ABC Studios

Suburbia has always been presented as an otherworldly place to city folk. In The Neighbors — ABC’s underrated gem of a sci-fi sitcom — a New Jersey family moves from the city to the suburbs and discovers their new community is comprised entirely of placid, color-coordinated aliens. Each episode delivers fish-out-of-water planet laughs and a lesson in what it means to be human, in all our imperfect glory.

If you’ve ever asked someone, "What kind of music do you listen to?", chances are you’ve heard the phrase “I like everything…except country.” By that logic, a significant portion of television audiences automatically dismissed ABC’s Nashville as soon as they saw the first commercial for the show (or heard its title). Well those people missed out on an entertaining, flawed drama with an impressive pedigree. Connie Britton and Hayden Panettiere might be the headliners, but the star of the show is usually the great music.

Rick Castle (Fillion) is a very successful mystery pulp-fiction writer with over 26 books hitting the best seller list. He’s rich, and he’s spoiled. He lives with his mother (Sullivan) who is pretty much a has-been actress who thinks she’s just one part away from stardom. He has a young teen daughter (Quinn) who is more responsible than he is. After having so much fun and inspiration tracking down his fiction copycat killer, he decides to pull strings and become an unpaid consultant for the team. At first that wasn't so good for team leader Detective Kate Beckett (Katic). Of course, now the whole sexual tension thing has been discarded, and they are an official couple these days

“You’d be surprised what powerful people can get away with behind closed doors.”

Viewers experiencing cop/lawyer/doctor show fatigue might be happy to learn the hottest job on TV these days appears to be “fixer.” Of course, the sneaky appeal of shows centered on these professional problem solvers is that they actually combine elements of cop and lawyer dramas; the fun twist is that the fixer’s job often requires them to prevent crimes from being solved. Before Ray Donovan became a hit for Showtime this summer, the second season of Scandal transformed the nighttime soap into ABC’s buzziest drama.

"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."

ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series

The first season of Revenge was soapy perfection. I’m not saying it belonged alongside the great, ambitious television series of our time. But in terms of sheer entertainment value and ridiculously delicious (or is it deliciously ridiculous?) gotta-see-what-happens-next-week drama, the debut season of Revenge was as good as it gets. Unfortunately, season 2 is, by comparison, a disappointing slog. By the time the smoke from the explosive two-part finale cleared, Revenge had lost its creator/showrunner and become the latest poster child for the sophomore slump on TV. (NBC’s Heroes was more than happy to pass that baton.)

"It's funny. Some people never get to know the folks next door. They share a fence and nothing else. And we've shared everything. How did we get to be so lucky?"

Fans of Desperate Housewives have considered themselves lucky to have shared many a night with their television neighbors on Wisteria Lane. But like all good things, the ride has come to an end, and it's time to take up residence somewhere else.

“There’s always a story. You just have to find it.”

What happens when you’re a popular murder-mystery writer and someone starts to use your stories and ideas to kill people in the real world? At first you become the prime suspect, particularly if you’re found to be completely self-centered and annoyingly arrogant. That’s where a pretty good alibi might come in handy. Is playing poker with the Mayor and the Chief of Police good enough? So, you’re no longer a suspect. Now what do you do?

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s.

"There is a town in Maine, where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."

ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history in a television series.