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"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

With the success of Best Of Both Worlds, Star Trek: The Next Generation would make frequent use of the season-ending cliffhanger. Believe it or not, that wasn't so common in those days. The fourth season ended with part one of Redemption.

The fact that Kumail Nanjiani decided to call his first Comedy Central special Beta Male immediately gives you a sense of his self-deprecating style. Fortunately, the ability to laugh at himself is merely one of many comedic gifts this on-the-rise comic possesses. This consistently funny, frequently hilarious hour-long set — filmed in Austin’s Moody Theater — touches on a wide range of topics, including his Muslim upbringing, cats disguised as pizza delivery men, and outdated rollercoasters.

Nanjiani has made his way into numerous “Comics to Watch” lists, but most audiences probably know him from scene-stealing turns in Franklin & Bash and Portlandia. He’s also got plenty of comedy geek cred, lending his voice to Adventure Time and collaborating with Michael Showalter and Michael Ian Black for the short-lived Michael and Michael Have Issues. This is my drawn-out way of telling you Nanjiani’s humor ticks a lot of boxes with audiences.

I’ll say this about a program that has remained  consistent in quality for twenty seasons…it makes for challenging reviews. Talking about each season of Gunsmoke is difficult in that you either write briefly to try to avoid redundancies, but might seem too hasty, or you have to labour over each episode, in which case, you’re only going to have hardcore fans paying attention. Since this website has touched on previous seasons: ( https://upcomingdiscs.com/?s=gunsmoke ) I shall opt for the former option, and hope y’all out there catch that I’m not being hasty…but respect a show that warrants no fresh complaints after 9 years a-runnin’ thus far.

The format has been full hours stories since season 7 and it hasn't lost any steam in season 9. The cast saw a little shifting as Ken Curtis' character Festus is introduced just before longtime sidekick Chester (played by Dennis Weaver) departs at the end of this season.

This is the third stab at making an animated series about these radical reptiles. This lone DVD acts as a sampler of seven episodes taken from the middle of its first season, instead of the complete season set. (A common move from Nickelodeon.) These episodes introduce the characters well enough that it will make you curious to see more of what this series has to offer.

This is the first series presented as a 3D computer animation. The graphics are nicely rendered, but are sometimes hard to see since the movements, especially during fight scenes, are incredibly frantic. I certainly hope the fact that I find the pacing too fast isn't a sign of old age arriving. The animators have clearly gone through a lot of trouble choreographing a fight that can sometimes have at least a couple dozen characters interacting (a very difficult thing to manage) and I'd appreciate it more if the speed didn't make me feel like I need to feed the DVD Ritalin.

For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her turn as an ambitious showgirl in Bus Stop.

The film quickly introduces us to Beauregard “Bo” Decker (Don Murray), a naïve and socially tone deaf cowboy. For the first time in his life, Bo is venturing out of the Montana ranch where he was raised to compete in a rodeo in Phoenix. Bo’s friend and father figure Virgil (Arthur O’Connell) tries to encourage the 21-year-old man-child to find a nice girl to settle down with, but Bo is only interested in finding his one perfect “angel.”

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The fourth Season of Star Trek: The Next Generation erased any doubts that the show could stand on its own. The series had developed its own characters and situations that allowed the show to somewhat separate itself from the confines of the original series. The Best Of Both Worlds cliffhanger and fourth season resolution would become one of the top-ranked episode of all of Star Trek, and with a shot across the bow from the Borg, Star Trek: The Next Generation had truly arrived.

In the 1950's and 1960's Hammer picked up where Universal had left off. They became the studio for the very best in horror films. With names like Lugosi, Karloff and Chaney finally reaching the end of their reign, Hammer offered up the likes of Christopher Lee and Peter Cushing. They resurrected all of the famous Universal monsters in their own image. Now we had a new cycle of Dracula, Frankenstein, The Wolf Man and The Mummy. While the films were somewhat low-budget and released mostly through the drive-in circuit, these films made a bloody splash with horror fans all over the world. But by the time the 1970's had begun, the studio was falling behind in the horror genre. Anthony Hinds had left the studio, and with him went some of the passion for the horror films that made Hammer famous. The studio heads became more interested in other kinds of films, and the horror department languished for a time.

While the studio was still bringing back the monsters that had made it famous, there was a decided effort to return to their own roots with the psychological thriller, and one of the best turned out to be Hands Of The Ripper. Hammer was certainly in decline, but Hands Of The Ripper had the advantage of being shot at England's famous Pinewood Studios where other more illustrious films were also in production at the time. Sets were utilized from The Private Lives Of Sherlock Holmes and more notably James Bond. M's office would be completely recognizable here, complete with the padded door. These sets and production advantages allowed Hands Of The Ripper to go beyond the cost-cutting measures in place at Hammer during this time. It ends up being one of the studio's richest and most atmospheric films.

For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her femme fatale turn in Niagara.

Monroe stars as Rose Loomis, who is visiting Niagara Falls with her older, jealous, volatile husband George (Joseph Cotten). When the film opens, Rose and George are staying in a cabin reserved by Polly and Ray Cutler (Jean Peters and Casey Adams), but the Cutlers agree to take another room and give the seemingly troubled couple some space. Turns out George has good reason to be jealous: during a tour of the Falls, Polly spots Rose making out with another man. Eventually, we learn Rose and her lover plan to kill George and run away together.

Elvis Presley was easily one of the most impactful pop culture icons of the 20th century during his life, and that status has barely waned in the decades after his death. (Or “alleged death”, given the number of Elvis sightings each year.) Presley obviously made his most lasting mark in the world of rock and roll music (and fashion), but he also had a surprisingly fruitful film career. Though none of his movies turned out to be cinematic masterpieces and no one was confusing him with Marlon Brando, The King brought his charismatic presence to more than 30 movies between 1956 and 1969. He was 21 when he made his film debut in Love Me Tender.

Fox has just released the 1956 Western/Civil War drama on a nifty-looking Blu-ray. (More on that in the Video section.) The first thing that struck me about the black & white film is that Presley — arguably the most famous person in the country at the time — is not really the star.

I was not looking forward to this sequel at all. Now, to those who saw the film in theaters and loved it, before you get bent out of shape, allow me to explain why. See, I don’t react to change very well, and after seeing the first film and liking it, let’s just say that I had certain reservations after learning that much of the original cast wouldn’t be returning (not to mention news of the worst kept secret about the demise of one of the characters). Needless to say when I sat down to watch Retaliation, I wasn’t expecting to enjoy. Happy to say that after watching it, I’m eating crow.

Retaliation resumes sometime after the original movie. Duke (Channing Tatum) is now leader of his own team which includes Roadblock (Dwayne Johnson), Lady Jaye (Adrianne Palicki), Snake Eyes (Ray Park), and Flint (DJ Cotrona). After completing a successful mission, the team returns to base camp and awaits extraction. Dropping their guard, the group enjoys downtime; however, when a security patrol arrives ahead of schedule, it does not go unnoticed.  Their suspicions are proven right, as a massive assault devastates the camp. Unable to adequately defend themselves, the team suffers heavy casualties including a vital and precious member of the team. (I’m sure you’ll have no trouble figuring out who.)