Posted in: Disc Reviews by Gino Sassani on April 11th, 2012
War Horse began life as a novel by Michael Morpurgo and went on to become a relatively successful Broadway play. I haven't read the book, and it's hard for me to imagine the material on the stage. But in the hands of Steven Spielberg there is little left to the imagination. This is definitely one of his most inspired films and contains some of the more beautiful and compelling images. That's saying a lot when you think about the many iconic images Spielberg has brought us from ET to the dinosaurs in Jurassic Park and the great white shark in Jaws. Yes, the images rank right up there. Unfortunately, the film itself doesn't come close.
The story begins with the birth of Joey, a thoroughbred horse. But this is not really the beginning of the story, is it? Joey is sent to auction where drunkard farmer Ted Narracott (Mullan) falls in love with the impractical animal. Helped by the taunts of his landlord Lyons (Thewlis) he bids too much for the animal and wins him. The problem is that he needed a working horse to plow his fields, and Joey isn't going to make wife Rose (Watson) very happy at all. But his son Albert (Irvine) instantly sees what his father saw and falls in love with Joey. He promises to train him. If he can't the family will lose their farm. But even this isn't really where the story begins.
Posted in: Disc Reviews by Gino Sassani on April 11th, 2012
Bob Newhart may not have a ton of range as a comic actor, but the television personalities he created in both The Bob Newhart Show and Newhart were lovable enough to bring great success to both of the shows. One could safely admit that he was really playing the same character in both, and the final episode of Newhart pretty much acknowledged that fact with one of the more clever series finales in television history. So, with two pretty solid hits under his belt, it wasn't a complete surprise to see the comic enter our living rooms once again in 1992 just a couple of years after his last show finished its run. The name could have been just as predictable: Bob.
Bob McKay (Newhart) had once created a comic book hero named Mad Dog. It was about a vet who conducted experiments with the adrenal gland of a Doberman. The result was a new superhero with the enhanced senses of a dog. The comic lasted just 12 issues and quickly faded into obscurity. During that time Bob was putting his artistic talents to use with a greeting card company, a job he hated. Along comes Mr. Terhorst (Cumpsty) whom we never see. He's always just a voice over the speaker phone. He's bought ACE Comics and wants to hire Bob to bring back Mad Dog. It's the chance of a lifetime, except he's teamed with Harlan Stone (Cygan) who grew up a Mad Dog fan but now has some radical ideas for the new book. Bob has to constantly rein him in to save the integrity of the hero. The office also includes Albie (Bilgore) who is the office gofer. He's shy and completely inept in social situations. There's Chad (Fall) the comic's colorist who is a super geek. Iris (Kobart) is the old crotchety woman who letters the book. His daughter Trisha (Stevenson) comes to work for the team as well. At home is faithful wife Kaye (Watkins) and their lively cat Otto.
Posted in: Disc Reviews by J C on April 10th, 2012
Ben Affleck's dating life wreaked plenty of havoc on the moviegoing public during the early part of the 2000s. We all know about the infamous Gigli and Jersey Girl debacles with Jennifer Lopez. (It didn't even matter that J. Lo was barely in Jersey Girl — which actually has a few cute moments — or that the indefensible Gigli was just a deeply weird flick which happened to star two of the world's most famous, romantically-involved movie stars.) The film usually left off this dubious category is Bounce, a soggy romantic drama starring Affleck and former squeeze Gwyneth Paltrow. Although the pair — who, to be fair, also appeared together in the Oscar-winning Shakespeare in Love — keep this movie watchable, there's a reason Affleck mostly focuses on directing these days and hasn't made a movie with Jennifer Garner since they got married.
Affleck stars as hot-shot ad man Buddy Amaral. (We know he's a hot-shot because he speaks quickly, brashly and constantly has a drink in his hand...Mad Men taught me that.) After scoring a major account with an airline in Chicago, Buddy is stranded at the airport with a hottie (Natasha Henstridge) and friendly family man Greg (Tony Goldwyn). Greg allows himself to get bumped from the flight so he can use the airline compensation to take his family on vacation at a later date. Once the flight starts boarding, Buddy gives Greg his ticket so Greg can go home to his family sooner, but mostly so Buddy can hook up with the hottie at the airport hotel. The plane crashes, killing everyone on board.
Posted in: Disc Reviews by Michael Durr on April 10th, 2012
I have read more than my fair share of comic books. In recent years, I made the jump into graphic novels which are basically the same thing with a fancy cover. There is also another trend that I have seen from time to time in the last several years, digital comics on dvd (and occasionally blu-ray). The concept of taking a comic, adding voices, sound effects and a little motion and coming out with a product that can reach new and old audiences. Let us take a look at Astonishing X-Men: Dangerous.
A female voice lets us know that something is coming, they can feel it. The view shifts to a young man who goes by the codename, Wing. He is a soon to be former X-Men in training. At one point in his life, he had the ability to fly. However, due to events not explained he lost that ability and in the process, he lost his will to live. He stands over a cliff and hopes for the powers to come back.
Posted in: Disc Reviews by M. W. Phillips on April 10th, 2012
“Don't you ever touch the sacrificial fluids... okey dokey?”
“Okey dokey” indeed; in 1985, director Josh Becker gathered his friends, including Sam Raimi and Bruce Campbell, and they shot Thou Shalt Not Kill… Except in Detroit around Campbell’s childhood home. Working with a microscopic budget, they created a tribute to the savage exploitation films of the sixties and seventies, full of bad lighting, crappy sets, leaden acting, cheap makeup gags, horrible dialog, and a certain goofy infectious fun.
Posted in: No Huddle Reviews by Brent Lorentson on April 10th, 2012
Back in 2009 comedian Jo Koy had his first comedy central special Don’t Make Him Angry and it made him a comedy star. I had caught his previous special on comedy central and had seen him do spots on the late night circuit, so I somewhat knew what I was getting into. I have to say, though, I was more than a little surprised how much he’s improved with time. Not to say he needed improvement before , but it seems with Lights Out he’s hit his stride and has polished himself, and he simply just knows how to work a room.
He comes onto the stage, and instead of coming out swinging with joke after joke he engages his audience with stories about his Filipino family and life. A good portion of the show involves the relationship he has with his mother. Whether she’s warning him about “ruppies” being given out at the bar or not helping him find his keys, Koy is able to find the humor in the story and run with it. Some of the stories with his mother seem a bit over the top, especially one revolving around her grabbing his penis, but it is impossible not to laugh at the horror and awkwardness of the story.
Posted in: No Huddle Reviews by Archive Authors on April 10th, 2012
Miramax and Lionsgate have released two film collections starring American actresses who from time to time talk with British accents, Gwyneth Paltrow and Renee Zellweger. Lionsgate is flying high now with the gigantic success of The Hunger Games shooting its stock price through the roof. It’s time to visit the vault and relive some past successes. Renee Zellweger is one of those actresses that is hard to pin down. She seems award-ready coming out of the gate making a great splash in the movie Jerry Maguire. She had already starred in some low-budget films including Texas Chainsaw Massacre: The Next Generation with college buddy Matthew McConeghy. I mean you can’t get any more low-rent than that and films like Love and a .45. Then she could move to exquisite character pieces like The Whole Wide World and A Price Above Rubies, and she didn’t seem out of place in either milieu. I think she carries that quality throughout her career. She has an ordinary and real quality. Her career seems peppered with variety.
The films in this collection are Bridget Jones’s Diary, Chicago, Cold Mountain, and New In Town.
Posted in: No Huddle Reviews by Archive Authors on April 10th, 2012
Miramax and Lionsgate have released film collections starring American actresses who from time to time talk with British accents, Gwyneth Paltrow and Renee Zellweger. Lionsgate is flying high now with the gigantic success of The Hunger Games shooting its stock price through the roof. It’s time to visit the vault and relive some past successes.
Gwyneth Paltrow had a big early rise to the top and was the golden girl for quite a while, basking in the glory of being Brad Pitts fianceé. It’s been a long time since those days, and now she is spending much of her time being a mom to Chris (Coldplay) Martin’s kids. She also has been doing more and more singing in movies like Country Strong and the TV show Glee. She has even been doing cooking shows with Mario Batali (though there is some controversy about a cookbook she has written).
Posted in: Disc Reviews by Gino Sassani on April 6th, 2012
"In the pantheon of predators, it's one of the greatest discoveries since the T-Rex: a snake 48 feet long, weighing in at 2,500 pounds. Uncovered from a treasure trove of fossils in a Colombian coal mine, this serpent is revealing a lost world of giant creatures. Travel back to the period following the extinction of dinosaurs and encounter this monster predator."
With a title like Titanoboa: Monster Snake you might be expecting the latest huge monster mash-up from Roger Corman or the latest cheap CG creation from the SyFy's Original Movies series. Huge snakes have been common fodder for both of these places. But the monster snake depicted in this film comes to us from The Smithsonian Channel, and this guy really existed.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2012
The Killing began life as a Danish television series. We are used to seeing British shows reinvented for American audiences, but it's rare to find something from Danish television that someone found so compelling they decided to work it for the competitive American television landscape. It's no surprise that such an effort would find its way on cable rather than network television, where boundaries can really be pushed and explored.
AMC is a pretty good choice to land such a show. They've committed to some pretty groundbreaking shows in the few years they have produced original programming. Anyone who has caught an episode of The Living Dead certainly knows what I'm talking about here. The once movie-exclusive network has already proven a willingness to push the boundaries of television. So with all of this boundary pushing you might expect a cutting-edge series that plays out unlike anything in the genre. You would think so, but you'd be pretty disappointed.
