Disc Reviews

"There is nothing more relaxing than knowing that the world is crazier than you are."

When Disney Studios bought the Marvel line, what they were buying was really a printing press that printed freshly-minted money. That doesn't mean it was automatic, however. It was done right. Starting with the first two Iron Man films, the franchise that would lead to Joss Whedon's superior Avengers film was one of creating a universe. God made the universe in seven days. It took Marvel five movies. What we end up with is not just a fine collection of treats for the geeks and fanboys. We're left with an entire world, a world that we are all invited at about the pace of two films a year to come and play within. No one is pretending that they're making serious cinema here. What they're doing is making serious cash. To do that, there is only one order of the day. Thou shalt entertain. After two hours visiting with Thor: The Dark World -- I'm entertained.

“My name is Michael Westen. I used to be a spy…”

How fitting that this single statement be both the introduction and conclusion of a momentous series. If you can’t tell, I’ve been a fan of the show since the very first episode, but it’s actually much more than that. I’ve been a fan of Jeffrey Donovan since his first USA network Touching Evil. More to the point, in my opinion Burn Notice was the series that made it possible for the flurry of original programming that came after it. Perhaps I give the show too much credit. Maybe the shows that followed it would have each have become a breakout in their own right; however, the one thing that cannot be taken away from Burn Notice is that during its entire seven-year run, it remained one of the highest rated primetime shows the network has ever had.

Good news, you just inherited a home from a family you never even knew you had; unfortunately, once arriving onto the property you start to lose your sanity.  That is basically The Invoking in a very crude nutshell.  The cover may elicit hopes for a more hard-edged haunted house film or a film revolving around some unseen evil in the woods, but this is not the case. Writer, cinematographer, and director Jeremy Berg sets off on his first- time feature film and delivers a film that underwhelms but does have its merits.

Samantha (Trin Miller) takes three of her friends out into the wilderness to see the home and property she has inherited.  Along for the ride is her ex-boyfriend Mark (Brandon Anthony), Caitlin (Andi Norris) and Roman (Josh Truax).  This is one of those pairings that I feel really only works in the movies, but in real life this group would simply be at one another’s throats the entire time.  After all, Roman seems to be in love with his best friend who is planning on traveling for six months and continues to flirt with Mark despite her best friend’s feelings.  As for Mark, there still seems to be tension between Samantha and him, so of course what better way for this drama to play out than a trip to a house in the middle of nowhere.

It was during the filming of season 2 that original Dallas star Larry Hagman passed away. Hagman had reprised his iconic role for the new generation version of the smash hit series that ran from 1978-1991. The character of J.R. Ewing — and the iconic question of who shot J.R. — is simply a part of the pop culture vernacular whether you followed the show back then or not.

I came into the second season of Dallas without watching any of the previous episodes and only a vague recollection of the original series from the days I watched the show with my grandparents. Larry Hagman is one thing I do remember though, and seeing him chew up just about every scene he’s in while playing the infamous and ruthless J. R. Ewing is simply a treat.

“If you think this has a happy ending, you haven’t been paying attention.”

Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the HBO series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. But then fans wouldn’t have gotten season 3, an adaptation of (roughly) the first half of “A Storm of Swords”, the third novel in George R.R. Martin’s “A Song of Ice and Fire” series. “A Storm of Swords” is considered the “Empire Strikes Back” of Martin’s novels, which is a terrifying prospect considering the “Empire” in the world of Thrones has been “striking back” since the very first episode.

You know a show is kind of a big deal when it reaches the 200-episode mark. Seth MacFarlane has more than just made his mark on the television landscape with Family Guy, American Dad and The Cleveland Show; he’s made a name for himself as a modern icon of pop culture. MacFarlane has led the Griffin family through 200 episodes of raunchy humor while sneaking in a message or two between the jokes and gags.

As Fox releases Family Guy: Volume 12 on DVD, it’s surprising to see how far the show has come, where only The Simpsons and South Park have managed to hang around longer. But the longevity of these shows isn’t always a sign of greatness. After all, many would argue The Simpsons has lost its stride for years. But since 1999 — when Family Guy first hit the airwaves — to the show's credit, it has never been afraid to challenge topical subjects that many would deem inappropriate or simply vulgar. Whether it’s characters dabbling in the meth trade to make ends meet on a farm, or characters simply dealing with getting old, MacFarlane and his team of writers continue to produce a show and deliver a moral message despite how muddled it may be in its delivery.

“There is something seriously wrong with this sorority.”

Well, well what would life be without its little mysteries? It was only just yesterday that I found myself watching old episodes of Kevin Sorbo in Hercules: The Legendary Journeys, and now here I am reviewing one of his movies. Coincidence or fate, you tell me? Albeit the man of god-like strength is not the focus of the film, but, of course, with a title like Sorority Party Massacre, I trust you will have no trouble figuring out what takes place in this movie. And if you do have trouble, I would recommend another movie altogether.

“Zombies…killer robots…nice town you got here.”

If nothing else, filmmaker Christopher Hatton definitely thought outside the box in his attempt to spice up the lumbering zombie genre. The random appearance of killer robots about halfway through the film is such an out-of-leftfield move — assuming you started watching this movie without looking at its Blu-ray cover (and, no…Dolph Lundgren is *not* one of the robots) — that I actually found it to be inspired. It’s a good thing too because the rest of Battle of the Damned is essentially a low-budget, paint splatter-by-numbers survival flick.

“…Super secret spies living next door. They look like us. They speak better English than we do. I mean, come on. Someone’s been reading too many spy novels.”

And now someone has expertly taken the cloak-and-dagger intrigue of a great spy novel, transplanted it onto our television screens, and called it The Americans. While the show is very clearly set during the Reagan era, its complex, multi-layered portrayal of the human beings on both sides of the Cold War makes it feel thrillingly alive today.

"The way of life depicted in this program dates back 300 years. Hunting, especially alligator hunting, lies at its core. Some images may be disturbing. Viewer discretion is advised."

And they're not kidding. Gator hunting is a bloody business, and this show gets you right up close and in the action. The hunters set hooks with bait, and once a gator is hooked they must reel it in and shoot it in a very small vulnerable spot in the back of the head. Let me warn you that animals were indeed harmed in the making of this film, and you're going to witness that harm. If you're an animal activist, I suggest turning to the Disney Channel for this particular hour. The rest of you will get a front-row seat to a truly thrilling non-stop alligator hunt.