Posted in: Disc Reviews by J C on August 16th, 2012
"I play chess in the park every Tuesday, Thursday afternoon. I restore cars from the ’70s, pinball machines from the ’90s, and if you pay me enough, I’ll probably kill anything that breathes."
Pop quiz! There's a new straight-to-DVD action flick about two highly-skilled assassins wreaking havoc in Eastern Europe: can you guess the two actors who star in this movie? If you're an action film — or a straight-to-DVD — connoisseur, Dolph Lundgren would easily be on your Top 10 list of suspects. (Maybe even Top 2.) But how long would it take for you to get to Cuba Gooding Jr? 50 guesses? 200?
Posted in: Disc Reviews by William O'Donnell on July 26th, 2012
After a family moves into a new home, they are taken hostage by a group of hitmen who are searching for money that has been stolen from a crime-boss. The film's title, “Aggression Scale,” refers to a psychological evaluation that measures the tendency for an individual to act in aggressive ways that may harm others. This applies to our hero Owen, the son of the family, whose violent/survivalist tendencies are worrisome and detrimental in all situations except this one, where he may be the savior of the family.
Many other reviews, including those quoted on the DVD box art, refer to this as a hyper-violent version of Home Alone. This is in reference to the sort of traps the Owen sets out to harm the hitmen. Granted, the climactic final trap does have a couple nods in that direction (with the use of nails and Jacks as booby traps) but Owen's devices are less comical and complex (save for the aforementioned climactic trap) and more brutal and reminiscent of something Rambo might construct. I suppose the comparisons are made less because of the traps, but more the cat-and-mouse game being played between a child and a group of career criminals. Since Owen never speaks, the communication between these two parties is purely through acts of violence upon each other. This bare bones dynamic saves us some groans from any redundant, cheesy banter...which I appreciate.
Posted in: Disc Reviews by J C on July 25th, 2012
I knew this movie was in big trouble as soon as it decided to kill off its most charismatic character/actor in the first 10 minutes. Don't worry, MMA fans: the poor soul who prematurely bites the dust is not played by UFC legend Randy Couture, who headlines this straight-to-DVD airplane "thriller" that makes you appreciate all the skill and care devoted to making even enjoyably junky action flicks like Passenger 57.
When a terrorist group known as The Tribe hijacks a luxury jumbo jet belonging to wealthy industrialist Bruce Lieb (Craig Fairbrass), they weren't counting on having Paul Ross (Couture) as a passenger. Ross is a government agent who has been doggedly pursuing the terrorist group. The Tribe demands a suspiciously specific payment of $2.73 billion or they will start executing hostages. Among the hostages is Ross's estranged ex-fiancee (Tiffany Dupont), because beefy action heroes have the worst luck when it comes to having cherished loved ones in peril.
Posted in: Disc Reviews by William O'Donnell on July 12th, 2012
Two sales executives have a rambunctious party at a strip club that inadvertently results in their boss's death. Though they are not fired, they are demoted to the level of secretaries, while their former cohort, whom they used to pick on relentlessly, is elevated to be their new boss.
In their new work position, these two lads are humbled into losing their misogynistic ways and turn their pranks into acts of chivalry and gender equality in the workplace. There is also a romantic subplot for each of them, but neither is all that compelling.
Posted in: Disc Reviews by William O'Donnell on July 11th, 2012
An undisclosed infection has decimated the world's population. This film follows a family of four who are trying to survive the fallout of this viral apocalypse by escaping a city via the woods, in search of a rural area they used to live in.
Collaborative duo Justin McConnell and Kevin Hutchinson do a fair amount with very little in this film. An amping up of tension helps to replace any large set pieces or dynamic action scenes. Though they are clearly working with a small budget, their minimalist composition does not come off as amateur for they have a nice sense of composition, made clear with their shot choices and editing.
Posted in: Disc Reviews by J C on June 30th, 2012
"Now, if you're unfortunate right now and don't have any weed, I'm sorry. But please stop this movie right now — it just won't work if you can't watch this without no weed."
Did I mention that this disclaimer at the start of Mac & Devin Go to High School comes from a profane talking joint named Slow Burn (voiced by rapper Mystikal)? Anyway, I can't say I wasn't warned.
Posted in: Disc Reviews by J C on June 20th, 2012
When I saw that Nicolas Cage and January Jones were headlining a little-seen/straight-to-DVD-caliber title, part of me was perversely excited. This had the potential to be a historic summit of bad acting! To be fair, I generally enjoy the — shall we say — avant garde stylings of Cage's performances, but I'm much less impressed by the relentless joylessness Jones bring to her work (even on the excellent Mad Men). In short, I was prepared to laugh and I was prepared to wince. However, I was not prepared to enjoy this entertaining, preposterous thriller as much as I did.
Cage and Jones star as Will and Laura Gerard, a happily married New Orleans couple. You know they're the perfect little cultured pair because she's an orchestra cellist, and he's a high school English teacher who plays hyper-competitive chess games with a co-worker (Harold Perrineau). Their world is shattered one night when Laura is brutally attacked after leaving work. While an emotionally distraught Will is in the hospital, he is approached by a stranger named Simon (Guy Pearce). Simon claims to represent an organization that is fed up with the shortcomings of the criminal justice system. He offers to exact vengeance on Laura's attacker in exchange for a favor from Will somewhere down the line.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2012
At first glance it would be very easy to say that Beyond doesn't really offer us anything terribly new in the crime drama genre. For the most part I would tend to agree with that criticism. I would counter with the argument that a very good film doesn't need to be very original to be good. Sometimes the value in a movie lies in the fact that it does what it does do extremely well. That's how I would describe the sleeper direct-to-video release Beyond.
Jon Voight stars as Detective John Koski. He's a detective in Anchorage, Alaska who specializes in missing children. He's not exactly by the book, and more of his perps end up dead than in the courtroom, but the children usually end up found and alive. Sounds like a win/win to me. Still, he's haunted by that first case where he wasn't able to save a little girl. It turns out he's more haunted by that incident than even he suspects. When 7-year-old Amy (Lesslie) disappears from her bedroom one cold wintry night, Koski, just months from retirement, gets the case. The girl's mother Sarah (Polo) is the sister of the Chief off Police (Mulroney).
Posted in: Disc Reviews by J C on May 29th, 2012
"This Martius is grown from man to dragon. He has wings. He's more than a creeping thing. There is no more mercy in him than there is milk in a male tiger."
There's a certain hierarchy when it comes to the amount of cinematic interpretations of William Shakespeare's plays. At the top tier, we have the endlessly adapted Romeo and Juliet, Hamlet, Othello and Macbeth the Scottish Play. A step below that, you've probably got your King Lear, As You Like It, A Midsummer Night's Dream and a few more. And about a dozen tiers below that, we finally come across Coriolanus.
Posted in: Disc Reviews by M. W. Phillips on May 10th, 2012
“If my family can’t live in this house, you sure as hell can’t either!”
Daniel (Frank Grillo) and Beth (Jaime King) Sohapi picked up a great deal on a recently foreclosed house, and they’ve invited a handful of friends over to celebrate. A tornado threatens the area, but everyone is partying in the basement, which has been recently reinforced as a tornado shelter. Things look great in suburbia until three frantic and deadly bank robbers, Ike (Patrick Flueger), Addley (Warren Kole), and Johnny (Matt O'Leary), return to their childhood home following a botched bank robbery. Johnny is dying from a gunshot wound, their accomplice in the robbery made off with all the stolen cash, and the boys lost their secure contact phone to mother. Now, on top of that, they discover the home they grew up in is no longer theirs as mother lost it to foreclosure, a fact they would have known if they could have contacted her after the bank heist. Well, when life gives you lemons… They decide to hole up in the house until mother (Rebecca De Mornay) and sister Lydia (Deborah Ann Woll - Jessica from True Blood) arrive to sort things out, keeping the current residents and their guests as hostages. Things turn from bad to worse for the victims when mother shows up and takes charge. With the authorities closing in and the outlaws in need of $10,000 to secure their escape across the border into Mexico, desperation ups the ante in what these home invaders are willing to do to get what they need from the new homeowners and their most unfortunate guests.
