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When you read that Eli Roth is part of the production team, the first thing you probably think about is the potential gore that will be associated with the project, and Aftershock is no exception, but there was also an interesting twist with this disaster flick: the involvement of a director who’s most known for his work in the romantic comedy genre, Nicolas Lopez, who’s most notable for his Que Pena Tu (translation: F*** my  (blank)) trilogy. He tries his hand at something new with this dark tale based in reality that highlights that the most frightening part of a natural disaster is not necessarily the disaster itself.

The first season of Revenge was soapy perfection. I’m not saying it belonged alongside the great, ambitious television series of our time. But in terms of sheer entertainment value and ridiculously delicious (or is it deliciously ridiculous?) gotta-see-what-happens-next-week drama, the debut season of Revenge was as good as it gets. Unfortunately, season 2 is, by comparison, a disappointing slog. By the time the smoke from the explosive two-part finale cleared, Revenge had lost its creator/showrunner and become the latest poster child for the sophomore slump on TV. (NBC’s Heroes was more than happy to pass that baton.)

All Best Picture winners are not created equal. Some of them achieve cinematic immortality, while others are viewed as outright travesties. Then there’s the group of Oscar winners who have arguably suffered a fate worse than the derision and mockery of movie fanatics: the forgotten Best Picture winners. Cavalcade — described in this Blu-ray’s commentary as “not a particularly well-remembered Academy Award winner” — certainly falls in that category.

My best work is often done behind a computer or somewhere where my face is not on display. I am not the most handsome guy despite the fact I have been described by those of the female persuasion as otherwise. But I have talent, loads of it and I am always waiting for the next moment to show it off. Perhaps I can take a cue from our movie today, The Idolmaker and use my talent to make others around me stars. Maybe I should just go shave instead.

For nine seasons and several TV-movies afterwards, Raymond Burr was Los Angeles based defense attorney Perry Mason. This character’s verbal gymnastics, and uncanny hounding for evidence makes his famous winning streaks seem not just plausible but rather entertaining to behold. His adventures have been well-reviewed by myself and my reviewing compadre Gino on this very site (https://upcomingdiscs.com/?s=perry+mason).

It is very common for Nickelodeon to release these sorts of compilation sets. Previously I had covered their themes of Learning the ABCs as well as their Christmas release (as found here: https://upcomingdiscs.com/?s=nickelodeon). This time we get 6 different Nick Jr. programs focusing on the "Wild West" (aka, country music, cowboys hats and horses). 

Best known as the launch point for Michael J Fox's career (along with a major booster from the Back to the Future films), Family Ties was a decently delightful series that may now be mostly remembered via the many references placed into Family Guy (creator Seth MacFarlane has noted it as one of his all time favourites). It has been previously covered very well on this site, which can be found at this link: https://upcomingdiscs.com/?s=family+ties 

"You know, there's been a heap of legends and tall tales about Robin Hood. All different, too. Well, we folks of the animal kingdom have our own version. It's the story of what really happened in Sherwood Forest."

It didn't even start as a Robin Hood story at all. Walt Disney had many ideas and plans for fables and fairy tales that he hoped to bring to life with a feature animation film

“Men around here’ll write you off after 40, so I know they’ll bet against us. All we have to do is bet on ourselves to win.”

The conventional wisdom in Hollywood is that meaty roles for women quickly dry up when actresses reach a certain age. So director Susan Seidelman (She-Devil, Desperately Seeking Susan) and the stars of The Hot Flashes — a well-meaning, by-the-numbers sports comedy — deserve credit for at least trying to take their cinematic destinies into their own hands.

When the show ended in 1966 it was still one of the most popular shows on television. Both Dick Van Dyke and Mary Tyler Moore wanted to do something else. Both were made confident by the huge stardom the show provided them, but neither was ever able to reproduce the magic here. Of course, Mary Tyler Moore found great success with a different kind of show in The Mary Tyler Moore Show. That one would go on to become a classic in its own right.