Posted in: No Huddle Reviews by Brent Lorentson on February 5th, 2014
When I first looked over the DVD art for Finding Faith the first thing that had me scratching my head was, how does someone do a family-friendly film about kidnapping and sex trafficking? This is supposed to be inspired by true events and is a film dealing with individuals and their faith in God during their time in need. The cherry which actually convinced me to give this film a chance is that it stars Erik Estrada (Mr. Poncherello himself from the TV series CHiPs). As a childhood fan of Estrada, this film was pretty much impossible to resist.
The film opens with a narration from Sheriff Brown (Estrada) as he discusses all the bad things he’s encountered throughout his career but leads us into our story that is about finding good in a bad situation. At a ranch somewhere hidden away in the mountains a suspicious-looking man approaches; tending to a horse inside is a young female that the man seems to be looking for. Is he an innocent visitor or is something more sinister at play? This is quickly answered when the female pulls again, and members of law enforcement close in to make the arrest. For anyone who has seen To Catch a Predator, this is a familiar sight.
Posted in: No Huddle Reviews by Jeremy Butler on February 5th, 2014
It can never be said that there is not a certain allure to living dangerously; whether it be skydiving (something I will be becoming very familiar with in the near future), bungee jumping, skiing, snowboarding, or deep sea scuba diving, it is well known and accepted that each one of these activities carries an inherent risk to them, but as I said, there is a certain allure to living dangerously. Shane McConkey was the embodiment of that belief. Now before this documentary, McConkey, I had never heard the name; however; suffice to say I believe I now have a good idea who this fearless individual is, or should I say who he was.
He was a man who was absolutely in love with the thrill of skiing and thrill-seeking; he made no excuses for the way he chose to live his life, and he did things on his terms all the way up until the tragic skiing accident that ended his life in 2009.
Posted in: No Huddle Reviews by Archive Authors on February 4th, 2014
We can never hope to know all the secrets the government keeps, which includes experiments conducted by the Central Intelligence Agency or even more secretive and possibly unknown agencies. It would be impossible to investigate all the theories and conspiracies, because that could fill a library full of meandering speculation and endless conjecture. Even more speculative is a large number of drugs that have been deemed illegal and suppressed from rigorous and open medical examination. One of these drugs is DMT, which is the most widely available hallucinogen in nature and exists in the human body naturally and probably is produced by the pineal gland in the brain. It is becoming increasingly popular through religious Brazilian ceremonial Auyusca tea, which has been upheld under the Freedom of Religion Act and the Supreme Court.
Banshee Chapter is a straight-out horror film that uses an original approach of investigating some of these ideas. The film is what is considered a micro-budget film, yet took the novel approach of filming in 3-D. They knew they were probably breaking rules, because 3-D is hard enough with a big budget, let alone a film that uses mostly natural light sources and handheld cinematography. It mostly works pretty well. It uses a lot of classic conventional scares to make up for its lack of big-budget effects.
Posted in: Disc Reviews by J C on February 4th, 2014
“I’m match for any man.”
The idea that “behind every great man, there’s a great woman rolling her eyes” far predates its adoption as a feminist slogan in the middle of the previous century. The White Queen — a sumptuous, rushed combination of Game of Thrones-style high-stakes scheming and Tudors-style regal bodice ripping — uses Britain’s late medieval history as a jumping off point for pushing a number of notable women to the forefront.
Posted in: Disc Reviews by J C on February 3rd, 2014
“How did the stripper get in the maid's room?”
That question sounds like the set up for some juvenile, profane joke, but it also tidily encapsulates the plot of Afternoon Delight. The film is about the plight of an affluent, quietly desperate housewife who takes it upon herself to “rescue” a young, down-on-her-luck stripper. What the quote doesn't quite capture is how this funny and frank outing from first-time feature filmmaker Jill Soloway is really about the universal quest for intimacy.
Posted in: No Huddle Reviews by Jeremy Butler on January 30th, 2014
Aw, another tale of biochemical-induced zombies on the verge of causing an apocalypse; it’s good to see that the film industry’s recycle mill is still in working order. This time around the focus is seventy years after the battle of Stalingrad. (Well, at least the focus isn’t on Nazis this time; I guess we can consider that a small victory.) An outbreak of a nerve gas contagion has resulted in the creation of mutated men best characterized as zombies. By now you can probably assess that going into this film, my expectation for the success of the film were not that high, and now that the credits have rolled, I can say nothing has changed.
During World War II, Stalin, much like Hitler, was obsessed with the idea of creating a superior soldier. He believed that the way to achieve this goal was through the process of biochemistry. He authorized experiments to create a nerve gas. This gas had unexpected side effects; the soldiers exposed to the gas became mutated, their minds distorted; they became volatile unstoppable killing machines that went after anything and everyone. During the battle of Stalingrad, the nerve gas went missing and was believed destroyed.
Posted in: Disc Reviews by J C on January 30th, 2014
Collision is ostensibly about a honeymooning couple who gets stranded in the desert, and how the harsh, unforgiving terrain shines a light on their many secrets. But the coolest thing about this thriller — besides the spectacularly violent car crash that sets the plot in motion and gives the film its title — is how the story could've been told from any of the marooned characters' perspectives. I just wish writer/director David Marconi hadn't taken the most winding, contrived road possible to arrive at his destination.
This English-language French thriller counts Luc Besson among its producers. Yet instead of touting Leon: The Professional or even The Fifth Element, the Blu-ray case for Collision boasts that it's, “From the producer of The Transporter and Taken 2(?!) And that's how a Blu-ray case can instantly make you feel old.
Posted in: Disc Reviews by Gino Sassani on January 29th, 2014
"My name is Flint Lockwood. My whole life I always wanted to be a great inventor just like my hero. It was like Chester V. was speaking directly to me using the language of science."
In 2009 Sony Pictures had finally learned to use the language of science when it comes to the world of animation. I'm talking the computer-animated feature film. Of course, they've been in the game for a while, but it was with the release of Cloudy With A Chance Of Meatballs that this reviewer believes they delivered on the kinds of things that Pixar and Dreamworks have been delivering for quite some time. Cloudy With A Chance Of Meatballs was a pretty big hit with both adults and kids, a combination absolutely essential to creating box office magic with a computer-generated animation feature. Based on the children's book by Judi and Ron Barrett, the film contained incredible charm. It pulled in a modest $135 million at the box office, but the film had pretty good legs on home video. It was pretty much a foregone conclusion there would be another one. But sequels are rarely as good as the original film, and it's even more rare to find one that is actually better than what came before. Consider Cloudy With A Chance Of Meatballs 2 one of those uncommon events. The original was, as I mentioned, charming. It was pretty good. The sequel is better than good. The franchise has a future that is anything but cloudy.
Posted in: Disc Reviews by Gino Sassani on January 29th, 2014
"This evening I finally met Count Dracula. He is younger than I expected, although his behavior and his demeanor seem to somehow contradict his appearance."
Dracula and vampires in general have taken on many appearances and personalities over the years. He has been portrayed as the suave European gentleman and a vicious gaunt creature best left to the shadows. Lately vampires have taken on the angst and yearnings of adolescence. Dracula has been around since 1897 when Bram Stoker wrote his groundbreaking novel. The evolution of the genre continues today and will likely produce stranger forms of the character in the future. But leave it to Spaghetti Nightmare maestro Dario Argento to return the man and the movie to its classic roots. Argento does so in grand gothic style that channels the spirit of both Universal's classic creations and Hammer's atmospheric bloody nightmares with Argento's Dracula.
Posted in: Disc Reviews by Brent Lorentson on January 29th, 2014
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2, which already uncovered enough dirty cops in the NOPD.