Kino Studio Classics

“You are now the property of Erewhon Prison. A citizen of nowhere. The Geneva Convention is void here; Amnesty International doesn’t know we exist. When I say your ass belongs to me, I mean exactly that.”

I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down. In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider).
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Coming up on its 40^th anniversary, Staying Alive continues to be one of the most bizarre sequels to be made by a major studio, starring John Travolta and co-written and directed by Sylvester Stallone. The film was intended to be a sequel to the massively popular Saturday Night Fever, but when Staying Alive came out, disco was pretty much dead, and really there isn’t much that connects the films but for the character Tony Manero (John Travolta) and that there is dancing in the film. When the movie came out it was a financial success, but it was pretty well hated by critics of the time to the point that even one of the film’s stars, Finola Hughes, was awarded a Razzie for her performance. Apparently the film has a loyal cult following, but now after 40 years I’m here to give this film a fair shake and decide for myself: is it as bad as people say, or is it a gem from the 80s that will make us all nostalgic for when there were several movies with the cast in leotards, headbands, and over-the-top dance numbers?
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“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”

Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller.
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“It’s opening up all kinds of doors.”

Alcatraz Prison was one of the country’s most secure facilities for over 60 years. It was built on a rocky island off San Francisco. You couldn’t dig through the rock, and the surrounding ocean was cold and heavily populated by sharks big enough to feed off the plentiful seal population. For 60 years no one had successfully escaped the prison. That record was broken in June of 1962 when three inmates, brothers Clarence and John Anglin, escaped with Frank Morris, who was believed to have masterminded the plot. Sixty years later the case remains officially open, and no one knows what happened to the three men. In 1963 J. Campbell Bruce wrote a non-fiction book called Escape From Alcatraz. The book attempted to document all of the serious attempts to escape the prison, which of course included the 1962 escape
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After watching Tinker Tailor Soldier Spy, my mind wandered over to Inception, of all places. Remember how Ellen Page’s character pretty much only existed so other people could explain to her — and, by extension, us in the audience — the rules of the movie’s universe and what the hell was happening? Well, watching Tinker Tailor Soldier Spy for the first time felt a lot like what I imagine Inception would look like if Page’s novice architect hadn’t been in the script: words and items have dual meanings, characters have double (and triple) motivations, and good luck figuring out everything that’s going on in this complex world! The plot, however, is deceptively simple: veteran spy George Smiley (Gary Oldman) is called out of retirement to uncover a Soviet agent in the highest ranks of MI-6, the British intelligence service. (I’ll refrain from further discussing the plot so that I don’t give anything away, but also because there’s a decent chance I haven’t comprehended everything that happened. That being said, my second viewing of this movie went considerably smoother than the first.)
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