUFF…Designated Ugly Fat Friend.”

Let’s just get this out of the way right at the top. The idea that Mae Whitman — or any other actress cast as the lead in a mainstream Hollywood movie — is “Ugly” and “Fat” is absurd. (Not to mention entirely subjective.) So it’s tempting to dismiss The DUFF as the latest bit of evidence that there’s no truth in advertising. But then you’d be missing out on a charming teen comedy that grabs the snarky underdog baton previously held by the likes of Mean Girls and Easy A.