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Cult movies are some of my favorite kinds of movies. I am a complete sucker for Rocky Horror Picture Show and films like the Warriors or Duel. These movies are often a product of their time but are not fully appreciated until many years later. Today, I am reviewing The FP, a film that attempts to be a cult classic but without going through the usual hoops of society. As we go to the film, one has to wonder if that is even remotely possible.

For Years, an underground war has raged for dominance over the small town of Frazier Park between two clans: the 248 from the North and the 245 from the South. Now…with a skirmish between the two clan leaders imminent, the battle for the FP has only just begun.

“A deadly car accident took place at North Point last night; a bus lost control and left two dead and eight injured.”

Every day accident fatalities happen all over the world. These deaths are so obviously accidental that the authorities hardly think twice about them. In director Cheang Pou-Soi’s Accident  a team of four assassins, Brain (Louis Koo), Fatty (Suet Lam), Uncle (Fung Shui-Fan) and Woman (Michelle Ye), each a master of the art of the invisible kill, stage their assassinations so perfectly as to appear to be simply “accidents” even under the closest scrutiny.

"In the 19th century Jules Verne wrote some of the greatest adventure stories ever told. Novels such as 20,000 Leagues Under The Sea, Journey To The Center Of The Earth and The Mysterious Island. Most consider these works of science fiction. Vernians know otherwise."

In 2008 Brendan Frasier had himself a rather unexpected hit with Journey To The Center Of The Earth. That film posed the fantastic question: What if the works of Jules Verne were not based on fantasy at all, but rather actual events, people and places. Frasier's Trevor Anderson was part of a family whose tradition for generations was to safe keep these Verne secrets. The film was intended as a nice 3D romp and pulled in a respectable amount at the box office. We knew that meant more. The only question was: Would we continue with that story or strike out on an entirely new Jules Verne adventure? With an almost entirely new cast, the studio decided on taking the later road. Enter Journey 2: The Mysterious Island.

“You're the good kind of addict. You're the I-got-messed-up-with-the-wrong-girl-and-ended-up-on-a-blow-bender addict. But Ertz is the Skeevy-old-man-who-got-caught with-a-crack-pipe-and-the-17-year-old-from-Speed-Racer addict.”

Where season seven of Entourage was all about the hard life and times of Vinnie Chase (Adrian Grenier) and company stumbling through the shallow traps of an impossibly expensive Hollywood lifestyle: i.e. growing addictions, porn star girlfriends, and desperate career moves, Entourage: The Complete Eighth Season is all about redemption through hard choices. It picks up as a newly clean and sober Vincent is released after a 90 day stint in rehab, and his cohorts scramble to provide a safe environment for him.

The wife and I have spent quite a few weekends within the last year going to antique shops and malls, flea markets and basically any place where we might go through a pile of stuff to find that one special item for our collection. The search has produced many interesting items and it brings us joy to see all of the items that simply do not show up in a retail store. Today, we are reviewing American Pickers volume 3, a show that lives on the art of finding that next treasure by going through America’s backyards.

For those who are not familiar with what exactly is American Pickers about, here is a short synopsis There are these two guys, Mike Wolfe and Frank Fritz who roam the United States in search of knick knacks, car parts, collectibles, anything that will bring them money. A picker. Their method is somewhat unorthodox as they actually visit people’s homes, storage sheds, and any other place where somebody might store their collection.

-"And what do I say when they ask me why it wasn't regulated?"
-"No one wanted to. We were making too much money."

At first glance, sitting down to watch a film about the financial meltdown of 2008 seems only slightly more fun than going through the actual meltdown again. Fortunately, director Curtis Hanson (L.A. Confidential) and a towering ensemble cast — I felt like I'd died and gone to Character Actor Heaven — mostly keep Too Big to Fail away from CNBC territory and deliver a brisk, entertaining film.

"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."

Remember that PBS show where some old-stuff expert would come to your town and sift through a lot of junk that folks found in their basements or attics? Remember that he would give you a story about the items these people brought in? The idea was that once in a while someone discovered valuable treasure in those dusty rooms. Remember that show? This isn't that show. It does, however, have some things in common with the old PBS program.

"I'm Brad Meltzer. I've spent my life collecting stories. The best include signs, symbols, and coded messages that are hidden in plain sight. Some have become the basis for my novels. But I've only scratched the surface of what's out there, and now History has given me the resources to investigate the rest. This is Decoded."

What if I told you there was an author out there who was known for writing novels that include historical conspiracies, secret societies and buried treasures, and that this author has found a way to parlay his moderate writing success into a television series for History?

“Ugh. How many times do I have to explain this to you? If you see the neighbor's house getting broken into, it's probably Karl high out of his mind thinking he's locked out of our house.”

When it comes to office based slacker comedies, Mike Judge’s Office Space still sets the gold standard. Workaholics wishes it could be as quotable and timeless as Office Space, but settles for goofy, instantly forgettable juvenile ramblings suitable for a stoner’s short term memory. Much like the boy’s prank of choice, involving a dollar bill wrapped around poop, Workaholics looks good on the surface, but is pretty much the same old crap underneath.

"Make no mistake. Blood will be spilled. Lives will be lost. Fortunes will be made. Men will be ruined. There will be betrayal and scandal and perfidy of epic proportions."

With a statement like that, how can you not want to check out AMC's newest drama series Hell On Wheels? I've been told the title sounds like it's about motorcycle gangs, and I couldn't agree more. The term refers to the mobile tent city that housed the workers on the Union Pacific Railroad and the support entourage the camp attracted. It was a virtual tent city that had all of the essentials: a church, bar, and whorehouse. It was just after the Civil War, and the American government believed that a railroad connecting the East and West coasts was just the kind of project the country needed to pull back together and heal still-festering wounds. As one of the filmmakers accurately points out, this was the Apollo moon project of the day. Long believed impossible by the brightest engineers of the day, the railroad would cut the time it took to go from coast to coast from six months to just under seven days. It was a truly remarkable feat, and it carried with it more than a fair dosage of corruption and blood. Now AMC has brought those days from 1865 back to our television screen with an ambitious and smartly produced series. It's a must see.