Posted in: No Huddle Reviews by Brent Lorentson on May 1st, 2014
In 1998 following the release of Roland Emmerich’s version of Godzilla, the story would continue following some of the characters that we met in the film as well as a host of other characters and monsters. With a 40-episode run coming out to about 14 hours of television, the DVD release of the series comes out at just the right time for those who need a temporary fix before seeing their favorite big green lizard splash across the big screen once again.
I love just about any story that involves giant robots or monsters fighting. Even the ‘98 film version of Godzilla had its moments of charm. What the series brings to viewers (though its target audience is younger than most of the adult fans) is the possibility of what Godzilla could be had the story simply continued on. The series picks up not long after the events in New York, when Nick Tatopoulos (voiced by Ian Ziering) discovers an adolescent Godzilla that forms an attachment to Nick. This attachment allows Nick control over the giant lizard and it also becomes Nick’s protector whenever he finds himself in trouble and in need of aid (which is at least forty times going by the episode count).
Posted in: No Huddle Reviews by Brent Lorentson on April 29th, 2014
Martial arts films are just about as done to death as the slasher film. Just about every angle and direction that you can take with these films has been explored by now. When it comes to the martial arts genre, seeing a student or son avenge their father or master is just about the motivation in most of these films, but audiences accept this because what we are sitting down for is the action. Seriously, how many people remember the plots of the old Jackie Chan or Jet Li films? But go back even further to the core classics like The 36th Chamber of Shaolin or Five Deadly Venoms; these films are all rooted in the spirit of revenge.
As for where Warrior Assassin falls, well, it is far from a classic, though it tries so hard to follow in the footsteps of the great films of the past but instead simply comes off looking like someone doing a Shaw Brother cos-play with their VHS camera.
Posted in: Disc Reviews by Archive Authors on April 29th, 2014
There have been complaints that there are not enough films that have decent lead roles for women. There are those that say that Hollywood does not make enough movies for women. Then when they do, critics tend to dismiss them as “Lifetime” movies (a term that is dismissive because of the cable channel that churns out generic movies for women). It seems far easier to accept excessive violence or male-oriented films with sexual content. If a movie tries to legitimately capture real situations from a woman's point of view, it can be patronizingly categorized as pap and schmaltz. 
I see an awful lot of movies, and what disappoints me most about many of them is the insincerity of the experience. We get to see a lot of violent movies and a lot of funny movies, and if they seem halfhearted, I shrug it off as the norm. If I see romantic comedies that seem like weak rip-offs of movies made years ago, I assume they just don't know how to make them anymore, but an even rarer commodity is a serious romantic movie that works. Today that usually means it has to be laced with cynicism and anger.
Posted in: Disc Reviews by Brent Lorentson on April 28th, 2014
It’s movies like Big Bad Wolves that keep me excited about cinema. After all, who would guess that Israel would produce this savagely dark fairy tale revenge film that is also one of the darkest comedies I’ve seen in some time with a visual aesthetic you’d expect from a Coen brothers film, but the violence and humor you’d expect from a film by Tarantino. My first time viewing this film was via On Demand a few months ago; more and more I feel the cable companies are onto something by acquiring these little films and releasing them pay-per-view so that those not in New York and Los Angeles can experience these films before having to wait months longer for their DVD or Blu-ray release. Now I get the chance to revisit a film that upon my first viewing was a punch to the gut; does it hold its own on its second viewing? You bet it does.
The film starts up with a group of kids playing a game in the middle of the woods. While the kids search the property for one of their friends, all they discover is one lone shoe. Jumping ahead, we meet Micki (Lior Ashkenazi) with a group of fellow vigilantes dragging Dror (Rotem Keinan) into an abandoned building to beat a confession out of him. Little does anyone know, someone is in the building with them and is filming the brutal interrogation. Is Dror responsible for the missing girl? At this point who knows, and anyone could be a suspect. But when the video hits the internet, opinions are formed, and Dror becomes the focus of scrutiny by his students as well as their families. After all, this is the time of social media, and we all know it spreads faster than the time it takes for an investigation to be completed.
Posted in: Disc Reviews by J C on April 24th, 2014
“I used to be thin when I was 6.”
Jim Gaffigan has long been fixated on food. Need proof? The comedian’s 2013 memoir is called “Dad Is Fat”, and his most famous routine is about Hot Pockets. So it wasn’t exactly a shocker to find that Gaffigan spends most of Obsessed — his fourth Comedy Central stand-up special — talking about his dietary likes and dislikes. (Hint: kale is not on his list of favorites.) This is astoundingly straightforward and inoffensive material that nonetheless had me consistently laughing out loud.
Posted in: No Huddle Reviews by Brent Lorentson on April 23rd, 2014
With all the zombie media out there have you ever thought what you would do if you found yourself in the middle of the zombie apocalypse? It’s fun to discuss your plans for survival and clever weapons you may devise to battle the hordes of the undead. But what would you do if a loved one was infected and became one of the undead? Would you be able to simply put them down so easily? Or would you tend to them with the hope that somehow they could return and not be the flesh-eating monstrosity they’ve come to be? About A Zombie takes a faux-documentary approach and captures a family that has been struck with the dilemma and has decided to take in and nurture their zombiefied kin despite all the dangers that come along with it.
An American documentary film crew gets word about a Dublin family whose son Billy is infected during a zombie outbreak taking place in Ireland. The film crew rushes over and begins filming as the situation seems only to escalate. The people of the town seem to all be in agreement, that Billy should be killed right along with all the other zombies.
Posted in: Disc Reviews by J C on April 21st, 2014
“Have you done anything noteworthy or mentionable?”
It’s the sort of question that can easily apply to either your workday or your life as a whole. It’s also the question actor/producer/director Ben Stiller chose as the basis of his inspirational adaptation of The Secret Life of Walter Mitty. The original short story by James Thurber is less than five pages long, so a filmmaker has the option of going to any number of fascinating places in bringing Thurber’s tale to the big screen. Stiller, in essence, decided to take the scenic route.
Posted in: No Huddle Reviews by J C on April 21st, 2014
“Bad things happen in the woods, especially to pretty girls like you.”
Stop me if you’ve heard this one before: a smallish group of friends head to a remote location for what they think will be a sex-and-booze-fueled romp. Instead, they find themselves getting picked off by a mysterious killer. If you’ve ever seen a slasher movie, you’re painfully familiar with this scenario. Thankfully, it seems like the people who made the low-budget Death Do Us Part are also well-acquainted with the way this sort of movie is supposed to work. And they’ve decided to have some fun with it.
Posted in: No Huddle Reviews by Gino Sassani on April 18th, 2014
Who doesn’t have a soft spot in their heart, if not their DVD collection, for the denizens of Mayberry? They've been with many of us our entire lives. For most of America, The Andy Griffith Show has become the template for any small rural town. The characters stand as prerequisite citizens in any said town. The town drunk, the local barber, the motherly little old lady, and the corner mechanic all look like Otis, Floyd, Aunt Bee, and Goober to most of us now. Griffith himself brought fine qualities to his role of Sheriff Andy Taylor, but this isn't the Mayberry we're talking about. The show ran from 1960 until 1968 when it was still one of the highest rated shows in television history. With almost 250 episodes in the can, it was finally enough for the show's star Andy Griffith. He was ready to turn in his keys and badge and look for something new and interesting to do. CBS, however, was not ready to leave the town of Mayberry. So without its original titular star, Mayberry RFD entered the television landscape in 1968.
Griffith still had a warm feeling for the show and his co-stars, so he agreed to do the first episode of the new series. He was also still the official sheriff and would appear from time to time. The show's new format had already been introduced with the series finale of The Andy Griffith Show. The pilot would be his long-awaited wedding to long-time girl Helen. Even Don Knotts, who had left the series earlier, returned to wish the happy couple well and get Mayberry RFD off to a swinging start. The pilot would also introduce Andy's replacement. Star and head of the Mayberry City Council would be Ken Berry, who would later gain attention as naive Vint on Mama's Family. He played Sam Jones, who also had a young son named Mike. There was an obvious attempt to copy the father-and-son atmosphere between Andy and Opie. The show's opening would have them playing ball in the front yard enjoying father and son time as the original pair did fishing.
Posted in: Disc Reviews by J C on April 17th, 2014
“I’d have loved to be a spy, but it’s a dangerous game and it pays s---.”
For a lot of moviegoers, the word “spy” evokes tuxedos, gadgets, and exotic accents. Möbius — a French/Russian production from French filmmaker Eric Rochant — only employs the last of those tropes while falling in line with more low-key espionage adventures like Three Days of the Condor and Tinker Tailor Soldier Spy. So I shouldn’t have been surprised that this film gets up to some subterfuge of its own; Möbius is a love story posing as a spy thriller.